Episode 87: The Dual Eruptions of Mount Haruna

June 1, 2023 Joshua Badgley

Image of Mt. Haruna’s conical dome in the fall. Public domain photo downloaded from Wikimedia.

This episode is a little different. We are looking at an event—actually two events—that we only really know through archaeology, because nothing that we've found in the written record references it. I’m talking about the two eruptions of Mount Haruna in the early and mid 6th centuries.

For more, check out some of the links we have below in the References section.

Haniwa collection

A collection of Haniwa at the Tokyo National Museum, showing various different types of haniwa figures.

Haniwa warrior

Here we have a haniwa figure of someone who appears to be a warrior or a hunter. Along with regular clothing, he has on arm protectors, a short sword, and accoutrements for archery. Tokyo National Museum - Photo by author.

Belt and accessories

Here we see the patterned belt and various accessories. In particular we see a wrist guard hanging from the belt, used to protect the wrist when using a bow. Tokyo National Museum - Photo by author.

Warrior in "Tanko"

Here we see a warrior in classic “tanko” style armor. Tokyo National Museum - Photo by author.

Kofun person

Another example of the figures found at various tombs. Tokyo National Museum - Photo by author.

Figure sitting in a chair

Here we see someone sitting in a chair of some kind. Tokyo National Museum - photo by author.

Musician

Here we have someone playing music on what looks to be a zither, like the wagon. Tokyo National Museum - photo by author.

Kofun era horse

Here we have a haniwa figure of a horse, all dressed up in its finery. Tokyo National Museum - photo by author.

Kofun bit and stirrups

Here we see a kofun era bit and pair of stirrups. Notice these stirrups are not dissimilar from western stirrups, compared to the later abumi, which were more like curved platforms. Tokyo National Museum - photo by author.

Kofun era stirrups

Another style of stirrup, this one more “pot” shaped, covering the whole of the front of the foot, giving greater purchase, but still covering all sides of the foot. Tokyo National Museum - photo by author.

Belt (reconstruction)

This is a reconstruction of a 6th century belt, quite similar to what was found on the continent. This would have likely been for an elite, with plenty of places to hang pouches and other tools. Tokyo National Museum - photo by author.

Solid "tanko" armor

This relatively solid style, or “tanko” armor was an earlier form, and is more rigid than the lamellar. It is often suggested that the lamellar came in with horse riding culture. Tokyo National Museum - photo by author

Warrior in "tanko" style armor

Here we have a warrior in what appears to be the solid “tanko” style of armor, including the rivets or ties holding it together. Tokyo National Museum - photo by author.

Lamellar armor

Often called “keiko” style armor, this is an example of the lamellar armor found in the archipelago and the peninsula in the 6th century. Tokyo National Museum - photo by author

Warrior in lamellar armor

Here we see a haniwa of a warrior in what appears to be the lamellar, or “keiko”, style of armor. Tokyo National Museum - photo by author.

Peninsular lamellar (reconstruction)

A reconstruction of the kind of lamellar armor found on the peninsula in the Goguryeo region. There are many similarities with armors found in the archipelago at this time. Seoul National Museum - photo by author.

If you want to see more, check out photos I’ve pulled out for the Kofun period in the 6th century, over on Flickr.

The Tone River

A quick note about the Tone River. Although the modern river runs to the Pacific ocean on the coast of modern Chiba prefecture, the original river used to run south, through modern Tokyo and flowing into Tokyo Bay. During the Edo period (1654), to avoid flooding, the river was redirected into a nearby watershed, creating the current geography. This river has long been important in the Kanto plain, as evidenced by the communities that grew up along its banks.

Welcome to Sengoku Daimyo’s Chronicles of Japan. My name is Joshua and this is Episode 87: The Dual Eruptions of Mt. Haruna.
We’ve been going through the Chronicles for some time now, from The Age of the Gods and the legends about how the heavenly grandchild, Ninigi no Mikoto, came down to earth, settling in Kyushu. We read about how the legendary Iwarebiko, aka Jimmu Tenno, came up and conquered the land of Yamato, and how his descendants ruled from there. We’ve also gone over the various dynasties, from Mimaki Iribiko and his descendants to Homuda Wake and his descendants on the Kawachi plain. And recently we had Wohodo no Ohokimi, aka Keitai Tennou, enter the picture, kicking off the latest, and generally agreed to be the current dynasty of rulers.
In the earliest chronicles, it is clear that we were looking at events that had been highly mythologized. Certainly there may have been some truth and memory about how the Miwa cult had become prominent, not to mention references to Izumo indicating its importance in the early archipelago.
The Miwa Cult, of course, refers to religious practices centered around Mt. Miwa, which the Yamato court appears to have used as a political and cultural tool as they expanded their influence across the archipelago. Similarly, the numerous references to Izumo, on the Japan sea side of western Honshu, as a “Land of the Gods” and the eventual submission of those deities to the Yamato court in the record is bolstered by archaeological evidence of competing cultural centers. However, the strict narratives given in the Nihon Shoki can hardly be taken at face value, and there were also plenty of examples of conflicting information.
Most prominently is no doubt the story of Queen Himiko, whom the Wei chroniclers talked about extensively and yet in the Chronicles, excerpts from her life are inserted into the reign of Okinaga no Tarashi Hime, aka Jingu Tennou, leading us to further doubt much of what is written.
Of course, much of the older history was probably passed down as stories and oral teachings, a tradition that appears to have continued right up through the time of the Chronicles. But even as writing came to the archipelago, and the various outposts of the Yamato court started to send in written reports, there are still discrepancies with what we know compared to the records from the peninsula and continent, not to mention the archeological record. Most of this is attributed to the chroniclers themselves and their mission. While ostensibly they were telling the story of “Nihon”, i.e. the story of Japan, more realistically they were focused on the legitimacy of the sovereign and propping up the power and prestige of the court and the important families.
For example, there is a lot on the central areas around Yamato, including Kawachi, Harima, and Yamashiro. Where we do get information outside of these areas, it is typically something regarding the Yamato court - information on the lands of Kibi, Izumo, Koshi, or just about anything in Tsukushi is limited, even though we know these were areas where a lot was going on.
This is particularly intriguing to me as there are some things that you would think might make it in, natural disasters being one of them. Then again, Japan is volcanically active. Earthquakes are not uncommon, and then the occasional volcanic eruption. Then there are the various typhoons and heavy rainstorms that create flooding and other hazardous conditions. However, many of these disasters are localized, and some may just not have been considered that important. If the disaster didn’t affect the court and wasn’t related in some way to a portent or omen about the court, then it may have been overlooked by the Chroniclers. And, with the number of disasters that Japan experiences, many things that we might find shocking or incredible may not have been considered all that special by the Chroniclers.
This episode, I want to start out looking at just such a disaster and what we learn about the period in the aftermath: the 6th century eruptions of the Haruna volcano. Credit where credit is due, this was suggested as a topic by listener Samy who brought it to my attention, so thanks for that.
Mount Haruna is located in modern Gunma prefecture, far to the east of the Nara basin, and thus likely out of sight for most of the Chroniclers. It is in the area of modern Takasaki city, in Gunma Prefecture, just west of Maebashi. This is about 100 kilometers northwest of modern Tokyo, or about an hour and a half by train. Along the eastern edge of Takasaki flows the Tone River, which continues all the way out to its mouth on the Pacific Ocean on the on the eastern coast of Honshu at modern Choushi, in Chiba prefecture. Along the Tone river can be found many kofun, which would appear to indicate a healthy population with elites capable of mobilizing the labor for such monumental constructions.
Volcanoes are notoriously attractive targets for human habitation. Porous rock, such as pumice, with various minerals from the ash deposited in the surrounding areas, can provide extremely fertile soil, which is great for agriculturists. There may also be hot springs, and in this Mount Haruna is no exception, making it a popular place for people to visit, even today. Of course, volcanoes also bring complications. Poisonous gasses can seep out of the ground, often settling, invisible, in depressions and low lying areas. And of course, there are the eruptions. A mountain may be quiet for generations, and then suddenly it erupts. An eruption may mean little more than smoke and ash, or it may mean fiery rocks raining down from the sky and pyroclastic flows—superheated gas and rock that flows like a river, killing all in its path and burying everything in a layer of what is called “tephra”—pumice, ash, and other solid material ejected from the volcano.
For all of their devastating effects, however, these can sometimes be a boon to archaeologists, as they bury a site quickly, preserving it in amazing detail. Perhaps the most famous of these is the Italian city of Pompeii, which was buried so quickly that they found much of the city just as it was in the final moments as the city was buried. A horrendous toll of human life, and yet, centuries later, it gives us an unequaled view into the life that they lived.
At the foot of Mount Haruna, we find what some have dubbed the “Pompeii of Japan”. It is an area around the banks of the Agatsuma River, which flows southeast into the Tone river, in modern Shibukawa. This area was apparently well-populated, with villages on the slopes and around the river. Rather than a single site, there are a collection of sites, including Kanai Higashiura, Kuroimine, and others. No doubt there are more sites, lurking under the soil, still to be discovered in future excavations.
We can never know for certainty what happened in the past, but given the state of preservation, there are a few things that we can know.
The slopes and valleys around Mt. Haruna were dotted with signs of human settlement. One of these were the many kofun in the area. In fact, the 5th century Inariyama kofun, containing one of the swords mentioning Wakatakiru, which we discussed back in episodes 46 and 58, is only about 20km or so southeast of Mt. Haruna, and 4km from the banks of Tone river. So in the mid to late fifth century, someone from the area had been of service to the court at Yamato, as recorded on a precious iron sword. it wasn’t alone. There were kofun throughout the area, including keyhole shaped kofun from the 4th century upward to the current point of our story. They lay mostly to the south, in the flat lands around the various river valleys, such as the Tone River, mentioned before. This was part of the land of Kenu, mentioned in the Chronicles from the time of Yamatodake, later split into Shimozuke and, here, Kozuke.
In addition to the kofun there were, of course, habitats for the living inhabitants of the region as well. We have evidence of pit structures—dug into the ground like the earliest structures on the archipelago—but also we have post holes indicating a raised building and even ground-level structures of some sort. There were also various fences, woven together out of reeds and thin bamboo, set up as well. No doubt the smoke of thousands of fires would have drifted up to the heavens from the valleys as people cooked food, fired pottery, and more.
The flat areas of the valley were likely covered in rice paddy fields, as well as fields for other crops. Men, women, and children would have come together to tend the fields throughout the year, but that wasn’t the only occupation. There were those who raised horses, and others who worked with the earth to create clay vessels. Woodcutters would have climbed the hillside to bring back fuel for the many fires, while hunters sought their quarry in the same, wooded terrain.
There were also special ritual areas. In one instance we know there was a round area designated for some kind of ritual, where various hajiware and other types of pottery were found, stacked layer upon layer, as new dishes were added on top of old. Inside of the clay jars, pots, cups, dishes, etc. there were stone and iron implements, clearly meant for ritual purposes. There were likely special individuals who were tasked to maintain the area and to ensure that the proper rituals—whatever those may have been—were carried out.
Speaking of the people, from the archeological evidence we know that they were rather diverse, at least for the archipelago at this time. Some of them more closely resembled the people who had been in the islands since the Jomon period, but others more closely resembled the people from more recent waves, come over from the peninsula. They lived and worked, side-by-side, and grew up in the same regions and the same villages, such that there was no practical differentiation between them, though likely there were memories of which families had descended from people outside of the community and vice versa.
Along with everyone in civilian dress, you also would see people in iron armor. Lamellar armor, also known as “keiko”, was developed on the continent, and had grown more and more popular. It would eventually replace altogether the rigid, riveted armor, often called “tanko”. The tanko style is made up of rectangular and triangular shaped iron plates, beaten into shape over a wooden form and then riveted into place. Inside it was lined with leather, both for structural integrity and for some level of comfort. Lacquer would have helped keep the iron protected from the elements. The keiko, or lamellar, armors were quite different, being made up of many different small plates, known to us as “san-e”. It could take thousands of iron plates, all laced together, to make a single suit, but it offered a certain amount of flexibility, and was probably the more expensive product given just how labor intensive it would have been to make.
From haniwa figurines from this period, which depict all aspects of daily life, from warriors to dancers and even musicians, we also have some idea of the clothing, jewelry, hairstyles, and even makeup from around this period. A particular style of trousers which ballooned out and were then tied at the knee were not uncommon, and there were also overshirts that flared out at the waist. Many of these were held together with ties, though there were sashes and belts as well. In some instances we even see remnants of paint or some kind of coloration on the clothing and faces of the haniwa, which may have indicated a kind of make-up that was popular, or perhaps even a form of tattoo.
To get a better visual, check out some of the haniwa figures from this period on our website: sengokudaimyo.com/podcast.
So this may give us an idea of what life was like along the slopes and valleys surround Mount Haruna in the early 6th century. It was a relatively diverse community, cultivating the land around the rivers, burying their dead in the mounded tombs that dotted the landscape, but otherwise going about their lives. There were farmers, hunters, and various people making crafts, jewelry, and more. There were differences of class as well, with certain elites having a special place in the community, with finer armor, horses, and other distinguishing characteristics.
One imagines them dealing with the various seasons throughout the year, likely gathering to celebrate major events in the life of the community.
From what we can tell, early in the 6th century, life was proceeding normally, and nobody expected what was to come. The timeline and details are fuzzy, but there is enough research and we’ve encountered similar events often enough that we can get an idea of just what happened. There may have been a few warning rumbles—but earthquakes are hardly anything new in the archipelago, and even if there were more or they were more numerous, likely life continued as normally, albeit perhaps with a few more offerings presented in the ceremonial pit. This continued until sometime in the summer, probably around 539.
The first major indication of a problem was likely an explosion and a plume of smoke rising up from near the top of the mountain, which would have stretched out across the skies, pushed by prevailing winds. Magma had reached the surface and interacted with water, which quickly superheated and exploded. Ash was ejected into the sky, but as it rose the fine ash started to stick to the outside of small water droplets, forming a kind of stony hail that started to pelt the area around Mt. Haruna, particularly to the northeast. Small ash pellets, some as large as an inch and a quarter in diameter, began to fall on the surrounding people and settlements. This was followed by a muddy rain—which is to say a rain that, rather than washing things clean, was so full of ash in the air that it left a film on everything it touched. People likely feared what this could mean—rocks and mud falling from the sky isn’t exactly an every day occurrence.
One man, likely an elite, who used their connection to the local kami as part of the justification of their status, decided to try to do something. He donned his lamellar armor—something not too dissimilar from what was being used on the Korean peninsula, and he went out to plead with the angry mountain to quiet its wrath.
Unfortunately for him, the rain of ash was only the beginning. A mixture of superheated rock and water, had been pushed out over the walls of the caldera, and was already flowing down towards the settlement at Kannai-Higashiura. This pyroclastic flow was the same thing that had both doomed and preserved the ancient city of Pompeii, and in a similar way it quickly covered the low-lying areas. Wood was set alight, and metal softened by the heat, men, women, and children attempted to flee, but this was not something you could outrun. Like an angry torrent, it rushed over the landscape, burning everything it touched, but also covering and preserving things close to the ground.
The elite warrior fell face first, likely overtaken by the wall of heat that the flow exuded. Others tried to shield themselves in ditches or behind walls, but it was no use. A wall, at least three meters high, collapsed and was likewise buried.
After a while, the flow stopped. Scars were burnt across the mountainside, and fires still raged, but the eruption itself had ended. Who knows how many lay dead or wounded in the aftermath. Trees had been cut down by the flow, let alone houses, walls, and other structures. Then there is also the question of what we don’t see. While Pompeii was covered in ash, nearby Herculaneum was suffocated by poisonous gasses. How many others survived the initial onslaught only to be overcome a short time after? It is hard to say since we only have that which was preserved, but we can assume that that what had only a short time before been a thriving community was now mostly gone, covered in ash and pumice. It is hard to believe that anyone who survived was not personally touched by such a tragedy.
And yet, humans are resourceful, and not easily deterred. We would not blame the locals for picking up stakes and moving away, abandoning any settlements on or around the mountain. And yet, some thirty years later, we see that people were still living in and around Mount Haruna. Unfortunately we know this because the mountain wasn’t quite finished, and three decades after that first eruption, the Mount Haruna once more erupted. This time, it threw up so much ash and pumice that there was still a layer three centimeters thick in modern Soma city, about 200 kilometers to the northeast. A little bit closer, at only 10 kilometers away, it buried a settlement at modern Kuroimine, across the Agatsuma river on the slopes of an adjacent mountain, under two meters of pumice, which accumulated in only a matter of hours.

As a result, from all of this, we do have a better idea of just what life was like in the 6th century—at least in this corner of the archipelago. We have rice fields buried under sediment. We have the remains of a woven fence, some three meters high. We have armor, in situ, as it was worn, and we have a ritual site that was apparently in use. Normally, such things are only recognizable from traces. Armor may be found in tombs, but details like how it was worn are often lacking. Grave goods in burials are an excellent insight into a culture, but are also inherently biased. They are items that were staged—whether for reasons of ceremony of sentimentality—often leaving us with questions, including how common they were and whether or not what we have was made for daily use or not. Even items in a rubbish pit were often deliberately placed there, and therefore out of context from the whole of how they were use.
Of course, we don’t have everything. The exceedingly high temperatures associated with pyroclastic flows and, well, anything having to do with a volcanic eruption, meant that much of the organic material burned, and metal melted and warped. Even just the physical pressure could have knocked things over and pushed them about, so it isn’t perfect, but some of what archaeologists have uncovered is pretty amazing.
Today, more than 1400 years later, we look on it as a godsend—a treasure trove of archaeological evidence that was preserved unlike almost any other in the archipelago. We talk in sanitized terms of tephra layers, Plinian eruptions, and pyroclastic flows, but meanwhile this was a real tragedy in the lives of the people who lived on and around the mountain. Lives were cut short, and the entire landscape of the area changed. So much rock fell from the sky that it crushed houses, and worse. In living memory of the first eruption, a second had hit. What kind of thoughts must have gone through the heads of the people of the area? How did they come to understand and grapple with this tragic period in their lives?
Such an event must have made an impression on people, and it was certainly wide ranging, impacting sites over 200 kilometers away. And yet, neither of these eruptions are found anywhere in the chronicles—there isn’t even a hint of them. Sure, some dude’s prized horse is worth mentioning, and even contact with people up in the far reaches of Koshi, on the island of Sado, are mentioned. And then there are various omens, such as the palace spontaneously catching fire. Wouldn’t this have been on par with such an event? A mountain blows its top, and nothing at all is written or said about it?
Sure, I could get that things like earthquakes and even typhoons were common enough that they were simply natural—if unfortunate—phenomenon. They weren’t regular enough to be tied to any kind of annual occurrence, and yet they no doubt happened with enough frequency that they were known events. So unless they were tied in with something directly relating to the story the Chroniclers were telling, why mention it?
Were volcanic eruptions that well known? Was it seen as a terrible, but natural event?
Or perhaps they didn’t know about it. Perhaps nobody sent a record or memorial up to Yamato. This seems unlikely as well. We already have this general area tied to Yamato through someone who served at the court of Wakatakiru no Ohokimi in the fifth century, and the court had clearly established Miyake, or royal granaries, in distant regions, such as Kochi, and no doubt out here as well.
That leaves me with just one thought: the court knew about such things, but it didn’t matter to the chroniclers. Perhaps there was some nefarious reason they wanted it kept out of the Chronicles, but more likely it was just not part of the story they were telling. The eruption would not have been visible from the Kinki region, and based on the layers of ash and pumice that fell, much of the impact of the eruption was felt north and east of Mount Haruna, so falling even further away from the Yamato court, in a mostly mountainous region that would have been relatively sparsely populated, at least compared to the low-lying plains that would have made for the better rice cultivation. Without an impact on the royal court and its families, this becomes a relative non-event.
And if something like this can go unnoticed in the Chronicles, what more was happening that we don’t even know about? Sure, certain areas garner our attention. Koshi, Owari, Harima, and even Kibi and northern Kyushu, or Tsukushi, on occasion. But like I said earlier, most of the stories center on the lands of Yamato and Kawachi. Even Yamashiro comes in only every once in a while, and rarely to we hear much from the areas south, such as the Kii peninsula, and pretty much nothing from the island we know as Shikoku. Truth be told, only a small portion of the Kofun era archipelago is ever truly discussed in any detail, leaving us to wonder just what was happening.
Fortunately, archaeology is helping to fill in some of those gaps, as well as helping us to make sense of what was happening elsewhere in the archipelago. This, in turn, raises more questions, and readjusts our understanding—sometimes supporting theories that we already knew, while at other times challenging what we thought we knew.
Some of what we know about the Mount Haruna eruptions comes from rescue archaeology, commissioned prior to a new construction project. Just like the Jomon era ritual site of Shakado was discovered during the construction of the Chuo Expressway, as mentioned way back in Episode 3, so too was the site of Kanai-Higashiura uncovered during excavations for the Joshin expressway. Fortunately for us, archaeology is rather popular in Japan, right down to the local level, and so the discovery of the site led to relatively extensive research and numerous articles on what was found. Researchers are continuing to review what was found and the context of the site..
Today, a fair amount of information can be found online via groups like the Gunma Arachaeological Research Foundation. While the pages are largely in Japanese, I encourage people to check out the reports on their website, which I’ll link to in the References section of the podcast blog page. There you can see some of the actual finds and even diagrams of reconstructions and the extent of the eruptions. For those who don’t speak Japanese, I’ll just say that machine translation has come a long way and while it often isn’t perfect, machine translation can be really useful to help get the gist of what is being discussed.
There is also literature to be found in various works talking as much about the geologic layers that were laid down during the two eruptions. The two tephra layers—the layers of ash and pumice that were ejected from Haruna and laid down across several hundred kilometers—provides archaeologists with relatively clear temporal markers, even in the absence of other identifying information, such as distinct pottery or other clues. They’ve even been able to use organic material at the sites to provide a fairly narrow range for when the two eruptions happened. The first was clearly in the early 6th century, while the other was about the mid 6th century, and they were likely only about 30 years apart from one another. In fact, the layers have distinct names: The Haruna-Futatsudake eruption and the Haruna-Ikaho eruption.
And, as I said, if you’d like to know more we will have various references up on our podcast blog, and you can do some digging on your own—pun, of course, intended. Or maybe take a trip out to Shibukawa and see the sites for yourself—along with a host of other archaeological and historical sites in the region and nearby.
Next, we will get into the reign of the sovereigns who followed Ame Kunioshi, as well as the court politics, not to mention the continued rise of Buddhism.
Until then, thank you for listening and for all of your support. If you like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts. If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode.
Also, feel free to Tweet at us at @SengokuPodcast, or reach out to our Sengoku Daimyo Facebook page. You can also email us at the.sengoku.daimyo@gmail.com.
And that’s all for now. Thank you again, and I’ll see you next episode on Sengoku Daimyo’s Chronicles of Japan.

References

-. -. 金井遺跡群. Gunma Archaeological Research Foundation. http://www.gunmaibun.org/kanaiura/. Last viewed on 5/31/2023.
-. -. 黒井峰遺跡:Kuroimine Iseki. Cultural Heritage Online. https://bunka.nii.ac.jp/heritages/detail/216059. Last viewed on 5/31/2023.
Okuno, Mitsuru, et al. (2019). Eruption age of the Haruna Futatsudake Pumice (Hr-FP), central Japan, by radiocarbon wiggle matching with special reference to a 14C dataset developed from a Japanese tree. Quaternary International, vol 527, 30 August 2019, pp. 29-33
-. -. (2018). Kanai Higashiura. Japanese Journal of Archaeology. https://archaeology.jp/remains/kanai-higashiura/. Last viewed on 5/31/2023.
早田勉. (1989).「 6世紀における榛名火山の2回の噴火とその災害」. 第四紀研究1989 年 27 巻 4 号 p. 297-312. https://doi.org/10.4116/jaqua.27.297

Episode 86: All the Other Stuff

May 16, 2023 Joshua Badgley

Sado Island, off the coast of Niigata prefecture, what was once the land of Koshi. Public domain photo by NASA taken from the ISS in 2021, downloaded from Wikimedia.

RSS

Archives

A lot of random stuff in this one. For the most part I’ll put here some of the people and places we talk about in the episode, for those who want to follow along.

Ame Kunioshi, aka Kimmei Tennō

A familiar name for anyone who has been following us: Ame Kunioshi is our current sovereign. Son of Wohodo no Ōkimi, he was the fourth sovereign in our current line-up, and the second generation of this dynasty. While he was on the throne, Nimna took Silla, and Buddhism was (probably) first introduced to Japan.

Soga no Iname no Sukune no Ōmi

Head of the Soga family, and one of the top three officials in the court of Ame Kunioshi. One thing to note: It is unclear how much that is attributed to him is accurate, as it is possible that some of this was later Soga attempts to prop up their ancestor, but still there seems little reason to doubt that his daughters married into the royal family, at least.

Ishihime

Ame Kunioshi’s primary wife, and daughter of his half-brother, Takewo Hiro Kunioshi no Ōkimi, aka Senka Tennō, and his primary wife, Tachibana Nakatsu, who was, herself, a daughter of Ōke no Ōkimi, aka Ninken Tennō. This made her Ame Kunioshi’s aunt, as well, because he was the daughter of her sister. She was also a sister to Ohatsuse Wakasazaki, aka Buretsu Tennō, the last sovereign of the preivous dynasty.

Yata no Tamakatsu

The eldest son of Ame Kunioshi and Ishihime. We don’t hear much about him other than his death, and that may seem odd unless you consider that he was probably the Crown Prince up until that point. His death would leave room for his brother.

Osada Nunakura Futodamashiki no Mikoto, aka Bidatsu Tennō

Nunakura is the younger son of Ame Kunioshi and Ishihime, and would come to the throne after Ame Kunioshi’s death. He is named Crown Prince after the death of his older brother, Yata no Tamakatsu

Kasanuhi (aka Satake) no Himemiko

Kasanuhi is the daughter of Ishihime and Ame Kunioshi, and the last of their three children.

Kitashi Hime

Daughter of Soga no Iname no Sukune no Ōmi, and one of the wives of Ame Kunioshi.

Wonane Gimi

Another daughter of Soga no Iname no Sukune no Ōmi, and also wife of Ame Kunioshi.

Takechi (or Takeuchi) no Sukune

The first “Prime Minister”, or Ōmi, and a descendant of Ōtarashi Hiko no Ōkimi, aka Keikō Tennō. He was a close confidant and supporter of Okinaga Tarashi Hime (aka Jingū Tennō) as well as her son, Homuda Wake (Ōjin Tennō). Many lineages would trace back to him, including the Heguri and the Soga.

Koshi no Kuni

The land of Koshi (越), which was later split up into various provinces such as Echizen (越前), Etchū (越中), and Echigo (越後), among others. It was along the Japan Sea side of Honshū. It comes up a lot in various records, usually on the periphery of the state.

Sushen / Mishihase (粛慎)

The term “粛慎” shows up in continental records talking about a Tungusic people on the mainland, so it is possible that it is these people that the Chroniclers are talking about. However, it is just as likely that they were some other Tungusic speaking people, or that they were jsut from “up north” just as the Sushen were “up north” from the lands of the Yellow River and Yangzi. There is some thought that they might be from the Okhotsk Culture, which inhabited northern Hokkaidō and the islands to the north. It is also possible they were from the Zoku-Jōmon, or Epi-Jōmon people of northern Tōhoku and Hokkaidō. These are both groups connected with the modern indigenous Ainu population.

The name is often glossed as “Mishihase” in Japanese, and it was used for groups in Tōhoku in later centuries, though it is unclear if they were actually related to the people in the Chronicles.

Sado Island

Sado Island is just off of the coast of modern Niigata prefecture. The island is shaped something like an “S” or a lightning bolt, with two mountain ridges and a valley in between. It has been inhabited for thousands of years, and was later a place of political exile.

Nivkh

A people indigenous to Sakhalin island, along with the Ainu who lived in the southern regions. Their language is a language isolate, meaning that there are no other languages that have been identified as close enough to be considered part of the same family.

Kawahara Tami no Atahe no Miya

We don’t know much but from the name, we can assume Miya was from Kawahara (or Kawara), possibly in Asuka, where Kawara Temple would one day be built. Of course, here he is just seen as a person buying a pretty incredible horse. Later it is said he lived in nearby Hinokuma, which would seem to strengthen that assessment.

Umakai no Omi no Utayori

Utayori was one of the Umakai no Omi (or Mumakahi no Omi, for another reading). This family shows up early on in the Chronicles having been the people in charge of raising the horses for the royal court. They bear the kabane of Omi, putting them, socially, on par with families like the Soga, although I would not say that they were equals at this point. Their position as being in charge of the “horse-keepers” may have something to do with the accusation regarding the queen’s saddle.

Umakai no Omi no Morishi and Umakai no Omi no Nasehi

Two sons of Utayori, who had been killed during torture to try to extract a confession—they were also considered guilty by association, apparently, and only at the last minute were they saved.

Hafuri

A hafuri is actually a job, basically one of the types of priests who handled the indigenous religion of the archipelago.

Michi no Ushi

A local ruler in the land of Koshi. We have seen other instances where it is thought that “no Ushi” became “Nushi”, and so it is likely that he was the ruler of a place called “Michi”.

Shibagaki

An area in Hase (or Hatsuse): a river valley that flows into the southeast Nara Basin, it was probably a place to go and hunt and get away from the day-to-day at the palace.

Yamato no Aya no Atahe no Arako

One of two people sent to meet the Goguryeo envoys in Koshi. “Yamato no Aya no Atahe” is the name of one of the branches of the “Aya” family, which were likely weavers brought over from the continent, originally. In this case it appears to be the Aya of Yamato, though they just use the character for “East”, and they were apparently rather prolific in and around the court. His name, Arako, or “Child of Ara”, makes me wonder if there was a connection to the peninsular state of “Ara”, though I believe they used different characters.

Katsuraki no Atahe no Naniwa

The Katsuraki family has a history of dealing with foreigners, and may have even come from the peninsula themselves, tracing back to one of the few names that may be found in the Korean sources: Katsuraki no Sotsuhiko. The name “Naniwa” is interesting, and I don’t know if that was truly a given name or just where he was from.

Sagaraka (or Saganaka)

An area in Yamashiro, possibly near Saganaka Shrine, which uses the same characters (相樂), though it is hard to know for certain. That is just north of modern Nara city.

Kashiwade no Omi no Katabeko

A member of the Kashiwade no Omi family who was actually the one to retrieve the Goguryeo envoys and to whom Michi no Ushi gave reverence, exposing that he was not the sovereign, because why else would he bow like that to someone else?

Kose no Omi no Saru and Kishi no Akabato

Little is known other than they were apparently taking a barge to fetch the Goguryeo envoys.

Yamato no Aya no Saka no Ue no Atahe no Komaro

This name is a mouthful, but it still breaks down into fairly reasonable chunks. So “Yamato no Aya” is one part, and we addressed this before. “Saka no Uhe” is probably another locative, so they are from the Yamato Aya in Saka no Uhe, or something similar. “Atahe” is the family kabane for Yamato no Aya. And then “Komaro” is his actual name. He is sent to be the one to “entertain” the Goguryeo envoys, so likely he was taking care of everything they needed at their residence.

Nishikori no Obito no Ōshi (or Ōishi)

This is the other person sent with Komaro. Nishikori no Obito is the family name and kabane and then their name is Ōshi or Ōishi (大石).

Wang Jinnie

We talked about him and his family last episode. Sometimes referred to as Ō Chin’ni, or something similar, his name appears to be Sinic from somewhere on the continent. That likely explains how he was able to assist so much with the Goguryeo envoys.

Tsunoga Arashito

Another example of someone coming from the peninsula, a local ruler trying to impersonate the Yamato sovereign, and then arriving after the sovereign passed away, except that he was back in the era of Mimaki and Ikume Iribiko.

Kibi no Atahe no Naniwa

Named similar to Katsuraki no Naniwa, above. He was supposed to return shipwrecked envoys from Goguryeo.

Iwahi and Masa

Two of Kibi no Atahe no Naniwa’s men who accompanied envoys back to Goguryeo.

Welcome to Sengoku Daimyo’s Chronicles of Japan. This is Episode 86: All the Other Stuff
This episode I want to finish up the events of Ame Kunioshi’s reign. We’ve been following Ame Kunioshi, aka Kimmei Tenno, for a while and covered perhaps the things that he was remembered for most, as well as the two most large-scale disruptive things that happened around the time of his reign. First of these disruptions was everything going on on the continent, and the consensus appears to be that at this point we truly get into a period where the Korean peninsula is under the authority and control of the three main states—Baekje and Silla in the south, and Goguryeo in the north. Silla’s own power was on the rise—whereas it was always counted as something of a local power, it had gained enough might to take over the various statelets in its orbit, and with ambitions for more.
The second disruption, which we’ve covered in the last two episodes, is the arrival of Buddhism to Japan. As we noted, it is likely that Buddhism had come to the islands earlier, but it is in this reign—or slightly earlier—that it shows up in the historical record and is counted as something of interest to the court. We’ll follow up on this over the course of the next several reigns, as Buddhism, and its connection with the Soga family, play a large part in this period.
Speaking of the Soga Family, they once again tie in to what we’re going to focus on in the rest of this episode: the nitty-gritty of the rest of Ame Kunioshi’s reign, when we’re not focused on Buddhism or the continent. As we alluded to previously, the rise of Soga no Iname is another key factor of the politics at the time. The Ohotomo had had their moment at the top, and the Mononobe were still going strong, but Soga no Iname appears more and more in the record. Of course, all of this is based on a narrative compiled by members of the court centuries later, and so we should just keep in mind that we aren’t reading about all the things that happened, but just those things that were considered important to telling the story of Yamato and, perhaps even moreso, those things considered important to telling the story of the royal family.
Some of these entries make perfect sense in that context and others, well, not so much. I’ll do my best to make sense of it, but some of it may require more study and scholarship than I have time and access to, and if you have any thoughts, feel free send them in.
So let’s start with the biographical info. First, we have Ame Kunioshi’s queen, Ishihime. Just as Wohodo had married Tashiraka, a daughter of Ohoke no Ohokimi, aka Ninken Tennou, Ame Kunioshi’s queen, Ishihime, was also the daughter of a previous sovereign. In this case, though, she was technically Ame Kunioshi’s niece, as she was the daughter of his half-brother, Takewo Hiro Kunioshi no Ohokimi, aka Senka Tennou, but that just meant they continued the tradition of keeping it in the family.
Ishihime had two sons and one daughter. The eldest was Yata no Tamakatsu, presumably Ame Kunioshi’s Crown Prince, and then there was his younger brother, Wosada Nunakura Futodamashiki. They also had a sister, Kasanuhi, aka Satake.
Besides Ishihime, Ame Kunioshi is mentioned as having two other consorts. Kitashi Hime and Wonane-gimi, both daughters of Soga no Iname, the Oho-omi. Between them they gave birth to 11 sons and 7 daughters. Significantly, and without getting into too much detail, Kitashi Hime would give birth to three of the next four sovereigns, meaning that the Soga family would have their immediate relatives on the throne for over forty years.
By the way, to make that work out, at least according to the rules of succession that the Nihon Shoki seems to imply, the Soga family itself would need to be of imperial descent – and indeed, it is traced back to Takeuchi no Sukune, and through him to Ohotarashi Hiko no Ohokimi, aka Keikou Tennou. Of course, there is a lot of speculation in that lineage, and it was probably simply made up to help legitimize the Soga family and their royal offspring. On the flip side, Ishihime, Ame Kunioshi’s primary wife and the one recognized as Queen by the Nihongi, who would also produce a future sovereign, was clearly tied in to the royal lineage through maternal links to Ohoke no Ohokimi, aka Ninken Tennou.
There were a few other consorts, but I’m not going to go into every single one other than to say that Ame Kunioshi was clearly prolific—or a lot of lineages wanted to connect themselves back to him. He was quite popular, I guess.
Many of these consorts may have been taken before he was even sovereign. Tradition holds that he was born in 509 and came to the throne in 539, so already thirty years old. Of course some have tried to push that back, and if you recall, the previous sovereigns were supposedly just keeping the throne warm for him, something I don’t quite buy given his age when he finally did ascend. That assumes that the dates are correct, which is a rather big assumption.
So five years after Ame Kunioshi takes the throne, we have the first somewhat oddball event. It was a report from the land of Koshi, which, for those who don’t remember, is the area north of the Japan Alps on the Japan sea side of Honshu, from roughly the area of Ishikawa up to the Tohoku region. So, facing the continent and the peninsula – and apparently, in this year, there were men of Sushen who arrived on Sado Island, at Cape Minabe.
Sado Island is part of modern Niigata prefecture, sitting just a little to the west of modern Niigata city. It had been populated since at least the Jomon period, and in later centuries it would become a place of exile for powerful individuals who were on the political outs. In the Edo period they discovered gold and silver and there was a booming mining industry out there, and you can still go visit some of the old mines today. So that’s the first important thing about this report: it brings Sado into the picture, historically. Sado and the far reaches of Koshi—the influence of Yamato would seem to have grown.
Furthermore, who these unexpected arrivals to Sado were seems to be of some contention. The kanji used are the same that the continental records used for people called Sushen, who are believed to have been a Tungusic people living on the continent of Northeast Asia, possibly up towards modern Siberia. The Japanese, however, gave these characters a different gloss, pronouncing them as “Mishihase”. It is possible that the Mishihase were also Tungusic, or from a similar region of Northeast Asia, and hence the Japanese used the same characters. Or it is possible that they reused a name from the continental records for people living in the north of Japan or in the Okhostk Sea. I’ve seen suggestions that these were related to the Nivkh people or the Okhostk Culture from northern Hokkaido and Sakhalin islands.
The name “Mishihase” is interesting, because at this time, we know that there were a group of people that Yamato referred to as the Emishi living in the far Kanto regions and up into Tohoku. Many of the encounters with the Emishi in the Chronicles, however, appears to take place in regions that had at least transitioned to rice agriculture during the expansion of Yayoi culture, which had once reached up into the northern reaches of Tohoku before settling in the southern parts of Tohoku and down to Kyushu. Above that, archaeological evidence suggests that there was a continuation of Jomon culture, referred to generally as the Epi-Jomon or Zoku-Jomon, which existed in northern Tohoku and Hokkaido until the 7th century, when the cord-marked pottery gave way to a new type of scraped pottery, called Satsumon. Generally speaking the peoples of this area would all be lumped together by Yamato as Emishi, though there is some evidence of the use of the term “Saheki” as well and a few other local ethnonyms that pop up here and there.
The Okhotsk culture appears to have been north even of the Epi-Jomon and eventual Satsumon cultures, and may be related to the modern Nivkh people, who are indigenous to northern Sakhalin. I would note, however, that the Nivkh language is not Tungusic, but rather it is considered a language isolate, so these are not likely the Sushen of the continental records, but ancient people of Sakhalin may have been identified as such by the Yamato court, who simply saw them as being in a similar geographic relationship to Yamato.
Of course, it is also possible that a Tungusic people did take a ship and possibly sail out from the Amur river region, which enters the sea near the northern end of Sakhalin island, or some point north, and that they landed at Sado island, but much more likely it was someone from northern Tohoku, Hokkaido, or even Sakhalin. The Japanese would use the term “Mishihase” for a variety of people through the centuries, much as they would use the term “Emishi”, which makes this hard to pin down.
Wherever these people were from, they apparently arrived during the Spring and Summer and to catch fish for food, and the locals did what humans throughout history have done: They greeted them with open arms and welcomed them to their settlement. Oh, wait, scratch that. Nope, they decided that these people were different enough that they must not be human, called them devils, and refused to go near them. And so began what must have been quite the spring and summer as the locals of Sado kept watch on these strange fishermen, but from a nice, safe distance.
They may have had reason to be wary. At a village called Umu, the people had gathered acorns and covered them with ash. You see, acorns, for all that they seem to be the favorite of squirrels and other such woodland critters, are actually not all that great to eat. Sure, once you remove the cap and outer seed covering, they contain a lot of great nutrients, but many times they are also full of tannic acid. This is the same thing used to tan animal hides, so you can imagine that it might do a number to your insides, and it is rather astringent at that. That bitter taste is normally a clue that you probably shouldn’t eat too much of something.
Thousands of years ago, however, people learned a neat trick, and this seems to have been discovered independently in multiple areas. If the acorns are soaked in ash—often a mixture of ash and water—you can actually leach out the tannins in the acorns. After that, if you wash them and leave them to dry, there is a lot you can do with them, including creating a kind of acorn flour.
This is likely what the people of Umu were doing when the shells of the acorns turned into two men. The images of these men hovered about a foot over the fire and suddenly they started to fight. The villagers broke up the fight and took the shells to a courtyard, where they started to do the same thing. Based on this strange omen, combined with the general human mistrust of outsiders, the people of Umu determined that the strangers meant them harm. Sure enough, the fishermen showed up at the village soon after and plundered it.
Now I can’t say I put much stock in this supernatural fight night, but a lot of this general story seems to be reasonable enough. Fishermen from the Japan Sea or even the Sea of Okhostk could easily have made their way south along the coasts, looking for new and better fishing spots. A local village, particularly one more interested in harvesting the bounty of the land than the bounty of the sea, may have chosen to just ignore the strangers and hope they would go away. And of course, either side could have just as easily raided the other if they felt up to it—no supernatural explanation needed.
Eventually the foreigners apparently settled at Senagawa Bay—probably one of the areas of Sado Island—where it is said that there was a kami that lived there called “Mishihase no Kuma”, or the “Bear of the Mishihase”, or “Sushen”. It is said that anyone who tried to drink the water at Senagawa Bay would immediately drop dead, and that the bones of unfortunate travelers littered the spot.
It isn’t that hard to imagine an area near the shore with an apparently inviting stream or other water source that turned out to be less than ideal, and certainly a story like this could have been a local tradition, handed down to ensure that nobody gave in to temptation. In a place like Japan I suspect that there are all sorts of things that could have gotten into a water source and been largely undetectable.
The name of the kami though is particularly interesting, at least to me. Mishihase no Kuma. As we mentioned, the kanji for “Sushen” is often read in Japanese as “Mishihase”, and “kuma” is bear. Furthermore, we know that the modern Ainu, the indigenous people of Hokkaido and northern Honshu, are known for their close association with bears in their religious worship, including a somewhat controversial bear ritual, known as Iomante, that was once outlawed, but has deep roots in some Ainu cultural practices. Likewise there are also bear connections with the Nivkh people and others in northeast Asia and Siberia, so it doesn’t seem too farfetched that people from Hokkaido or points north would be associated with a bear kami. Then again, it could be coincidence. Bears show up across multiple cultures. But in short: although the Chronicles say that the kami was already present, it’s easy to imagine that an area settled by visitors from a different culture to the north could have left a stamp on the area such that those cultural differences were preserved in the local lore about the area’s kami, and back-dated to time immemorial.
So that covers the goings-on in Sado. Two years later, in 546, the court received another report, but this one was from closer to home, from Imaki, in Yamato. Apparently two years earlier—so around the same year that the report from Cape Minabe came in—there was a man named Kawahara Tami no Atahe no Miya, and he bought a horse. Well, okay, it wasn’t quite that simple. Miya was apparently in the upper story of a building, looking out, when he noticed a horse. Now this horse was bred from the mares which transported food offerings from the fishermen of Kii to the sovereign’s own table. As Miya was watching this young horse, it suddenly saw a shadow, which caused it quite the fright—not entirely surprising, as horses are notoriously skittish. What was surprising, though, was how the horse let out a great neigh and suddenly leapt completely over its mothers back.
Miya immediately knew he had to have that horse, and he went down and bought it right there on the spot. Later people marveled at the horse, which was tame and broken, but a different temperament than most. Anyone who has worked with horses will tell you that they each can have very different personalities, much like people. This horse was special, however, as its leaping days were far from over. In fact, it is said that it once leapt over a ravine at Ouchi that was said to be 180 feet wide. That’s more than half a football field in length—and that’s regardless of if you are talking about soccer or American hand-egg, though maybe not quite Aussie rules.
Alright, so Miya has an awesome horse. Great. Why do we care? In fact, why do we care about any of this? The report from Sado – Koshi – had at least added somewhat to the court’s scope: it mentioned another people, put them in relationship to the Center of Yamato, and demonstrated Yamato’s far-flung reach that they were even getting reports from as far away as Sado Island. But Miya and his horse were close to home, so why this report was noteworthy is less obvious. Okay, so there is the mention of the tribute from Kii, which was a kind of food tax sent in to the Yamato court, which may have been something that the Chroniclers wanted to note for some reason. There may be a few other things going on, though.
For one, Miya is said to have lived in or near Hinokuma. And his name, Kawahara, is also the name of the location of one of the early temples in the Asuka area. The Asuka area, of course, was where the Soga family were dominant, and would play a large role as the location of different palaces and, eventually, Buddhist temples. So it is possible that this was all related geographically to the region, to the Soga, and, through the Soga’s political marriages and influence on the court, to the royal lineage.
This is speculation on my part, however. It is also possible that it had something to do with the horses, and possibly even with the way that they were described on the continent in nearly mythical terms. It wasn’t enough to get a horse, but it had to be a horse of particularly good stock and breeding. Who knows, maybe we’ll see connections that make more sense later in the Chronicles, as sometimes these kinds of Chekovian guns don’t go off until several reigns later—if at all.
Like the story of Miya and his horse, many of the other accounts of this period have to do with various individuals and some of it makes a lot more sense in terms of the Chroniclers’ ambitions. For instance, in 552 we are told that Prince Yata no Tamakatsu no Ohoye no Miko died. It is a short entry, and we really hadn’t encountered Yata no Tamakatsu much before this, other than seeing that he was the eldest son of Ame Kunioshi and his queen, Ishihime. In fact, that appears to be what is meant by “Ohoye” in his name. That likely means he was also the Crown Prince, although he is never named as such. This is par for the course in the narrative up to this point, though—Crown Princes who don’t succeed to the throne are rarely named as such unless there was something else that they did.
Sure enough, two years later, Nunakura Futodamashiki, Yata no Tamakatsu’s younger brother, is named Crown Prince. He would eventually succeed to the throne, and is remembered today as Bidatsu Tennou.
Speaking of death, things were not great in the archipelago during this time. Remember how in 552 they said that Buddhism had come, and then also been rejected, because of a pestilence? Well apparently it wasn’t just disease that hit because flooding came, and that brought with it famine.
Japan is no stranger to heavy rains. In fact, even today the islands experience hurricanes, or “taifuu”, in Japanese, bringing tremendous rain and winds. Even without the winds, though, rains can come that wash out hillsides and flood rivers and valleys. An “Ooyu”, or Big Rain, is nothing to sneeze at in the mountainous islands of Japan, so it is quite believable that a particularly heavy rainy season, coming after years of pestilence, might have brought extensive damage across the land. The Chronicles claim that it got so bad that some people even resorted to cannibalism.
Fortunately the Yamato court officials were learning a phrase that may strike fear into the hearts of anti-establishment types everywhere: “We’re from the government, and we’re here to help.” Except, in this case they absolutely were. All of those taxes that had been acquired in the form of rice payments had been collected and stored in granaries, which not only helped to pay for the various public works that the court wanted to undertake, like setting up their base in Kyushu, but now they could literally just open up the granaries and feed people. And that’s what they did. The royal granaries helped alleviate the hunger so that people could get through the year.
Of course, just because people were able to eat and get on with their lives didn’t mean that death wasn’t still an ever-present threat. Granted, not everyone gets their own obituary in the Chronicles, but those in the elite circles often were considered worth a note. Sure enough, in 570, we are told that Soga no Iname, the Oho-omi, died, just one year before the sovereign, Ame Kunioshi, would also pass away.
Soga no Iname’s death was no doubt a big event; he was the head of a power family and the Oho-omi, or Great Minister. Not only is he connected with the first instance of Buddhism in the archipelago, but, once again, two of his daughters had married Ame Kunioshi, and while it may not have been known at the time, the Chroniclers certainly knew the importance of this figure who would have at least three grandchildren take the throne. On top of that, his own son, Soga no Umako, would succeed him a couple of years later, and he would be close with another Soga relative, the prince Umayado, or the Prince of the Stable Door. But we’ll get to him in a later episode.
Before we finish there are two other entries that I want to touch on. I mentioned this is somewhat random right?
The first event is the Slander of Utayori. So here we are told that in the 6th month of 562, a person—we don’t know who—slandered a man named Umakahi no Omi no Utayori. They claimed that they had seen his wife with a new saddle that looked suspiciously like the Queen’s saddle. I guess that the charge was that he had stolen the queen’s saddle, or possibly made a replica of it. I’m not entirely sure.
Either way, the court was not happy and so they sent someone to investigate. Of course, this was centuries before Sherlock Holmes, or even before the famous Judge Dee, and so investigative methods were more like harsh interrogation, to the point of torture, to get a confession. You may recall back in Episode 60 something similar happened when the envoys from Silla had come to pay their respects upon the death of Woasatsuma Wakugo no Ohokimi, aka Ingyou Tennou, and the then prince Ohohatsuse Wakatake, later known as Yuryaku Tenno, had basically arrested and interrogated them after a misunderstanding, creating a bit of an international incident.
Of course, at this time, there was no concept of “Innocent until proven guilty”. As I believe I’ve mentioned before, there was a general belief that if someone was accusing you of something then even if you weren’t truly guilty of that particular crime you must have done something to upset the social balance, or else why would someone accuse you and risk their own reputation? The fact that many people would confess under such conditions just to get the interrogation to stop is unsurprising—modern studies have shown that information gained through torture as an interrogation technique is highly suspect, despite how much the movies like to use it.
In this case, however, Utayori wouldn’t break. He maintained his innocence throughout the entire interrogation, until he eventually died in custody.
Now when this happened, there were apparently numerous calamities at the Palace, though since there was no Buddhist threat, the Mononobe and Nakatomi seem to have stayed quiet about it all. In fact, they were either seen as not connected at all or that somehow it was just more proof that Utayori was guilty, because Utayori’s sons, Morishi and Nasehi were then arrested. They were sentenced to be “cast into the fire”, which was apparently an ancient form of execution, akin to burning at the stake, though the officer tasked with this duty was apparently reluctant to do so. I guess at least someone had been paying attention.
This concerned officer himself received a reprieve when Utayori’s wife, the two sons’ mother, appeared and she made a kind of curse-prayer promise-threat. She said, “If my children are to be flung into the fire, surely a great calamity will follow. Therefore I beseech thee to hand them over to the Hafuri to be a slave in service to the gods.”
Given her ardent prayer—and perhaps others wondering about the calamities, not to mention how much Utayori had protested his own innocence—the sons of Utayori had their sentences commuted and instead they were forced to work for the hafuri, or priests, likewise toiling for the upkeep of a shrine or similar religious institution.
This whole episode seems rather odd. The accuser is never named. Utayori seems to be clearly innocent from the Chronicle’s point of view—it doesn’t exactly do the ancient justice system any favors. It is fortunate, for us, however, as it gives us another glimpse into how things apparently operated in ancient Yamato.
Finally, we are at our last story from this reign, and it is interesting not just because of some of the implications for foreign relations, but also because it spanned the course of two reigns. The story starts in the fourth month of 570, and it once again it takes place in Koshi of all places. Apparently ships carrying envoys from Goguryeo had gone significantly off-course and landed all the way up there. How exactly they’d gotten there isn’t clear. Had they come down the normal route, and somehow missed the straits and the entrance to the Seto Inland Sea? Or had they sailed off the eastern coast of the Korean peninsula, perhaps in an attempt to find another way to Japan. Seafaring ships were apparently getting better. By 512, Silla had annexed the island of Uleung, which had been inhabited since ancient times, but is still a staggering 120 kilometers, or 75 miles, east of the Korean peninsula. Still, that is not nearly as far as crossing the Korea strait, which is about 200 kilometers, or 120 miles, if you avoid island hopping along the way. Not that such distances can’t be crossed, but it is just rather significant, so when they say that they had lost their way, that seems accurate.
The envoys also didn’t seem to know much about the geography of the archipelago. Certainly, they weren’t the first from Goguryeo in Japan—there had been earlier immigrants, including a group that ended up in Kyushu and were eventually resettled in Yamashiro. But these envoys landed somewhere in Koshi, and there they met with a local ruler, Michi no Ushi, who claimed to be the true sovereign of Yamato, accepting the tribute that the Goguryeo envoys had brought with them.
Of course, this caused a bit of a problem as word of the envoys’ arrival was not exactly kept a state secret, and word quickly spread down to the actual Yamato court of their arrival, though that was delayed a bit as the court was on vacation. Ame Kunioshi and the entire court had gone down to Shibagaki, in Hase, possibly for hunting or some other such excursion, and so it wasn’t until they got back that they sent off Yamato no Aya no Atahe no Arako and Katsuraki no Atahe no Naniwa to go up and meet with the envoys and bring them down. In the meantime, they also began to prepare accommodations for them in Sagaraka in Yamashiro.
By the 5th month, it was Kashiwade no Omi no Katabeko who was the one to first meet the envoys. He came to the mansion of Michi no Ushi, who recognized a representative of the Yamato court and prostrated himself in front of him. At this point the Goguryeo envoys realized that something was up, and that they had apparently made something of a mistake. They demanded that Michi no Ushi return the tribute that they had given him. Katabeko helped arrange all of that and then went back to the court with word of where things stood.
Once the tribute was gathered up, the envoys proceeded on foot down from the Japan Sea coast to Afumi, aka Lake Biwa. With all of the preparations required, they arrived in the 7th month of that year, three months since they had first landed. There they were met by Kose no Omi and Kishi no Akabato, who had come upriver with a decorative barge from the port of Naniwa. They hauled it up to Mount Sasanami, and met the envoys at Kitayama, the North Mountain, in Afumi. From there they traveled downriver, finally arriving at the official residence of Komahi in Yamashiro. From there, they were handed off to Yamato no Aya no Saka-no-Uhe no Atahe no Komaro and Nishikori no Obito no Ohoshi, who took them to the official residence of Sagaraka, which had been prepared for them.
Now I know there are a lot of names in this, but bear with me. For one, there are a lot of Yamato no Aya, one of the groups of Aya, descended from continental weavers, and probably still considered to have continental ties. Then there is the “Nishikori” reference, which is another family that will show up with some ties to mainland traditions.
It is interesting to see how many people were involved in all of this, but also how long it took. It was at least three months from the time they arrived to getting them settled into an official residence. And they sat there for a while, likely until a schedule could be set for their audience with Ame Kunioshi. Unfortunately, before that could happen, tragedy struck. The Nihon Shoki claims that at some point the sovereign took to his bed, sick and ill at ease, and then, in the 4th month of the following year, 571, he passed away.
Nunakura, the Crown Prince, would take on the mantle of sovereign. And after seeing his father buried in Hinokuma, of all places, one of his first orders of business was to greet the Goguryeo envoys and apologize for their long wait—still, the burial of Ame Kunioshi and the ceremonies for enthronement—as well as setting up or confirming court officials, such as the new Oho-omi, Soga no Umako—amust have taken some time, as it was now 572, some two years since the envoys had arrived in the archipelago.
Besides the tribute, the envoys also brought a memorial from Goguryeo—a letter from their sovereign to the sovereign of Yamato, but none of the scribes could read it, not even the envoys, apparently. The memorial wasn’t just a piece of paper, after all—instead, the Goguryeo king had his message inscribed on black crows’ feathers, and then the memorial was brushed on in black ink. Unfortunately—or perhaps deliberately—this made the message a little difficult to read, as it was black on black, and just making out the characters was tough. Here’s where a little continental ingenuity came in to play, for it was none other than Wang Jinnie, whom we talked about last episode, who had a solution.
You may recall that Wang Jinnie was an ally of the Soga family. He had been made the Funa no Fubito, or recorder of ships, by Soga no Iname, and Soga no Iname and his son, Umako, had also played a roll in the advancement of at least two of his sons. Jinnie used a trick where he held the feathers in the steam of boiling rice, and then pressed the feathers to paper to transfer the letters, which could then be read. For this he received high praise from Nunakura no Ohokimi and from the new Oho-omi, Soga no Umako. Jinnie was also able to provide a translation of the memorial, which we assume was the standard diplomatic jargon, as no copy of it is given in the record.
Their message delivered, back at the residence, the Chief Envoy from Goguryeo had apparently berated his assistance. He was pissed at the debacle of the whole thing. Not only had they gone off course, but the tribute had been delivered to the wrong person! Sure, they had eventually sorted things out, but it was no doubt a huge embarrassment.
This left his entourage in a bit of a pickle. As they had delivered the tribute and the memorial, it would soon be time for them to return home, and once they got there, the Chief Envoy’s report would no doubt be the end of their careers—and possibly even their lives if they were held liable for embarrassing their king and country like that. And so they were resolved that the only way they could go home is if the Chief Envoy was not with them, and they decided, then and there, to kill him.
The Chief Envoy got wind of the attack, but it was too late, and he didn’t know what to do. He headed out into the courtyard of the official residence where they were staying. As soon as he was out in the open, one of the assassins ran out, hit him with a club, and then disappeared again. Then someone came from his righthand side and struck him with another club. Then someone rushed in and stabbed him with a sword in the belly and ran off. As the Chief Envoy fell to his knees, prostrating himself and begging for his life, yet another assailant rushed out from the darkness and finished him off.
The body was found the next morning. The official entertainer, Yamato no Aya no Saka-no-uhe no Atahe no Komaro, who had been given the duty back in the reign of Ame Kunioshi, heard about it and asked what had happened. According to the various Associate Envoys, they claimed that the Chief Envoy had been “disobedient”. They said that he had disrespected Nunakura by refusing a wife that the sovereign had presented, and the Associate Envoys were so embarrassed by this that they killed him to make up for the snub.
This seems to have satisfied the Yamato court, who buried the Chief Envoy with full honors and sent the rest of the delegation on its way.
This whole episode is interesting, and seems plausible. There likely were the unfortunate times that diplomatic missions went astray, and they could stay at a foreign court for months or years. After all, it wasn’t like there were regular flights back and forth, and courts had to expect a long lag time between communications.
There is also an interesting parallel here with the story of Tsunoga Arashito, whom we discussed in episode 30. Prince Tsunoga was supposedly descended from the King of Great Kara, rather than Goguryeo, and he is said to have arrived during the time of Mimaki Iribiko, aka Sujin Tennou. Like the Goguryeo envoys, the local ruler of the place where he stopped—in that case Anato—claimed that he was the ruler of Yamato, but rather than stopping, he continued around the northern coast, past Izumo, and eventually down to Yamato that way. By the time he did all of that, though, Mimaki Iribiko had died and his son, Ikume Iribiko, aka Suinin Tennou, had taken the throne and was the one to receive him.
Either this act of impersonating the ruler of Yamato was not exactly a new trick, or the Chroniclers were possibly borrowing some details between stories. It is hard to say for sure, but certainly worth a look.
This was not the last that the archipelago would see of Goguryeo envoys. In the following year, another group of envoys came through Koshi. Unfortunately there was an accident, and their ship was wrecked and many of them drowned—probably along with any tribute. The court itself was starting to get a little suspicious about all of this, as it was the second time they’d had problems and come through the northern ports. Rather than entertaining them—possibly because the tribute and any memorial were lost—the court sent Kibi no Atahe no Naniwa to escort the envoys back home.
Two months later, Naniwa was up in Koshi and had acquired two ships. Two of Naniwa’s men, Iwahi and Masa, were sent aboard the Goguryeo boat, while two of the envoys traveled with Naniwa, a not-uncommon hostage situation for the time. However, several leagues out, the waves started getting rough. Naniwa grew scared, and in order to calm the waves he yeeted his hostages overboard—either to appease the kami or possibly to get rid of bad luck that they had brought with them. At that point there was no way that he could show up in Goguryeo and explain what had happened, and so he turned around. Back in Yamato he gave a whole story of how a Whale and other fish had risen up and were preventing any boat from rowing out, and so that is why they were in Goguryeo at the moment.
However, the problem with lies is that you often have to face the truth, eventually. In this case, retribution came in the form of yet another diplomatic mission. When the envoys arrived at the court, they brought back their guests, Iwahi and Masa, who had been treated as befitted envoys of a foreign land, and they asked about what had happened to the men on the other ship.
Nunakura, who hadn’t quite trusted Naniwa’s account in the first place, was now positive that Naniwa had thrown the envoys over and then lied to cover it up. And so we are told that Naniwa was punished, which probably meant that he was put to death.
And that about wraps up the stories of the Goguryeo envoys. Regardless of anything else, we can see that Yamato is in regular diplomatic contact with various peninsular powers, at the very least. And we are now into the reign of Nunakura no Ohokimi, aka Bidatsu Tennou. And we’ll get to him, but next episode I might try something a little different.
You see, for the most part we are following what we have in various Chronicles, but there is a lot that the Chronicles don’t go into. For one thing, there are day-to-day items that just don’t get mentioned, but even larger events that seem to go unnoticed. We’ll talk about one such event with the two eruptions of Mt. Haruna, and we’ll talk about how some of the picture is being made clearer through the work of archaeology.
Until then, thank you for listening and for all of your support. If you like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts. If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode.
Also, feel free to Tweet at us at @SengokuPodcast, or reach out to our Sengoku Daimyo Facebook page. You can also email us at the.sengoku.daimyo@gmail.com.
And that’s all for now. Thank you again, and I’ll see you next episode on Sengoku Daimyo’s Chronicles of Japan.

References

Aston, W. G. (1972). Nihongi, chronicles of Japan from the earliest times to A.D. 697. London: Allen & Unwin. ISBN0-80480984-4

Episode 85: The Buddha Comes to Japan

May 1, 2023 Joshua Badgley

Sun setting over the hills that form part of the valley around Asuka. In the 6th century this was the territory of the Soga family, and the location of some of the earliest known Buddhist temples in Japan.

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This episode we look at the first attempt to establish Buddhism in Japan, and even though it may have had a rough go of it, this is generally considered to be the start of Japanese Buddhism and also, by some accounts, the true start of the Asuka period, which was characterized by the rise of Buddhism and Buddhist institutions, among other things.

Who’s Who

Ame Kunioshi no Ōkimi, aka Kimmei Tennō

The current sovereign in our narrative. It is unclear when, exactly his reign started and even the role he played vice the various other ministers. This is further brought into question due to the clear attempts by the Chroniclers to portray him as more powerful and involved than he may have actually been.

Soga no Iname no Sukune

Soga no Iname is perhaps one of the most active participants in this narrative. He is the head of the Soga family and the current Ōmi. We know that he resided in the area of Oharida and Mukuhara, in modern Asuka area. He was the first Soga no Ōmi mentioned in the Nihon Shoki, and he hits the ground running. While many previous Ōmi are less than prominent figures in the narrative, Soga no Iname is clearly doing the most with his time in office. In addition to his official position, he had also manuevered two of his daughters into marrying Ame Kunioshi, meaning that he had a very good chance to play grandfather to future sovereigns, or at least members of the royal family.

The Soga family is later said to descend from Takeuchi no Sukune and Ishikawa no Sukune, though this is questionable. More reasonable is the lineage from Soga no Machi to Soga no Karako and Soga no Kōma down to Soga no Iname.

Mononobe no Okoshi

At this point in the story, Mononobe no Okoshi was Ōmuraji, the head of the Mononobe house. He had a powerful lineage, being descended from preivous Ōmuraji who had held the position since at least the time of Wakatake no Ōkimi back in the 5th century.

Wang Jinnie and his children

Wang Jinnie (aka “Ō Shinni” or “Ō Chinni”) is something of an enigmatic figure. He shows up a few times, but his surname name (王) would appear to mark him as having come from the continent. He seems to be involved with recording ships and other such administrative tasks. He has a son, Itsu—or possibly something like “Danchin”, if you use the old Chinese reading—also has a role to play.

Immigrants provided the Yamato court an extremely useful population. They were generally skilled in various arts and technologies, including the technology of government. And so they understood how to read and write and what was necessary to administer different parts of the state. At the same time, immigrants would not necessarily have the same local or regional ties in the archipelago. Members of established families would have ties to the land and the people, which made them useful for administering those areas, but also made them potential threats. Despite what the Chronicles would like us to believe, the central authority was not yet that solidified, and succession could still be an issue.

In such a climate, it is relatively easy to see how immigrants could be useful as they would not have the same political baggage attached to them as members of the local elite.

Welcome to Sengoku Daimyo’s Chronicles of Japan. My name is Joshua and this is episode 85: The Buddha Comes to Japan.
Last couple episodes we’ve talked about Buddhism. We talked about its origins in the Indian subcontinent, with the teachings of Siddhartha Gautama, aka Shakyamuni, the historical Buddha, and how those teachings spread out from India to Gandhara, and then followed the trade routes across the harsh deserts of the Tarim Basin, through the Gansu corridor, and into the Yellow and Yangzi River Valleys. From there the teachings made it all the way to the Korean peninsula, and to the country of Baekje, Yamato’s chief ally on the peninsula.
This episode we’ll look at how Buddhism came to the archipelago and its initial reception there. For some of this we may need to span several reigns, as we’ll be looking at events from early to late 6th century. This is also about more than just religion, and so we may need to dive back into some of the politics we’ve covered up to this point as well. Hopefully we can bring it all together in the end, but if it is a bit of a bumpy ride, just hang with me for a bit.
So let’s start with the official account in the Nihon Shoki, which we already mentioned two episodes ago: the first mention of Buddhism in the Chronicles. The year was 552, or the 13th year in the reign of Ame Kunioshi, aka Kimmei Tennou. That winter, during the 10th month—which was probably closer to December or January on a modern calendar—King Seongmyeong of Baekje had a special gift for his counterpart, the sovereign of Yamato. By this time there are numerous accounts of gifts to Yamato, generally in conjunction with the Baekje-Yamato alliance and Baekje’s requests for military support in their endeavors on the peninsula, generally framed in the Yamato sources as centering on the situation of the country of Nimna.
In this case, the gift was a gilt-bronze image of Shakyamuni Buddha, several flags and umbrellas, and a number of volumes of Buddhist sutras. King Seongmyeong sent a memorial explaining his intent: “This doctrine” (aka Buddhism) “is amongst all doctrines the most excellent. But it is hard to explain, and hard to comprehend. Even the Duke of Zhou and Confucius had not attained to a knowledge of it. This doctrine can create religious merit and retribution with appreciation of the highest wisdom. Imagine a man in possession of treasures to his heart’s content, so that he might satisfy all his wishes in proportion as he used them. Thus it is with the treasure of this wonderful doctrine. Every prayer is fulfilled and naught is wanting. Moreover, from distant India it has extended hither to the three Han, where there are none who do not receive it with reverence as it is preached to them.
“Thy servant, therefore, Myeong, King of Baekje, has humbly dispatched his retainer, Nuri Sacchi, to transmit it to the Imperial Country, and to diffuse it abroad throughout the home provinces, so as to fulfil the recorded saying of Buddha: ‘My law shall spread to the East.’ “
Upon receiving all of these things and hearing the memorial, we are told that the sovereign, Ame Kunioshi, literally leapt for joy. He thanked the envoys, but then put the question to his ministers as to how they should proceed. Soga no Iname no Sukune, holding the position of Oho-omi, recommended that they should worship the statue of the Buddha. After all, if all of the “Western Frontier lands” were worshipping it, then should Yamato really be left out?
On the other side of the argument were Mononobe no Okoshi as well as Nakatomi no Kamako. They argued against stopping the traditional worship of the 180 kami of Heaven and Earth and replacing it with worship of some foreign religion.
With this split decision, Ame Kunioshi decided to have Soga no Iname experiment, first. He told him to go ahead and worship the image and see what happens. And so Soga set it up at his house in Oharida, purified it, and, per Buddhist tradition, retired from the world. He had another house, in nearby Mukuhara, purified and made into a temple. Here he began to worship the Buddha.
Around that same time, there was a pestilence—a disease—that was in the land. People were getting sick and some were dying. This was likely not unprecedented. Healthcare was not exactly up to our modern standards, and while many good things traveled the trade routes, infection and disease likely used them as pathways as well. So diseases would pop up, on occasion. In this instance, though, Mononobe no Okoshi and Nakatomi no Kamako seized on it as their opportunity. They went to Ame Kunioshi and they blamed Soga no Iname and his worship of the Buddha for the plague.
Accordingly, the court removed the statue of the Buddha and tossed it into the canal at Naniwa, and then they burned down Soga no Iname’s temple—which, as you may recall, was basically his house. As soon as they did that, though, Ame Kunioshi’s own Great Hall burst into flames, seemingly out of nowhere, as it was otherwise a clear day.
Little more is said about these events, but that summer there were reports from Kawachi of Buddhist chants booming out of the sea of Chinu near the area of Idzumi. Unate no Atahe was sent to investigate and found an entire log of camphorwood that was quote-unquote “Shining Brightly”. So he gave it to the court, where we are told they used it to have two Buddha images made, which later were installed in a temple in Yoshino; presumably at a much later date.
And then the Chronicles go quiet for the next couple decades, at least on the subject of Buddhism, but this is the first official account of it coming over, and there is quite a bit to unpack. For one thing, the memorials and speeches once again seem like something that the Chroniclers added because it fit with their understanding of the narrative, including their insistence that Yamato was a fully fledged imperial state, and there is some fairly good evidence that King Seongmyeong’s memorial is clearly anachronistic. But there are a few other things, and conflicting records on things such as dates and similar.
So first off, let’s acknowledge that there are too many things in the main narrative in the Chronicles that are just questionable, such as the sovereign “leaping with joy” at the chance to hear about Buddhism, and the fact that King Seongmyeong’s memorial apparently quotes a part of the sutra of the Sovereign Kings of Golden Light, known in Japanese as the Konkoumyou-saishou-ou-kyou, but that translation wasn’t done until 703, during the Tang dynasty, by the monk Yijing in the city of Chang’an. While it would have been known to knowledgable monks like Doji, who may have been helping put the narrative together in 720, it is unlikely that it was in use during the 6th century, when the memorial is said to have been written.
In addition, there is question about the date that all of this supposedly happened. The Nihon Shoki has this event taking place in 552, well into the reign of Ame Kunioshi. However, there are at least two 8th century sources, roughly contemporary with the writing of the Nihon Shoki, the Gangoji Garan Engi and the Jouguuki, and both of these put the date at 538, a good fourteen years earlier, and in the era of Ame Kunioshi’s predecessor, Takewo Hiro Kunioshi, aka Senka Tenno. The first of these, the Gangoji Garan Engi, is a record of the founding of the first permanent temple in Japan, Gangoji, aka Hokoji or, informally, Asukadera, which was founded by Soga no Iname’s heir, Soga no Umako. More on the temple itself, later, but for now we want to focus on the historical aspects of this account, which mostly corroborate the story, talking about Soga no Iname’s role in receiving the image and enshrining it, as well as the early conflict between the Soga clan and their rivals. The other source, the Joguki, focuses on the life of Shotoku Taishi, aka Prince Umayado, who will become a major subject of our narrative at the end of the 6th and early 7th centuries. Not only is he considered the father of Japanese Buddhism, but he had strong connections to the Soga family. Today, most scholars accept the 538 date over the 552 date when talking about Buddhism’s initial arrival into the islands

If the Chroniclers did move the event from 538 to 552, one has to wonder why. This isn’t a simple matter of being off by 60 years, and thus attributable to a mistake in the calendrical sexagenary zodiac cycle of stems and branches, so there must have been something else. One suggestion is that the date conflicted with the chronology that had already been set for the sovereigns. 538 is during the reign of Takewo no Ohokimi, aka Senka Tenno, but what if succession was not quite as cut and dried as all that? What if Ame Kunioshi no Ohokimi had his own court and was in some way ruling at the same time as his half-brothers, Magari no Ohine and Takewo no Ohokimi? They were from different mothers, and thus different factions at court. Ame Kunioshi was young, so it was possible that there were rival lineages attempting to rule, or even some kind of co-ruler deal hearkening back to more ancient precedent. Some even theorize that Magari no Ohine and Takewo Hiro Kunioshi were simply fictional inserts to help span the period between Wohodo and Ame Kunioshi.
Whatever the reason, this theory suggests that it would not have happened in the 13th year of Ame Kunioshi’s reign, but that his reign started in 526, rather than 540. An intriguing hypothesis, but one that begs the question of whether everything in the reign would then need to be shifted to account for that. Given that there are a few attributable events noted that fit with outside sources as well, that doesn’t seem quite as plausible without some very conscious efforts to change the timeline.
Another thought is that the compilers weren’t sure exactly when this event happened, but given Ame Kunioshi’s reputation and long reign, they chose his reign to place it in because it just fit. I suspect that this happened more than once, with people more likely attributing past events to well-remembered sovereigns. If this is the case, then when searching for a date they may have just chosen one that seemed auspicious. In this case, 552 CE was, in some reckonings, an important year in Buddhist history, as there were those who say it as the beginning of the age of “mappou”, the “End of the Law” or perhaps the “Latter days of the Law”.
This definitely is an intriguing theory, and resonates strongly. For most of Japanese history, the idea that we are in this period of “mappo” has had a strong influence, and to a certain extent it is kind of an apocalyptic view of things. The idea of mappo is that while the Buddha was alive, his teachings were fresh and available to all living things. However, after his death, his teachings had to be remembered and passed on. Even with the advent of writing, the meaning and understanding of his teachings, and thus an understanding of dharma, would also atrophy. Different translations, changes in meaning, and just bits and pieces lost to time would mean that for the first 500 to 1,000 years, the Buddha’s disciples would keep things well and the meaning would be protected, but in the next 500 to 1,000 years things would decline, but still be pretty close to the truth. Then – and this is when the period of “mappo” starts - things would really start to decline, until finally, about 5,000 to 10,000 years later—or about 1,000 to 12,000 years after the time of the historical Buddha—things would break down, factions would be fighting one another, and eventually everyone would have forgotten the dharma entirely. It was only then that there would come a new Buddha, Miroku or Maitreya, who would once again teach about the dharma and how to escape suffering, and the whole cycle would start again.
The year 552 would have coincided, according to some estimates, with 1,000 years since the time of Siddhartha Gautama, and so it would have had particular significance to the people of that time, particularly if you counted each of the first two Ages as 500 years each, meaning that the word of the Buddha, that his teachings would spread to the East, would have been completed just as we entered the latter days of the Law.
Regardless of the time—and, as I said earlier, 538 is the more accepted date—the general events described – the statue, the offer of Soga to experiment, and the resulting events - are usually agreed to, although even here we must pause, slightly and ask a few questions.
First off, was this truly the first time that Buddhism had ever shown up in Japan? The answer to that is probably not. There had been many waves of immigrants that had come over to Japan from the peninsula, and even if only a small handful of them had adopted the new religion before coming over it is likely that there were pockets of worshippers. Later, we will see that there are people in Japan who are said to have had prior experience as a monk, or who had their own Buddhist images. These images were probably used by people in their homes—there is no evidence of any particular temples that had been built, privately or otherwise, and so there is no evidence that we have any active monks or nuns in the archipelago, but who knows what was going on in communities outside of the elite core? There were plenty of things that were never commented on if it wasn’t directly relevant to the court.
Furthermore, with all of the envoys that had been to Baekje, surely some of them had experience with Buddhism. And then there were the envoys *from* Baekje, who no doubt brought Buddhist practices with them. So there was likely some kind of familiarity with the religion’s existence, even if it wasn’t necessarily fully understood.
The second point that many people bring up is the role of the sovereign, Ame Kunioshi, or whomever was in charge at the time that the first image came over. While the Nihon Shoki attempts to portray a strong central government with the sovereign at its head, we’ve already seen how different households had arisen and taken some measure of power for themselves. At the end of the 5th and into the early 6th century, the Ohotomo and Mononobe houses were preeminent, with Ohotomo Kanamura taking on actions such as negotiating dealings with the continent and even manuevering around the Crown Prince. The Mononobe wielded considerable authority through their military resources, and now, the Soga appeared to ascendant. It is quite possible that the idea of the sovereign giving any sort of permission or order to worship Buddhism is simply a political fig leaf added by the Chroniclers. The Soga may have been much more independent in their views and dealings. To better understand this, let’s take a look at the uji family system and the Soga family in particular.
Now the Nihon Shoki paints a picture as though these noble uji families were organic, and simply part of the landscape, descending from the kami in the legendary age, with lineages leading down to the present day, although there is some acknowledgment that the earliest ancestors did not necessarily use the family names until a later date. For much of Japanese history, the concept that these family, or uji, were one of the core building blocks of ancient Japanese political and cultural spheres is taken as a matter of course. However, in more modern studies, this view has been questioned, and now the prevailing view is that these families are somewhat different. In fact, the uji are likely just as much an artificial construct as the corporate -Be family labor groups.
According to this theory, early on people were associated with local groups and places. Outside of the immediate family, groups were likely held together by their regional ties as much as anything else. Names appear to be locatives, with ancient titles indicating the -hiko or -hime of this or that area.
Some time in the 5th century, Yamato—and possibly elsewhere in the peninsula—began to adopt the concept of -Be corporate groups from Baekje. We talked about this back in Episode 63, using the Hata as a prime example of how these groups were brought together. More importantly, though, was that each of these -Be groups reported to someone in the court, sometimes with a different surname. These were the uji, created along with the -Be to help administer the labor and work of running the state. They were essentially arms of the state itself, in many ways. The kabane system of titles emphasizes this, with different families having different ranks depending on what they did, whether locally, regionally, or at the central court. Some of these titles, like -Omi and -Kimi, were likely once actual jobs, but eventually it came to represent something more akin to a social ranking.
There have been some questions and emails asking for a bit more in depth on this, and I’d really like to, but I’m afraid that would be too much for now. At the moment I want to focus more on the uji, particularly on those at the top - the uji with the kabane of either Omi or Muraji, as these are the ones most likely to be helping to directly run the government. They even had their own geographical areas within the Nara basin, and elsewhere, that were uji strongholds. The Hata had areas near modern Kyoto, the Mononobe clearly had claims to land around Isonokami, in modern Tenri, and the Soga clan had their holdings in the area of modern Asuka and Kashihara city. At the very least, that is where Soga no Iname’s house was—in Mukuhara and Oharida, both located in the modern area of Asuka, which will become important in the future.
It wasn’t just the landholdings that were important, though. Each uji had some part to play in the functioning of the government. In many cases it was the production or control of a particular service, such as the Hata and silk weaving, or the Mononobe and their affinity with all things military. For the Soga, they appear to have had a rather interesting portfolio.
Traditionally, the Soga family is said to trace its lineage back to Takechi no Sukune, the first Oho-omi back in the time of Okinaga no Tarashi Hime and Homuda Wake no Ohokimi—see episode 46 for more on him. That lineage is likely fabricated, however, and the earliest actual evidence for the family may be from the Kogoshui, where we are told that Soga no Machi was put in charge of the Three Treasuries. These were the Imikura, or sacred treasury; the Uchikura, or royal household treasury; and the Ohokura, the government treasury. This seems like quite the position of responsibility, and it would fit with some of what we see later as the Soga are involved in helping set up Miyake, the various royal storehouses across the land that acted as Yamato court administrative centers for the purposes of collecting goods and funneling them to the court, as well as keeping an eye on the local regions. Although here I feel I would be remiss if I didn’t also note that the “Three Treasuries”, or “Sanzou” is one way to translate the Tripitaka, and given the Soga’s role, I don’t think I can entirely ignore that point.
So the Soga family had experience with administration, and specifically they were dealing with a variety of different goods produced in different regions. If that is the case, then their authority did not necessarily derive from the standard uji-be constructed familial connections, but rather they were deriving positional authority from the central government itself. This may seem like common sense to us, but in the world of ancient Yamato, where family connections were everything, this may have been something new and innovative—and very in keeping with various continental models of administration. It is quite likely that the Soga were dealing with some of the latest innovations in government and political authority, which would also have opened them up to the possibility of new ideas.
In addition, their position meant they likely had wide-ranging contacts across the archipelago and even onto the peninsula. The Soga themselves have connections to the peninsula in the names of some of their members, such as Soga no Karako, where “Karako” can be translated as a “Son of Kara” or a “Son of Gaya”, possibly referring to their origins, and Soga no Kouma, where “Kouma” is a general term for Goguryeo, and so quite possibly indicates a connection with them as well. On top of that, there is a now-out-of-favor theory that once suggested that Soga no Machi might be the same as Moku Machi, an important Baekje official in the late 5th century. While that has been largely discredited, the fact that “Machi” is possibly of Baekje origin cannot be entirely overlooked.
Then there are a series of notes in the Nihon Shoki, particularly surrounding the area of Shirai, in the land of Kibi. These start in 553, just one year after Soga no Iname’s failed attempt to launch a Buddhist temple, at least according to the Nihon Shoki’s record of events. It is a relatively simple note, but it mentions how Soga no Iname made a man by the name of Wang Jinnie the “Funa no Fubito”, or “Recorder of Ships”, and put him in charge of the shipping tax—all at the behest of the sovereign, of course.
Later, in 555, Soga no Iname went with Hozumi no Iwayumi no Omi to Kibi, where they consolidated five districts, or agata, under the administration of a single administrative Miyake in Shirawi. Later, in 556, he would go back to Kibi and establish a Miyake in Kojima, putting in place Katsuraki no Yamada as the Tazukai, or “rural rice field governor”. That same year he and others went to the Takachi district in Yamato and established the Miyake of Ohomusa, or “Great Musa”, for immigrants from Baekje and then Womusa, or “Small Musa”, for immigrants from Goguryeo.
In 569, the person that Soga no Iname had put in charge of recording the ships, Wang Jinnie, had a nephew, Itsu—or possibly Danchin, depending on how you read it—go out to Shirawi to take a census. This is the same Shirawi that Soga no Iname had helped establish in 555. Itsu becomes the Shirawi no Obito, and in 574 we see Soga no Umako, Iname’s heir, heading out to Shirawi with an updated register for Itsu.
So, in short, the Soga family clearly is doing a lot of government administration, and particularly of the Miyake, which is the extension of the court authority into the rest of the archipelago. On top of that, look at how often the names that are coming up in conjunction with what they are doing are referencing immigrant groups. Even the Hozumi family are known at this point for their work on the peninsula, and we see the Soga heavily involved with the Wang family and their fortunes, not to mention Greater and Lesser Musa and the Baekje and Goguryeo individuals there. Wang Jinnie will have even more of a part to play, but we’ll hold onto that for later.
Given everything we can see about how they are operating, is it any surprise that the Soga would advocate in favor of Buddhism? I’d also note that, while other clans have clear connections to heavenly ancestors and kami whom they worshipped, it is unclear to me if the Soga had anything similar. There is mention in the 7th century of the creation of a shrine to their titular ancestors, Takeuchi no Sukune and Ishikawa no Sukune, and today there is a shrine that is dedicated to Soga tsu Hiko and Soga tsu Hime—Basically just lord and lady Soga. But there isn’t anything like the spirit of Futsunushi or Ohomononushi, let alone an Amaterasu or Susano’o.
Why is that important? Well, prior to the 6th century, a lot of clans claimed authority from the ritual power they were perceived to wield, often related to the prestige of their kami. One of the ways that Yamato influence had spread was through the extension of the Miwa cult across the archipelago, and there were even members of the Himatsuribe and the Hioki-be, basically groups of ritualists focused on sun worship, which upheld the royal house. The Mononobe controlled Isonokami shrine, where they worshipped their Ujigami, Futsu-mitama, the spirit of the sound of the sword. And then there were the Nakatomi, who haven’t had much to do in the narrative so far, but we know that they were court ritualists, responsible for ensuring that proper rituals were carried out by the court for the kami to help keep balance in the land.
The dispute between the Soga and the Mononobe and Nakatomi is presented as a struggle between a foreign religion and the native kami of Japan—leaving aside any discussion, for now, about just how “native” said kami actually were. This is, in fact, the primary story that gets told again and again, that the Mononobe and Nakatomi were simply standing up for their beliefs, sincerely believing that if too many people started worshipping foreign gods then it would supplant the worship already present in the islands.
And that may have been a genuine fear at the time, but I would suggest that it was only a small one. What seems more apparent is that we are really looking at just an old fashioned power struggle. Because what all of the information we have about the Soga distills down to is: they were the new kid on the block. The Soga were the up and coming nobility. They had connections with the continent and various immigrant groups. That gave them access to new ideas and new forms of resources. The Mononobe were built on a more traditionalist line. They had been around, ever since at least Wakatake no Ohokimi, playing a significant role in things, alongside the Ohotomo. The Mononobe were at their apex, claiming descent through their own Heavenly Grandson, and having held sway at court through numerous reigns at this point. They represent, in many ways, the old guard.
Worship of a fancy new religious icon—effectively a new kami—threatened to give the Soga even more power and sway. They already had control of the three treasuries, if the Kogoshui is to be believed, and likely had a rather impressive administrative apparatus. Soga no Iname had also ended up successfully marrying off two of his daughters to Ame Kunioshi, making him father-in-law to the current sovereign. If he added to that a spiritual focus that people came to believe in, that would only enhance the Soga’s power and place in the hierarchy.
And what better way to taint all of that, and neutralize these upstarts, than to blame this new god for the plague and pestilence that was killing people. We see it all too often, even today—when people are scared and when there are problems, the easiest people to scapegoat are the foreigners and the outsiders. Those whom we do not see as “us”. It was probably easy to turn the court against Buddhism, at least initially. They threw the image in the canal and burned down the temple, and no doubt they were pleased with themselves.
But that was merely the opening salvo, and as we’ll see in the coming years, the Soga family were hardly done with Buddhism. One can argue whether they were truly devout or if this was merely for political gain, but the Soga family tied themselves to this new foreign religion, for good or for ill, and they wouldn’t be pushed around forever.
When next we touch base on this topic we’ll look at Soga no Iname’s heir, Soga no Umako, and his attempts to start up where his father left off. He would again clash with the Mononobe, and the outcome of that conflict would set the path for the next half a century. It would also see Buddhism become firmly enmeshed with the apparatus of the state. As this happens , we’ll also see the character of Buddhist worship in the archipelago change. Initially, the Buddha was treated little differently from any other kami, and based on the way it is described, probably worshiped in a very similar manner. However, as more sutras came to light and as more people studied and learned about the religion—and as more immigrants were brought in to help explain how things were supposed to work—Buddhism grew in the islands to be its own distinct entity. In fact the growth of Buddhism would even see the eventual definition of “Shinto”, the “Way of the Gods”, a term that was never really needed until there was another concept for native practices to be compared against.
Before we leave off, there is one other story I’d like to mention. It is tangential to our immediate discussion of Buddhism and the Soga, but I think you may find it of interest, nonetheless. This is the story of just what happened—supposedly—to that first Buddhist icon that was tossed into the Naniwa canal.
Because you see, according to tradition, that gilt-bronze icon did not stay stuck in the mud and muck of the canal, nor did it just disappear. Instead there is a tradition that it was found almost a century later. The person who retrieved it was named Honda no Yoshimitsu, and from Naniwa he traveled all the way to Shinano, to the area of modern Nagano, and there he would found a temple in 642. Another reading of his name, Yoshimitsu, is Zenko, and so the temple is named Zenkoji, and you can still go and visit it today.
In fact, the main hall of Zenkoji is considered a national treasure, and it was featured prominently during the 1998 Winter Olympics in Nagano, Japan. It is a popular attraction for tourist both in Japan and from abroad, and if you get a chance I highly recommend going to see it. On the street leading up to the temple entrance are many traditional shops that still sell various foods and traditional arts and crafts, and there are many intriguring features. For example, there is a narrow walkway underneath the main temple that is completely dark, where you are meant to feel along the wall to try to find the key to enlightenment, a kind of physical metaphor of Buddhist teaching.
And of course there is the icon that Honda Yoshimitsu is said to have fished out of the canal.
According to the temple, the icon still exists, and many worshippers believe it to be the oldest extant Buddhist icon in Japan, even older than the icons at Horyuji. However, there is one catch—nobody is allowed to see it. Shortly after it was installed in the temple, the statue was hidden in a special container, or zushi, and it became what is known as a hidden Buddha. This is a tradition particularly prevalent in Japan, where some Buddhas are hidden away and only brought out on very special occasions. Some cynics might note that those occasions are often when the temple needs to raise funds. As for this hidden Buddha, however, it has not been seen more than a handful of times since it was locked away in the 7th century.
Despite that, we know what it looks like—or at least what it is supposed to look like. The image is said to be a triad, and though the Nihon Shoki claims it was an image of Shakyamuni, the central figure of the Zenkoji triad is actually the figure of Amida, aka Amithabha, as in the Pure Land sect of Buddhism. Amida Nyorai is flanked by two attendants. We know all of this because a copy of the Zenkoji image was made in the Kamakura period, and that image, said to be a faithful recreation of the original is also kept at Zenkoji. While the original is kept hidden in the back, the replica, which is thought to have all of the miraculous powers of the original, sits in front, and is therefore called the Maedachi Honzon, basically the image standing in front, vice the original, the Gohonzon, the main image.
Except it gets even better, because the replica is *also* kept hidden away most of the time, and only revealed on special occasions, known as Gokaicho, or “opening of the curtain”, which occurs once every seven years.
The Zenkoji triad became extremely important in later centuries, and copies were made and installed in sub-temples throughout Japan. Even today you may find a Zenkoji-style triad here or there, each one considered to have a spiritual tie back to the original, and some of them even have inscriptions confirming that they are, indeed, Zenkoji style triads
Of course, the big question remains: does the original image actually still exist, and is there any chance that it actually is as old as it claims to be? There really is no good way of knowing. Zenkoji is not offering to open up the zushi any time soon. We do know a few things, however. We know that the temple has burned down at least 11 times over the years, and the Gohonzon was rescued each time, or so they say. There are some who claim that it still exists, but perhaps it is damaged. If that is the case, how did they make the replica, though?
There was an inspection during the Edo period. There was a rumor that it had been stolen, and so an Edo official was sent to check on the status. They reported that it was still there, but crucially they never described actually laying eyes on the statue. In one account where a monk did open the box it is said that their was a blinding light—kind of like the Ark of the Covenant in Indiana Jones but just overwhelming; no faces were melted, at least none that were reported.
The monks of Zenkoji, when asked how they know the image is still there, will point to the weight of the container, which, when lifted, is apparently considerable. They say that is how they know it is still there. Of course, a melted lump of metal might be the same weight as it was when it was full statue, as long as it didn’t lose any actual mass, so it is hard to tell if it is still in good condition.
Even with all of that, there is the question about the veracity of the original objects lineage to begin with. Did Honda Yoshimitsu really just find *the* original statue? And even if he did, how would he have known what it was? Was there an inscription: To Yamato, from Baekje, hugs and kisses?
I’ve yet to see anyone directly compare the purported replica with other statues, but I suspect that would be the route to at least check the age, but nobody seems to be saying that the style of the replica is blatantly wrong for a 6th or 7th century icon from the peninsula or by peninsular craftsmen. Then again, there were plenty of local immigrants in the Naniwa area who could have potentially crafted an image. Indeed, the area around modern Nagano even has traces of Goguryeo style burial cairns, possibly from immigrants settled out there to help with early horse cultivation, and so there is even the possibility that there were locals with the connections and skills to craft something.
If you really want to know more, there is an entire work by Donald McCallum, titled “Zenkoji and Its Icon”, on not just the icon but the entire worship that sprang up around it and caused copies to spread throughout the archipelago.
And that’s where we will leave off for this episode. In the next couple of episodes I want to finish up some of the secular history of this reign, and look a little bit outside of Yamato and the evidence in the Chronicles as well.
Until then, thank you for listening and for all of your support. If you like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts. If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode.
Also, feel free to Tweet at us at @SengokuPodcast, or reach out to our Sengoku Daimyo Facebook page. You can also email us at the.sengoku.daimyo@gmail.com.
And that’s all for now. Thank you again, and I’ll see you next episode on Sengoku Daimyo’s Chronicles of Japan.

References

Friday, K.F. (Ed.). (2017). Routledge Handbook of Premodern Japanese History (1st ed.). Routledge. https://doi.org/10.4324/9781315170473
Deal, William E. and Ruppert, Brian. (2015). A Cultural History of Japanese Buddhism. Japanese Journal of Religious Studies. ISBN: 978-1-405-16700-0.
McCallum, D. F. (2009). The Four Great Temples: Buddhist Art, Archaeology, and Icons of Seventy-Century Japan. University of Hawai’i Press. http://www.jstor.org/stable/j.ctt6wqtwv
Matsuo, K. (13 Dec. 2007). A History of Japanese Buddhism. Leiden, The Netherlands: Brill. doi: https://doi.org/10.1163/ej.9781905246410.i-280
Bentley, John. (2006). The Authenticity of Sendai Kuji Hongi: a New Examination of Texts, with a Translation and Commentary. ISBN-90-04-152253.
Best, J. (2006). A History of the Early Korean Kingdom of Paekche, together with an annotated translation of The Paekche Annals of the Samguk sagi. Cambridge (Massachusetts); London: Harvard University Asia Center. doi:10.2307/j.ctt1tg5q8p
Farris, W. (1998). Sacred Texts and Buried Treasures: Issues in the Historical Archaeology of Ancient Japan. Honolulu: University of Hawaii Press. https://doi.org/10.1515/9780824864224
Piggott, Joan R. (1997). The emergence of Japanese kingship. Stanford, Calif : Stanford University Press
Kiley, C. J. (1973). State and Dynasty in Archaic Yamato. The Journal of Asian Studies, 33(1), 25–49. https://doi.org/10.2307/2052884
Aston, W. G. (1972). Nihongi, chronicles of Japan from the earliest times to A.D. 697. London: Allen & Unwin. ISBN0-80480984-4

Episode 84: The Middle Way Through the Middle Kingdom

April 16, 2023 Joshua Badgley

Ruins of a stupa at the Ancient city of Subashi, once a thriving city in the land of Kucha, home of Kumarajiva, on the northern edge of the Taklamakan Desert in the Tarim Basin. Kucha was a major stop on the Silk Road. Photo by author.

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This episode looks at the trip that the Buddha’s teachings took from the Indian subcontinent through the Kushan empireand the land of Gandhara, and over to East Asia—to the Yellow River and Yangzi River regions as well as the Korean peninsula.

Buddhist Art and Architecture

Ruwanweli Maha Saya, aka Mahathupa, or “Great Stupa” in Anuradapura, Sri Lanka. Photo by author.

Some of the oldest evidence we have for Buddhism are monuments. The Ruwanweli Maha Saya is believed to have been built in about 140 BCE in Sri Lanka, where the Pali Canon was put together and eventually disseminated. It claims to have the largest collection of the Buddha’s relics anywhere in the world, and rises up 103 meters high. It was built at the heart of the ancient capital of Sri Lanka.

This is a very classic stupa shape, and the shape most commonly found in South and Southeast Asia.

Early Buddhist art and artifacts can be hard to find. There are the Ashoka Pillars, which have references to Buddhist theology, and stupas, but most of the written documents have turned to dust, as they were written on leaves or paper, which typically don’t do well outside of very specific conditions.

The historical Buddha represented as a wheel wrapped with a garland, from Madhya Pradesh, in Central India, 2nd Century CE. In the Freer-Sackler Gallery of the Smithsonian in Washington, DC. Photo by author.

Where we do find art, it may not always be obvious. Take this early depiction of the Buddha as a wheel, with a garland. The idea of existence as a wheel that kept turning and turning, and therefore kept bringing people back to an existence of suffering again and again, is at the center of a lot of Buddhist teaching, and so wheels are often used as symbols. Sometimes they will have eight spokes, representing the eightfold path, but here we see it is just a wheel.

Gandhara and the Kushan Empire

Gandhara Stupa

An image of people worshiping at a stupa. You can see the form is fairly standard for the time. 2-3 Century CE, from the British Museum in London, UK. Photo by author.

The Buddha's Enlightenment

Images indicating the story of the Buddha’s enlightenment, and the suppression of the demon, Mara, who tried to disrupt him. 2-3 Century CE, at the British Museum, London, UK. Photo by author.

Image of the Buddha

This image of the Buddha shows many of the western features common in Gandharan art. The hair is more naturalistic than later depictions, and the loose folds of his robe recall some of the Greek and Roman influence in the region’s art. 2-3 Century CE, from the Seoul National Museum. Photo by author.

Death of the Buddha

Here we see the Buddha lying down, entering nirvana, while those of his followers still here in this existence lament their loss. Notice the facial features of the Buddha, including his mustache, which was prominent in a lot of early art. Also the clothing and depictions of his followers. From ca. 200, at the Ashmolean Museum, Oxford, UK. Photo by author.

Boddhisatva

An image of a Boddhisatva—one who has attained buddhahood but delayed nirvana so that they could stay in this existence and help others. From the Prince Albert Museum in Jaipur, India. Photo by author.

Head of the Buddha

From about the 3rd century. Once again, see the features, which were common to the Gandharan style, and which made an impact on early Buddhist images along the Silk Road and all the way to East Asia. In each place he would be depicted with features that were familiar to the people there, while retaining certain distinctive marks, such as the chignon, or ushnisha, at the top of his head. From the Freer-Sackler Gallery in Washington, DC. Photo by author.

Scene from the Buddha's Life

Many reliefs are scenes like this. Much as a church in the west might put scenes from the Bible in a stained glass window, scenes from the Buddha’s life or teachings are often found, usually with depictions of people in local dress and architecture around him. From the New Delhi National Museum. Photo by author.

Seated Boddhisatva

Here is an example of a Boddhisatva, with many of the features of the Buddha, but also with indications of their status as beings who stayed in the world to help others. From the Tokyo National Museum. Photo by author.

The Buddha's Enlightenment

Another scene of Buddha’s enlightenment, with the leaves of the tree above him, and soldiers below and around him—the forces of Mara. His right hand is down, towards the earth, and this gesture is commonly used to reference subduing Mara. Specific gestures and poses became common ways to depict different scenes such that an entire lexicon of how to depict the Buddha was developed. 2-3 Century, Freer-Sackler Gallery. Photo by author.

Seated Buddha

The seated Buddha, holding the fingers of his left hand in his right, forming a common mudra, or hand posture. Here we see a very prominent mustache on the Buddha, common to this period (2-3C) and region. Where we don’t see one, it was probably painted on—most of these would have been elaborately painted in their day, but now only the stone itself remains. From the Tokyo National Museum, photo by author.

Buddha's Disciples

In this scene, the Buddha’s disciples lament their loss at the foot of his deathbed. While most are wailing or comforting each other, we also see one in meditation, not giving in to the feelings of loss. Ca. 100-300, from the Victoria and Albert Museum in London, UK. Photo by author.

I’ve collected a series of images and encourage you to look through at the art style in Gandhara that was so influential on later Buddhist imagery. Much of this comes from the 2nd to 3rd centuries, which was the height of the Kushan Empire’s power.

Tarim Basin

A ruined building with no roof. Wooden and straw supports of some sort of floor can be seen beneath the dirt.In the distance are more ruins and a range of mountains. — Ruins at the ancient Kuchean city of Subashi, looking towards part of the Tianshan mountain range. Photo by author.

One of the main routes of the overland silk road was through the Tarim Basin. To the south it are the Himalayas and the Tibetan Plateau. To the north are the Tianshan mountains, and beyond that the region of Dzungaria, part of the Eurasian steppe. In the center of the Tarim Basin is the Taklamakan desert. Eons ago, it was a fertile inland sea, but over time it has dried up, so that the only remnants are in the eastern extremity—the swampy, stagnant former salt lake of Lop Nor. Despite this seemingly inhospitable land, settlements arose along the edges, where meltwater runoff from the mountains kept rivers flowing. Water could be found there to grow crops and even support thriving cities and kingdoms.

A large mudstone brick wall--possibly part of an ancient building--in the desert. — Ancient city walls at Subashi. Photo by author.

Thanks to the dry conditions of the Tarim Basin, many arts were preserved, including paintings and even documents, giving us keen insights into just what went on along the silk road in ancient times.

One of the larger polities around the time that Buddhism was spreading was the land of Kucha.

Kuchean history is not fully understood. We have mention of it in other documents, but it is known mostly through other sources and the archaeological traces left behind. We do have documents in a language that we believe was the language of Kucha, known as Kuchean or, likely erroneously, as Tocharian B, one of two—or possibly three—related Indo-European languages found in the Tarim Basin. It was once thought that Kucha was related to Kushan and the Yuezhi, though the language of Kushan appears to have been Bactrian, an Indo-Iranian language, instead.

A detailed but eroded painting of the Buddha, with individuals on either side. — The Buddha and disciples from the Qizil cave grotto paintings, 4th-5th Century, on display at the Metropolitan Museum of Art in New York. Photo by Author.

Kucha (or Kuqa or Kuche) likely started further east and then people moved west along the edge of the Tianshan mountains, likely pushed along by the Xiongnu and others who were fighting for dominance in the Gansu region. As such it is part of the northern route through the Tarim basin. While the majority of Kucha has since been lost, there are many sites, such as the ancient city of Subashi and the Qizil caves, which remain. In the Qizil caves, you can see ancient Buddhist statues and paintings by believers. The caves were dug out of the side of a cliff face, and would have provided shelter and shade, which kept the caves, and the art in them, well protected.

A painting of the Buddha is shown on the left, with a dark mustache and hair in the classic chignon style. To his right are paintings of six bald figures, one of whom is holding a feathered fan. — Image of the Buddha and disciples from a fresco in Miran, along the southern edge of the Tarim Basin. 3rd-4th Century, currently in the New Delhi National Museum. Photo by author.

This is where the monk Kumarajiva was from, making his way west towards Chang’an (modern Xian) and helping to spread Buddhism there.

There was another route along the south, where traces of loanwords show up that appear linked to the language of Kucha. Whether there were more speakers in that area or they came from other influences, there were definitely links across the region in terms of art and religion.

Dunhuang

A low wall, maybe 2 to 3 meters tall, with clear striations. The base is covered in sand and dirt, and a modern fence can be seen in the foreground. — Western edge of the Han era “Great Wall” in Dunhuang, near Yumenguan, the Jade Gate. Photo by author.

At the edge of the Han sphere of influence was the city of Dunhuang, where the northern and southern routes around the Tarim basin came together, leading towards the Gansu corridor and into the Yellow River region. Otherwise you were traveling over treacherous mountain paths towards the Yangzi or the Sichuan basin. When the Han dynasty pushed back against the Xiongnu, they established an outpost here, including an extension of their original “Great Wall”.

An imposing mudstone construction with a square base that tapers towards the top. One side shows a large opening, and the outside has clearly been worn away by the elements. — Yumenguan (玉門關) - this is actually a fortress built to house the soldiers who monitored people traveling from the Tarim Basin towards the Gansu region, and vice versa. Photo by author.

“Yumenguan”, the Jade Gate Pass, is mentioned in many of the stories of people passing through the region. A garrison here was supposed to keep track of who was coming and going, and provide protection against incursions by outside foes, such as the Xiongnu. This was the edge of empire, but it was also where many of the merchants and people who traveled back and forth along these desert highways would meet and come together.

A rocky cliffside, worn away by erosion, with numerous manmade caves and rooms that have been exposed over time. — Just a few of the Mogao caves that have not been built up in the way that others have, giving an impression of what people would have seen as they approached.

One of the famous sites of Dunhuang, today, are the Mogao caves. These are some of the most striking caves and examples of Buddhist artwork anywhere. While some of been damaged by erosion, many of the caves remain intact, and there are ongoing conservation efforts to try to minimize damage to and catalog the artwork that is inside.

The caves were first dug out in about the 4th century as a place to practice Buddhist meditation, but eventually it evolved into a system of over five hundred caves where people could worship. Elaborate carvings and paintings can be found throughout the cave system, which was actively being used and improved for roughly a thousand years. Today it is a UNESCO world heritage site.

Image of a wall and ceiling painted with various scenes, including the life of the Buddha. In areas the plaster is missing. The colors are faded to mostly blue and white, though there is faint evidence of other colors visible. — Example of some of the paintings at Dunhuang. These have been exposed to the outside, and thus exposed to the elements over time, but there are many even more impressive paintings inside. Photo by author

Unfortunately, the popularity of the paintings has actually put them under threat. First there are those that were taken out and moved when early explorers like Aurel Stein came through, with expeditions sending samples off to London, Berlin, and elsewhere. But even today, as more people come to study or just to see the paintings, it has changed the humidity and pH levels in the caves, such that many are deteriorating at a much faster rate, and so access has been limited, but there are efforts to digitize many of them so that they can be safely viewed for generations to come.

Image of the Buddha, flanked by two attendants, in clay. The Buddha's right hand is up, palm out, while his left hand is down, also palm out. In his chest is drawn a Buddhist swastika, arms facing counter-clockwise. — Buddhist image of Shakyamuni from the Northern Wei dynasty. H has an ancient Buddhist swastika on his chest, a common symbol at this time, well before it was appropriated by the Nazis in the 20th century. From the Shanxi Museum of History. Photo by author.

China

When Buddhism came in the Han dynasty it was simply one of many religions. While we have examples and mentions of it, it was not as influential, and the Buddhist heartland remained in the West—in India, Kushan, etc. However, in the Southern and Northern Dynasties period, Buddhism gained immense patronage and saw much growth. From the third to 6th centuries there was even a reversal, as the Kushan Empire declined, and Central India saw a rise in Brahmanic traditions. Monasteries in the Yangzi and Yellow River region would become the geographic center of much of the Mahayana Buddhist practices, which themselves spread out to the rest of east and northeast Asia.

Image of the Buddha from the Northern Wei dynasty in 499 CE. From the Beijing Capital City Museum. Photo by author.

Converts during this period often went out in search of documents and manuscripts in an attempt to try to get at a more authentic version of the Buddha’s teachings. This was no doubt hampered by the fact that there were so many different writings by this time, particularly in the Mahayana tradition. The Buddhist canon is vast, and could fill up entire libraries. Debates over which sutras and which practices were more effective would continue throughout the historical period, and even today there are numerous schools that emphasize different things.

Through it all, there are some common threads as to the core nature of the historical Buddha, Siddharta Gautama, aka Shakyamuni, and his core principles. The Three Jewels, the Four Noble Truths, and the Eightfold Path remain at the heart of Buddhist teaching. This would prove both helpful and troubling to various states as they looked at how to use Buddhist teachings and thoughts to support their own aims at political power and stability.

A green-glazed pottery version of a two story watchtower. At each level are crude figures with crossbows pointed outwards. At the very top is a depiction of a tiled roof. — Example of a Han dynasty watchtower from a funerary arrangement. There seem to be obvious similarities between these and the later pagoda towers, although many of the latter were not necessarily made for actual human use.

Temple design and practices were, in turn, influenced by the cultures of these areas just as much as Buddhism influenced them. Buddhist images, originally in the Gandharan style, began to take on their own characteristics. As with other regions, the face of the Buddha often reflected the people who were building the images, and we can see a change in the look of the Buddha as time progressed.

Furthermore, the temples changed. The stupa became more of a tower, and eventually transformed into wooden or stone pagodas. These then became standard for most East Asian Buddhist temples, and even became iconic images of various locations, such as the pagoda of Tōji, in Kyōto, which for centuries towered over the city, and was as iconic as the Eifel tower in Paris, or the Capitol Building in DC. Even today, these iconic buildings evoke the places where they reside.

A multi-tiered tower with a slightly domed top and an octagonal base with trees surrounding it and mountains in the background.. Small holes can be seen at some levels and there are faint decorations along the edge, but the tower is largely plain. — Songyue pagoda, 523 CE. Photo by Siyuwj, CC BY-SA 4.0, via Wikimedia Commons

The oldest tower style structure that we have today is the Songyue pagoda in modern China. It was built on Mt. Song in modern Henan province in 523 CE, the Northern Wei period, and is one of the few remaining from this era. Many others were made of wood, a tradition that would pass on to the Korean peninsula and the Japanese archipelago, where we have an example in the oldest wooden buildings in the world at Hōryūji, built in the 7th century, about one hundred years after Buddhism first arrived in Japan.

Welcome to Sengoku Daimyo’s Chronicles of Japan. My name is Joshua, and this is Episode 84: The Middle Way through the Middle Kingdom.
First things first, thank you to Bodil, Gabe, and Lauren for donating to support the show on Ko-Fi and Patreon. If you’d like to join them, will have information at the end of the episode.
Also an apology—if my voice isn’t in tip-top shape, well, it seems that COVID finally found us after 3 years or so, and I’m on the tail end of it. So thank you for your understanding.
Last episode we talked about Siddhartha Gautama, aka Shakyamuni, the Historical Buddha, and his teachings, and how they spread, at least through the Indian subcontinent, with the patronage of rulers like Ashoka the Great. The original teachings, initially taught as an oral tradition, was eventually turned into a series of writings, called the Tripitaka.
As for how those writings came about, it’s worth talking about the languages involved. The native language of Shakyamuni was probably a language known as Maghadi, or something similar. But the Indian subcontinent, including the modern countries of India, Pakistan, Bangladesh, Bhutan, Nepal, and Afghanistan, is over three times the size of western Europe. There are at eight south Asian language families, with hundreds of different languages, depending on how you count them. The modern state of India counts 22 official languages, not including English. I mention this to point out that as the Buddha’s disciples spread his teachings, they were, by necessity, translating it into different languages.
There is a story that a student suggested to the Buddha that they make Sanskrit the official language of Buddhism. Even then, Sanskrit was considered a language of learning and education, much as Greek or Latin was in medieval Europe, but the Buddha rejected this and insisted that his teachings be taught in people’s own tongue. This proved great for reaching people, but over time there was a fear that the oral teachings might be lost, and so they were written down.
The oldest written Buddhist canon is generally agreed to be texts in Pali, commissioned in Sri Lanka. These are sometimes called the southern Tripitaka—or Tipitaka in Pali—and it is the primary canon for Theravada Buddhists. In the north, however, Sanskrit remained the prominent language of learning, and texts written down and transmitted in the north—particularly those that made it to China and on to Japan—were typically Sanskrit or translations of Sanskrit texts. This is what some refer to as the Northern Tripitaka. Both of these were transcriptions of the oral teachings that Buddhist monks were otherwise memorizing and presenting to the Buddhist community. That oral tradition, in fact, never really went away, and these early texts were more like a reference so that monks could check their memory. Chanting the sutras—and especially chanting from memory—remained a highly prized skill of Buddhist orators.
Now, the split between northern and southern texts is convenient, but it isn’t necessarily as simple as all that. We have plenty of examples of texts, particularly in the northern traditions, that don’t necessarily have an extant Sanskrit counterpart. In fact, the oldest extant sutras of any tradition that we have today are known as the Gandharan sutras, and written in the Ghandari language using a Karosthi script. Gandhara refers to a region centered north and west of the Indus river, in modern Pakistan, stretching to the Kabul river valley in modern Afghanistan and north to the Karakoram mountains, which is one of the interlocking ranges that form the boundary between modern Pakistan and India and modern China and the Tibetan plateau. It is believed to be the namesake of the city of Kandahar, in modern Afghanistan.
This area was important, and not just to Buddhism. For thousands of years it has been a crossroads between the Indian subcontinent, the area known as the Middle East, and the inner trade routes of central Eurasia. It was part of the conquest by Alexander the Great in the 4th century BCE, becoming part of his kingdom, but then it was lost in battle to the Mauryan empire, which Ashoka the Great ruled in the 3rd century BCE. The area later fell to Indo-Greek rule from members of the Greco-Bactrian kingdom to the north. The most famous ruler during this period was probably Menander I, who is also remembered as a patron of Buddhism, building more stupas and monasteries in the region.
The Hellenic Greco-Bactrians were eventually displaced by tribes of the Yuezhi, who themselves were being displaced by the Xiongnu, in central Eurasia. In this epic game of musical chairs, a branch of the Yuezhi eventually settled in the area, ruling a large territory, including Gandhara, under what is known as the Kushan empire. They had first moved into the area of Bactria and Sogdiana probably around the 1st or 2nd century BCE, and by the 1st century CE they were exerting authority over Gandhara. Around the time the Gandharan sutras were written down, in the 1st or 2nd centuries, Buddhism—especially Mahayana Buddhism—was flourishing in the region, and Kanishka the Great—don’t you love how all of these rulers are known as “the Great”, by the way?—ruled the Kushan empire, and hence Gandhara, in the early 2nd century. He is said to have been a great patron of Buddhism, although it was one of several religions, including Zoroastrianism, that flourished in the region at this time.
The Kushan empire is believed to be the same Yuezhi that we mentioned in episode 79, when we talked about the Han diplomat Zhang Qian, who had trekked through hostile Xiongnu, or Hunna, territory across much of what is now western China in the 2nd century BCE, seeking allies against the Hunna. At that point, the Yuezhi had had enough of war, however, and they declined to fight, preferring to settle where they were and eventually growing into the Kushan empire. That connection with the Han dynasty, however, likely was maintained through trade routes that continued to operate across the vast expanse of central Eurasia. The Han dynasty itself continued to send out diplomatic missions to the various states of central Eurasia, and of course there were trade routes.
As the Kushan empire expanded into the Tarim basin, it met once again with the Han, who had defeated the Hunna, and then claimed routes across the oasis towns of the desert regions. While the routes would have high and low periods, often depending on the state of various conflicts, in general it seems that Buddhist missionaries probably made it to the Han dynasty and the Yellow River region, and founded monasteries, as early as the first century CE and certainly by the second century. And, by our best understanding, the folks in these monasteries were already doing a lot of copying and translation of texts – both as a meritorious act, and to spread the word. Since this is around the time the Gandharan texts were written, they were likely a part of this larger tradition of copying and translating that was going on, although many of those early documents did not survive intact to the modern day.
One of the earliest records of Buddhism in the Han dynasty is a record dated to 65 CE. Liu Ying, Prince of Chu and son of Emperor Guangwu of Han, sponsored Buddhism—as well as a school of Daoism—in attempts to better understand longevity and immortality. While he was eventually accused of treason, putting something of a damper on his patronage of the religion, it is the first mention we have in the histories of Buddhism, and in some ways it speaks to something else about the initial acceptance of Buddhism.
While there were likely those well-versed in Buddhism, particularly in the community of foreigners from the Western Regions, evidence suggests that for many lay people it was just as likely about what people thought that the religion could do for them in this life as anything else. After all, there are many stories of miraculous events, and there was the concept of reincarnation and karma—the idea that by building merit, one could improve their lot in the next life. There was even a belief that by building merit, one could improve their lot in the current life—and apparently extend their life or even, possibly, gain immortality.
Sure, there were the more intellectual and philosophical endeavors, but for many people Buddhism was just as much about what it could do for them in the here and now. Stories of monks and other holy men fit in right alongside stories of Daoist immortals. In Han tombs, where Buddhist imagery is found, it is often found with or in place of the Queen Mother of the West—the same image that is found on many of the bronze mirrors that traveled across to the Japanese archipelago around this time. It was likely that many of the early stories that the laypeople heard were probably fragments as much as anything. Even with the Tripitaka written down, much of the transmission was still done orally. Furthermore, it was in translation—and probably a translation of a translation.
The earliest stories of Buddhism’s transmission—particularly the translation of texts into Sinitic characters, the lingua franca of East Asia—claim that first the Theravada canon, and then later Mahayana texts, were translated in the second century, with foreigners from Parthia and Kushan credited with the early translations. Others would continue the work, and at first it was mostly people from the Western Regions doing the translating.
One of the earliest stories of sutras making their way to the Han dynasty comes from the time of Liu Ying, when his brother, Emperor Ming, sat on the throne. The stories claim that the emperor saw an image of a golden Buddha, and that he requested either a statue or temple be erected. So he sent people off to Kushan, where they found two monks who would come back with them in 68 CE, bringing portraits and scripture—specifically the “Sutra of Forty-Two Chapters”, which the two monks helped translate into a Sinitic version at Baimasi, or White Horse Temple. As such, this “Sutra of Forty-Two Chapters” has been accorded a status as the first such Buddhist work to be brought to the area that is, today, modern China, and the White Horse Temple, located in Luoyang, is counted as one of the earliest temples in the Yellow River region. That said, there are a lot of questions as to the authenticity of this tale, though it does mirror others about the arrival of Buddhism in the East, even if we cannot verify the actual first temple or work.
Although Buddhism arrived during the Han dynasty, it wouldn’t really begin to fully develop until after the dynasty’s fall in the 3rd century. During the Southern and Northern Dynasties period, the metaphysical and doctrinal beliefs of Buddhism began to penetrate the elite circles in a more tangible way. Much of the philosophical underpinnings blended well with the interest at the time in “Dark Studies” and the school of “Pure Conversation”, which we discussed back in episode 72. While Buddhist temples, much like their Daoist brethren, found some sanctuary from the chaos that created this period in the mountains and hills—not to mention a bit of added spiritual cachet—it was really the opportunity to gain greater state patronage that also helped.
Monks like Zhi Dun began to reconcile Buddhist thought and doctrine with local beliefs. In some cases, local religious figures—including gods and other spirits—were incorporated into the Buddhist framework, often by their “conversion” to the Buddha’s teachings. This was one of the strengths of Buddhism—although it carried with it a framework of Indian religious teachings and thoughts, it was not exclusive in its cosmological outlook. Buddhism was more focused on helping one escape the suffering of this world, which would take you beyond all such things. As the doctrines were meant for all beings—not just humans, but for animals, spirits, gods, and even demons—there was nothing to necessarily exclude other beliefs. This helped some of the ethnic Han dynasties to accept and even promote Buddhism.
Meanwhile, some of the non-ethnic Han dynasties patronized Buddhism for either its miraculous powers or just because it was a foreign religion, much like they were foreigners in the Yellow River Basin. In many cases, state-sponsorship was a two way street. Dynasts would set themselves up as holy men, claiming to be Boddhisatvas. They would even appropriate the concept of the Cakravartin, a Buddhist “Golden-Wheel-Turning-King”, which had overtones of cosmic overlordship. I can see how that would fit in quite well with local concepts that a sovereign might lay claim to ruling “all under heaven” and be carrying out a “Heavenly mandate”.
Along the Yangzi River, Buddhist monks gained a certain amount of independence. They were not expected to bow to the sovereign, for example; an acknowledgment of their holy nature. In the northern Wei dynasty, however, it was a different story. There, the ruler was said to be no less than an incarnation of the Buddha, and a Chief Monk was selected to oversee the Sangha and no doubt ensure that the various Buddhist communities were in line with official dogma. At the same time, the government provided captured men and women to work fields to help pay for Buddhist temples and their work. Likewise, people would make merit by donating wealth and land to temples, in hopes of blessings either in this current life or in the next life. For their part, the temples were expected to act as storehouses or granaries—the wealth that poured into them would be used to help alleviate suffering, especially in the case of droughts or floods.
It soon became clear, however, that more wealth was going into the temples than was necessarily coming out. There were attempts to reign in this Buddhist establishment, often by limiting the number of temples or even the number of monks, as well as limiting what people could donate. These same edicts were undercut by the elites of the country, however, and often proved less than effectual.
Along with sutras and Buddhist teachings, Buddhist images and architecture spread widely. In India and the Western Regions, a key aspect of many temples was the stupa. This was a mound containing a relic of some sort. Originally these relics were said to be remnants of the Buddha, after he had been cremated. Later, it was said that the remnants of the Buddha turned hard, like crystal, and that the original remains were gathered up and distributed to even more stupas. Later they may contain other relics, as well.
The stupa was an important part of the Buddhist temple, but over time, its character changed. Instead of a mound like we still see in Southeast Asia, we start to see a building—a tower—which became a ubiquitous symbol of Buddhist temples in East Asia. This multi-level pagoda originally started off with simply three levels, often made of brick and stone, but over time it grew with five or seven levels. These towers were inspired by a description in the Lotus Sutra, a Mahayana text, that described a bejeweled seven-storey tower.
Speaking of the Lotus Sutra, this was one of the many teachings that made its way to East Asia, and a hugely influential one. It purports to tell the story of a sermon by the Buddha outside of those mentioned in the Theravada texts. The teachings expounded upon in the Lotus Sutra had a great impact on Mahayana Buddhism and how people viewed the teachings of the Buddha. For one, it also proposed the idea that the Buddha did not actually cease to exist when he attained nirvana, but is simply no longer visible. He still remains in the world to help all life find salvation from suffering. That goes along with the concept of the Bodhisattva, a being who attains a Buddha-like understanding but out of compassion remains in the world to assist others.
The Lotus Sutra also made claims such as the idea that anyone could attain Buddhahood, if they followed the teachings—and not just one particular set of teachings. It opened the idea that there were multiple vehicles—that is to say different practices—that would all get you to the truth, to Englightenment. Even the term “Mahayana” means the “Great Vehicle”, while Mahayana sees Theravada as “Hinayana”, the “Lesser Vehicle”. Both will get you where you need to be, but Mahayana offers an exapansion of teachings and texts that Theravada Buddhism does not necessarily accept as authentic. Indeed in Mahayana belief we also see a focus on multiple Buddhas with different specialties – not only the historical Buddha, but Vairocana, aka Dainichi Nyorai, the Great Solar Buddha, Amitabha, aka Amida Nyorai or Amida Butsu, and so on.
In comparison, the Theravada school tend to be more dogmatic on various points of practice and belief, claiming that they focus on the actual teachings of the Historical Buddha and not necessarily looking for extra texts and practices. There may have been Buddhas in previous ages that attained nirvana and departed this existence, but the Buddha of the current age is the historical Buddha, Shakyamuni. Another Buddha, Maitreya, is not expected for another five to ten thousand years—not until the teachings of the Buddha have been forgotten and are once again required. Acquiring freedom from this existence through nirvana is not necessarily one and the same with obtaining Buddhahood—the enlightened understanding required to save all beings.
There is another school, “Vajrayana”, the “Lightning” or “Diamond” vehicle. It focuses on tantric, or esoteric teachings, which practitioners believe provide a more direct, and faster method to enlightenment. Many secret teachings, or mikkyo in Japanese, can trace themselves in some way to these practices, though it likely didn’t make it to East Asia until the Tang dynasty or so in the 8th century, so we’ll come back to it when we get to things like Kuukai and Saichou, who brought Shingon and Tendai, respectively, to Japan in the early 9th century—about four centuries from our current chronological position.
Both the Mahayana and Vajrayana schools included the teachings from the Lotus Sutra, which would become one of the most important sutras, certainly by the Tang dynasty, as well as in the Korean Peninsula and the Japanese archipelago. Its widespread dissemination is often attributed to the famous monk Kumarajiva. Kumarajiva was a citizen of Kucha, one of the oasis towns along the northern edge of the Tarim Basin, and site of a bustling metropolis and capital of one of the largest oasis kingdoms in the Tarim basin. Even today, you can see remnants of the ancient city in the desert, and the dry conditions have preserved a number of artifacts, including plenty of texts referencing Buddhist and other beliefs.
Kumarajiva traveled from the peripheral city of Dunhuang, another site renowned for its Buddhist roots, especially the famous Mogao caves—a series of Buddhist grottoes built into a cliff face which, along with the dry conditions, have exquisitely preserved the early sculpture and painting, as well as, again, numerous documents. He came to Chang’an around 401, and he helped translated numerous Buddhist scriptures into Sinitic characters, which could then be shared and read by people across East Asia—everywhere in the ancient Sinic sphere of influence.
Besides the Lotus Sutra, another famous text told of the Buddha Amithabha, aka Amida Butsu in Japan. Amithabha’s teachings claimed that any who would call on the name of Amithabha, or just picture them in their mind with a sincere heart, would, on their death, find themselves reborn in a Western Paradise—a “Pure Land” where there were no distractions other than to meditate on the Buddha’s teachings and eventually attain freedom from this existence. Whereas many of the teachings and theological discussions of the various Buddhist schools could get quite complex—thus almost requiring any serious student to join a monastery if they wanted to truly study a particular flavor—the teachings of Amithabha were appealing to those without necessarily a lot of time or resources. It boiled down to a few practices that just about anyone could do. It didn’t require that you donate huge sums of money or land, or that you spend all your day copying scriptures. One could chant the name of Amithabha in the fields as you were working, or picture them in your mind as you prepared for bed.
These kinds of practices—the chanting of particular mantras or other such things—became a kind of thing people could do to help protect themselves or ward off evil. A particular example of this practice is preserved in a text from Dunhuang, which has a colophon explaining its purpose. According to Patricia Ebrey’s translation, the text, which was copied by someone named Sun Sizhong, was an incantation that, if said 7, 14, or 21 times a day, with various somatic and material components (willow twig to cleanse the mouth, scattering flowers and incense before the image of the Buddha, and kneeling and joining the palms of the hands) it would clear away the four grave sins, the five wicked acts, and other transgressions. “The current body would not be afflicted by “untimely” calamities, and one will be reborn into the realm of immeasurably long life. Plus, reincarnation in the female form would be escaped forever.”
On that last piece—yeah, Buddhism came with a little bit of baggage. In ordering all of life, men were seen as inherently higher on the ladder than women. This discrimination has been walked back or even abolished in some modern interpretations, but it was definitely present in older beliefs.
Besides the power of the incantation if said 7, 13, or 21 times a day, Sun Sizhong went on to explain that if someone recited it 100 times in the evening and then at noon and it will ensure rebirth in the “Western Regions”, while 200,000 recitations gets you perfect intelligence, and 300,000 recitations, one will see Amitabha Buddha face to face and be reborn in the Pure Land.
As you can probably start to see, there were many different beliefs and teachings that fell under the Mahayana teachings, and many of the texts were translations. Even those that had been translated into Sinitic, it was often done by foreigners for whom the local Sinic language was not their native tongue, so there was always a kind of awareness that important pieces might have been lost in translation along the way. In the 5th century, this led some monks to make the particularly long and dangerous journey all the way to Kushan and on to India, to access the original primary sources for themselves. One of these was a monk by the name of Faxian.
At the age of 62, Faxian decided to go to India to try to get to the heart of what the Buddha really taught. He set out in 399, traveled across the Tarim Basin and into the Kashmir region and the Indus Valley—Gandhara, in modern Pakistan. From there he traveled to central India and arrived at Patna, where he stayed and studied for three years. He traveled around, seeking out works in Sanskrit on Buddhsit ethics and teachings, studying the local languages as well. In 410 he made his way to the mouth of the Ganges and down to Sri Lanka, where he stayed for almost two years before boarding a ship and traveling home—traveling through the straits of Malacca and around Southeast Asia to take the sea route back to his home.
The journey was perilous, and at least twice the boat lost its way. According to the stories, some of his fellow travelers, who followed more Brahmanic teachings rather than Buddhist, believed that Faxian and his quote-unquote “heretical” teachings were what were leading them astray. Faxian was able to maintain order and he and his books eventually made it safely to the Shandong peninsula in or around 412.
He made his way down to Jiankang, aka modern Nanjing on the Yangzi river. There he spent the rest of his life translating the scriptures he had brought back. Others would make similar journeys, all to try to find more authentic versions of the texts—which usually meant finding the Sanskrit version—and then creating translations from those.
With the growth in popularity in Buddhism, it is probably little wonder that it eventually made its way over to the Korean peninsula. It is hard to say exactly when Buddhism arrived, but the Baekje annals in the Samguk Sagi claim that it was brought there by a monk of Central Asia descent in about 384. One year later, we are told the king of Baekje erected a temple and caused ten men to become monks.
The timing of this generally accords with some of the information in the Nihon Shoki, which claims that Buddhism first came from the Western Regions to the Han dynasty, and then to Baekje 300 years later, and then to Yamato about 100 years after that. While the dates aren’t exact, this generally accords with what we know of the way that Buddhism traveled to East Asia and to Baekje, at least.
Although we have textual evidence, there isn’t much archaeological evidence for Buddhism on the Korean peninsula in this time outside of urban centers. That is where we find temple rooftiles and other indications that Buddhism was practiced, but at the time it was probably something more common amongst elites than the common people, at least in the 4th and early 5th centuries. With the invasions by Goguryeo and the loss of northern territory in about 475, it did gain increased patronage. Still, it wasn’t until the 6th century that it really left the urban centers, which is roughly the time we are talking about with the Yamato sovereign Ame Kunioshi, aka Kimmei Tennou.
Next episode we’ll get into just how Buddhism came over to the islands—or at least what is recorded and what we have evidence for—in the sixth century. We’ll also talk about its reception and its patronage by the famous Soga clan.
Until then, thank you for listening and for all of your support. If you like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts. If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode.
Also, feel free to Tweet at us at @SengokuPodcast, or reach out to our Sengoku Daimyo Facebook page. You can also email us at the.sengoku.daimyo@gmail.com.
And that’s all for now. Thank you again, and I’ll see you next episode on Sengoku Daimyo’s Chronicles of Japan.

References

Lewis M. E. (2009). China between empires : the northern and southern dynasties (First Harvard University Press paperback). Belknap Press of Harvard University Press.
Best, J. (2006). A History of the Early Korean Kingdom of Paekche, together with an annotated translation of The Paekche Annals of the Samguk sagi. Cambridge (Massachusetts); London: Harvard University Asia Center. doi:10.2307/j.ctt1tg5q8p
沈福伟 (1996). Cultural flow between china and outside world throughout history (1st ed.). Foreign Languages Press.
Skilton, Andrew (1994). A Concise History of Buddhism. Barnes & Nobles Books, by arrangement with Windhorse Publications. ISBN 0-7607-4829-2.
Ebrey P. B. (1993). Chinese civilization : a sourcebook (Second edition revised and expanded). Free Press.

Episode 81: The Politics of the Early Yamato Court

March 1, 2023 Joshua Badgley

Artist’s speculative image of Kinmei Tennō in the 19th century. Image in the public domain. File from Wikimedia Commons.

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This episode we start our look at the reign of Ame Kunioshi Hiraki Niha, aka Kinmei Tennō. We’ll start off with a look at his ascension to the throne and some of the politics that we can see going on in the court. We’ll also discuss some of the theories regarding this reign, particularly its chronological placement in the Chronicles, which may not be exactly as it seems. Still, we are in what many consider to be the historical period, meaning that the records the Chroniclers were working from are assumed to be more accurate—they were likely using more written material, including books we no longer have extant. However, that doesn’t mean everything is factual, and it is clear there are still some lacunae in the texts and some additional massaging by the Chroniclers themselves.

Dramatis Personae

Magari no Ohine, aka Ankan Tennō - Eldest son of their father, Wohodo no Ōkimi, aka Keitai Tennō. His rule was short, but there were still a few things to note.

Takewo Hiro Kunioshi Tate, aka Senka Tennō - Full brother to Magari no Ohine, he was their father’s second eldest, and he succeeded his brother to the throne.

Ame Kunioshi Hiraki Niha, aka Kinmei Tennō - Son of Wohodo no Ōkimi and his queen, Tashiraga—or at least that is what the Chronicles tell us. He was one of the youngest sons of Wohodo, and probably came to the throne in his 20s or 30s. He is our current sovereign this episode—and for a few episodes to come.

Kasuga no Yamada no Himemiko - Wife to Magari no Ohine, she could have possibly taken the throne, but she deferred to Ame Kunioshi—or so we are told. She appears to be part of the Kasuga family.

Ōtomo no Kanamura no Ōmuraji - Long time minister of Yamato, Kanamura has built a successful career through two dynasties, often with a focus on his exploits on the continent. However, by this reign he is old, and it is unclear that his sons will be able to maintain the family’s position of prominence.

Mononobe no Okoshi no Ōmuraji - Successor to Arakahi, the Mononobe have an illustrious history, going back to the earliest sovereigns. They are quite involved both in the archipelago and on the peninsula at this point. There are numerous individuals using the Mononobe family name on the continent who end up with Baekje titles, rather than Yamato ones.

Soga no Iname no Sukune no Ōmi - For anyone reading ahead, you know where this is going. Soga no Iname is the first Soga to achieve the rank of Ōmi. The fact that he has a personal rank of Sukune is not insignificant, either, though it is unclear when he actually achieved that—there is a tendancy in the Chronicles to use the last title a person had when talking about them. Still, there is little doubt that he will feature prominently in stories to come.

Welcome to Sengoku Daimyo’s Chronicles of Japan. My name is Joshua and this is episode 81, the Politics of the Early Yamato Court.
Last episode, before our Nara tour interlude, we covered the life of Takewo Hiro Kunioshi Tate, aka Senka Tennō. He picked up where his brother, Magari no Ohine, aka Ankan Tennō, had[EB1] left off, and is said to have reigned for about two and a half years, from 536 to 539. During that time we see more of the rise of the family of Soga no Omi but we also see the Ōtomo no Muraji and the Mononobe going quite strong. The sons of Ōtomo no Kanamura ended up involved with the government in Tsukushi, aka Kyuushuu, as well as the war efforts across the straits, mainly focused on Nimna and the surrounding areas. Indeed, as we talked about last episode—episode 80—it is said that Ohtomo no Sadehiko went to Nimna and restored peace there, before lending aid to Baekje[EB2] .
This preoccupation with Nimna and events on the Korean peninsula are going to dominate our narrative moving forward, at least initially. Much of the next reign focuses on events on the peninsula, rather than on the archipelago. Oddly, this preoccupation isn’t d everywhere. In the Sendai Kuji Hongi—and other copies of the same work—there appears only a brief mention of Nimna, aka Mimana, in the record, which otherwise simply talks about inheritance and similar issues.
But I’m getting ahead of myself.
Before we dive into all of that, to include all of the peninsular goodness that we have coming our way, let’s briefly talk about some of the things a little closer to home. Mainly, let’s talk about the succession and who our next sovereign appears to be.
So first off, his name is given as Ame Kunioshi Hiraki Hiro Niha, and he is posthumously known to us as Kimmei Tennō. For my part, rather than repeating the whole thing, I’m going to refer to him simply as Ame Kunioshi, though I’m honestly not sure if the best way to parse his name, assuming it isn't just another type of royal title. He is said to have been the son of Wohodo no Ōkimi, aka Keitai Tennō, and his queen, Tashiraga, a sister to Wohatsuse Wakasazaki, aka Buretsu Tennō. This would all seem pretty straightforward if it weren’t for the fact that two of his half-brothers had taken the throne before him. Prince Magari and his brother, Takewo, were descended through another line, that of Menoko, daughter of Owari no Muraji no Kusaka. Menoko did not appear to meet the Nihon Shoki’s Chroniclers’ strict requirements for being named queen—namely, they don’t bother to trace her lineage back to the royal line in some way, shape, or form. As such, the Nihon Shoki tries to pass off the reigns of the two brothers as though they were just keeping the seat warm while Ame Kunioshi himself came of age.
None of the language used, however, really suggests that they were not considered legitimate in the eyes of their respective courts, and in all aspects they played the part of sovereign, and it is quite likely that if they had reigned long enough, or had valid heirs, themselves, we may be reading a slightly different story. As it is, the Chroniclers likely manipulated the narrative just enough to ensure that things made sense in terms of a linear progression.
And that manipulation hardly stopped at his ascension. The account of Ame Kunioshi on the throne is filled with questionable narration. Beyond just the fantastical—accounts of kami and of evil spirits—much of the reign is focused on events on the Korean peninsula, and these are almost always portrayed as actions by the Kingdom of Baekje, one of the three largest kingdoms across the straits, along with Silla and Goguryeo. Baekje, in turn, is portrayed in the Nihon Shoki as a loyal vassal state, constantly looking to the sovereign of Yamato as their liege and attempting to carry out their will.
For the most part, this is a blatant attempt by the Chroniclers to place Yamato front and center, and in control of events on the mainland. Taken at face value, it has for a long time fueled nationalist claims to the Korean peninsula, and may have even been designed for that very purpose. Remember, a history like this was written as much for a political purpose as it was record for posterity, and the narration is about as trustworthy as that of a certain fictional radio host in a sleepy desert community.
And yet, we want to be careful about throwing the proverbial baby out with the bathwater, here. The Nihon Shoki is a treasure trove of stories about this period and what was happening on the mainland, even if we have to be careful of taking everything at face value. The details given in the text are sometimes more than any other sources we have for this period, and they are certainly closer to the source. Korean sources, such as the Samguk Sagi, the Samguk Yusa, and the Tongkam all have their own gaps in the literature of the time, as well as their own political aims and goals, such that even they are suspect. Sure, the flowery speechification is probably a little too much, but much of the back and forth seems reasonable, and there are numerous times where the Nihon Shoki directly quotes the copy of the Baekje annals that they had at the time—a text that is no longer extant, and which seems to have items that did not make it into later collections. By following the back and forth and the flow of allegiances and deceptions, and looking at who was said to have been involved—both the individuals and the countries—we might be able to draw a picture of this era.
And what a picture it will be. I probably won’t get to it all today, but there is conflict over Nimna, with Baekje and Yamato typically teaming up against Silla and Goguryeo, but there are other things as well. For one thing, nothing in this era is cut and dried, and while there are overarching themes, alliances were clearly fluid, and could quickly change. Furthermore, all this activity spawned a new level of interaction, particularly between Baekje and Yamato, and we see a new era of Baekje sharing their knowledge with Yamato. For instance, this reign we see the first mention of Yin-Yang Divination studies—the famous Onmyouji—as well as calendrical studies in the archipelago. We also see the arrival of Buddhism to the islands. Well, at least we see the formal introduction of Buddhism; given all of the people in the archipelago who came over from the continent, there were likely more than a few Buddhists already living in the archipelago, but it hadn’t grown, yet, to be a State religion, as it would be in later centuries.
To try to do this period justice, I’m going to try to break things down a bit so that we can focus on various themes as we move through the stories here. It will probably take us a few episodes to get through. Furthermore, at some point here I want to talk about this new religion, Buddhism, and how it traveled all the way from India to the islands of Japan. But for now, let’s focus on the Chronicles.
Not all of what is talked about in this reign is focused on the mainland, so I’m going to start us off talking about the stories about this period that are taking place in the islands themselves, starting with how Ame Kunioshi came to the throne. Or rather, with some events just before he came to the throne.
The first story about Ame Kunioshi comes when he is simply a prince—it is unclear during which reign this is supposed to have happened, only that it happened before he came to the throne. The Chronicles say that Ame Kunioshi had a dream in which he was told to seek out a man named Hata no Ōtsuchi.
We’ve seen in the past these kinds of oracular dreams, where the gods, or kami, will speak directly to a person—often to the sovereign or someone close to the sovereign. By all accounts, the ability to act as a conduit for the kami was an important aspect of rulership and political power at this time, and we’ve seen the supposed consequences of not listening to such an oracle as well. And so he sent people out to find this man, who was eventually found in the Kii district of the land of Yamashiro.
Now this area is not surprising. It is identified as the area, today, in the modern Fushimi district of Kyoto. In fact, it includes the area of the famous Fushimi Inari Taisha—the Fushimi Inari shrine. That shrine is also connected to the Hata family.
For those who don’t recall, the Hata family appear to have been descended from weavers who were brought over from the continent. The kanji used for their name is the same as that of the Qin dynasty, from which we get the modern name of China, though the pronunciation is taken from the word “Hata”, which appears to refer to a type of cloth, and also resembles the word for banners or flags. We mentioned them some time back in episode 63, when we talked about one of the early heads of the Hata, who was given the name Uzumasa. That name is still used to identify a district in Kyoto to this day.
And so here we are, back in the Kyoto area, near Fushimi shrine, which is also, as it happens, connected to the Hata family. That story is found not in the Nihon Shoki, but rather it is attributed to fragments of the Yamashiro no Fudoki. In that account we hear tell of a wealthy man named Irogu, whom we are told is a distant relative of Hata no Nakatsu no Imiki—no doubt a contemporary to the Yamashiro Fudoki, and the reason the story made the cut. Irogu, it seems, had made himself wealthy through rice cultivation. In fact, he had so much rice that he was using mochi—pounded glutinous rice cakes—as targets for his archery practice. As he was shooting at the mochi, suddenly one of them turned into a swan and flew up into the sky, up to the top of a nearby mountain. Where it landed rice, or “ine”, began to grow.
That mountain is none other than the site of Fushimi Inari Shrine, a shrine that will show up again and again in various stories, as it was quite prominent. Though the shrine was only founded in the 8th century, the story may indicate that there were older rituals, or perhaps that it was a focus of worship much like Mt. Miwa, down in the land of Yamato, to the south, and that shrine buildings were simply added to the mountain at a later date. Fushimi is, of course, the place, and Inari is the name of the god, or kami, worshipped at the shrine. Inari is a god of farming—specifically of rice cultivation—and today small Inari shrines can be found throughout Japan. They are typified by red gates—usually multiple gates, one after the other, often donated by various individuals. In addition, one might see Inari’s servants and messengers, foxes, which take the place of the lion-dogs that often guard shrine precincts. Importantly, these foxes are not the kami themselves, but simply the kami’s messengers. Still people will often bring gifts of oily, deep fried tofu—abura-age—said to be a favorite of foxes, to help ensure that their prayers—their messages to the kami—are swiftly and properly delivered.
I could probably do an entire episode on Fushimi Inari and Inari worship in Japan. There is so much material on the phenomenon on foxes, or kitsune, and fox-spirits, especially with the co-mingling of both continental and insular belief, which is sometimes at odds. For now, however, we can confine ourselves to the fact that Fushimi clearly had connections to the Hata family, who have shown up a few times in the past, but are still largely taking bit roles in things at the moment. Nonetheless, since the Chroniclers were writing from the 8th century, things like this, which were no doubt important to the powerful families of their day, were often included.
Getting back to our main story, when Hata no Ōtsuchi came before the prince, Ame Kunioshi, he told a story of how he had been traveling the land, coming back from trading in Ise, when he came upon two wolves, fighting each other on a mountain. The wolves were each covered in blood from their hostilities, and yet, through all of that, Hata no Ōtsuchi recognized them as visible incarnations of kami. Immediately he got off his horse, rinsed his hands and mouth to purify himself, and then made a prayer to the kami. In his prayer he admonished them for delighting in violence. After all, while they were there, attacking each other, what if a hunter came along and, not recognizing their divine nature, took both of them? With his earnest prayer he got them to stop fighting and he then cleaned off the blood and let them both go, thus saving their lives.
Hearing such a story, Ame Kunioshi determined that his dream was likely sent by the same kami saved by Ōtsuchi, or perhaps another spirit who had seen his good deed, who was recommending this good Samaritan to the prince. And who was he to deny the kami? So when he came to the throne, Ame Kunioshi put Hata no Ōtsuchi in charge of the Treasury.
That would have to wait until he actually ascended the throne, however; an opportunity that preserved itself with the death of his half brother, Takewo no Ōkimi. When Takewo passed away in 539, we are told that the ministers all requested that Ane Kunioshi take the throne, but at first he deferred, suggesting that the wife of his eldest half brother, Magari no Ohine, aka Ankan Tennō, take the throne, instead.
This was the former queen, Yamada, daughter of Ōke no Ōkimi, aka Ninken Tennō, so no doubt she had a good sense of how the government should work. Yet she, too, waved off the honor. Her reasoning, though, is a very patriarchal and misogynistic diatribe about how women aren't fit four the duties of running the country. Clearly it is drawn from continental sources, and it always makes me wonder. After all, the Nihon Shoki was being written in the time of rather powerful women controlling the Yamato court – which, I imagine irked some people to no end, especially those learned in classic literature, such as the works of Confucius.
So I wonder why this was put in. Did he truly defer to her? Or was this just to demonstrate his magnanimous nature? Was she pushed aside by the politics of the court? I also wonder why they went to her, and not Takewo’s wife. It is also interesting to me that the Chroniclers only note her own objections to her rule, and there isn't a peep out of the assembled ministers.
There appears to be another possible angle. Some scholars have pointed out inconsistencies with the timeline and events in the reign of Ame Kunioshi that may have actually happened much earlier, including the arrival of Buddhism. They suggest that perhaps there was a period of multiple rulers, possibly rival dynasties, with Magari no Ohine and his brother, Takewo, handling one court and Ame Kunioshi ruling another. If that were the case, then was Yamada the senior person in the other line? At the very least she represents the transfer of power and authority over to Tashiraga’s lineage.
Moving forward, we’re going to want to pay close attention to these kinds of political details. Often we’ll see how how princes of different mothers will end up as pawns in the factional infighting that will become de rigeur in the Yamato court, with different families providing wives in the hopes that they might eventually be family members to the next sovereign.
So, however it really happened, Ame Kunioshi took the throne. He reappointed Ōtomo no Kanamura and Mononobe no Okoshi Ōmuraji and named Soga no Iname no Sukune back to his position as Ō-omi. He set up his palace at a place called Shikishima, in the district of Shiki in the middle of the Nara Basin in the ancient country of Nara—still within sight of Mt. Miwa and, by now, numerous kofun built for previous kings, queens, and various nobles. Both the Emishi and the Hayato are said to have come and paid tribute—apparently part of the enthronement rituals—and even envoys from Baekje, Silla, Goguryeo and Nimna are said to have stopped in with congratulatory messages. These were probably fairly pro forma messages to maintain good—or at least tolerable—relations between the various states of the day, not unlike today when various people call a newly elected president or prime minister to congratulate them on their own entry to office.
He also took as his Queen his own niece, daughter of his half-brother, the previous sovereign, Takewo Hiro Kunioshi Tate, aka Senka Tennō. Her name was Ishihime, and she would provide Ame Kunioshi with several children, including the Crown Prince, Wosada Nunakara Futodamashiki no Mikoto, aka the eventual Bidatsu Tennō.
By the way, for anyone concerned that Ame Kunioshi was” robbing the cradle”, so to speak, remember that he was already 33 years younger than his brother. It is quite possible, assuming the dates are correct, that he and Ishihime were roughly the same age. To put it another way, if Ame Kunioshi was a Millennial, his brother Takewo had been a Boomer, meaning that Ishihime was likely either Gen X or a Millennial herself, to extend the analogy.
Of course, they were still uncle and niece, so… yeah, there’s that. I could point out again that at this time it was the maternal lineage that determined whether people were considered closely related or not. Children of different mothers, even with the same fathers, were considered distant enough that it was not at all scandalous for them to be married, and that we probably should be careful about placing our own cultural biases on a foreign culture—and at this point in history many aspects of the culture would be foreign even to modern Japanese, just as a modern person from London would likely find conditions in the Anglo Saxon era Lundenwic perhaps a bit off-putting. Still, I don’t think I can actually recommend the practice.
Now it is true he was coming to the throne at relatively young age. He was probably about 30 years old when he took charge of the state, while his brothers, their father’s eldest sons, had come to the throne much later in life, in their 50s or 60s. And if Ame Kunioshi was actually ruling earlier then he might have been younger, running the state of Yamato—or at least some part of it—when he was still in his early 20s.
Along with Ishihime, Ame Kunioshi took several other wives. The first two were Ishihime’s younger sisters, Kurawakaya Hime and Hikage. Then there were two daughters of Soga no Iname—and yes, *that* Soga no Iname, the re-appointed Ō-omi. At least three of the next four sovereigns would come from those two unions, and I’ll let you take a guess at how the Soga family’s fortunes fared during that time.
Finally, the last wife was was named Nukako, and she was the daughter of Kasuga no Hifuri no Omi.
Kasuga was also the family name of Kasuga no Yamada no Himemiko, who had turned down the throne to allow Ame Kunioshi to ascend, though we don’t hear too much else from the Kasuga family. This could be connected to that, although it is hard to be certain. For the most part the Kasuga family seems to stay behind the scenes, but the fact that they are inserting themselves into the royal line at different points would seem to be significant.
The Soga, on the other hand, are going to feature quite prominently in matters of state moving forward.
While it is unclear just when the various marriages occurred—they may have happened before or after his ascension to the throne—it is interesting to see how much influence the Soga family may have had in the royal bedchamber, something we would do well to remember as we look into this period.
And while the Soga family was on the rise, other families were not doing so well. In particular, it seems that something happened to the Ōtomo family.
Now don’t get me wrong, Ōtomo Kanamura, that veteran courtier, was reappointed as Ōmuraji at the start of the reign, and given all of his influence up to this point, he clearly had been doing something right. But then we have a single incident at the start of Ame Kunioshi’s reign that makes me wonder.
It took place during a court visit to Hafuri-tsu-no-miya over at Naniwa—modern Ōsaka. Hafuri would appear to refer to a Shinto priest, so apparently they were at the palace—or possibly shrine—of the Priest, at least as far as I can make out. When Ame Kunioshi went out, much of the court came with, including Ōtomo no Kanamura, Kose no Omi no Inamochi, and Mononobe no Okoshi. Of those three, Kose no Inamochi seems a bit of an odd choice, but we’ll go with it, for now.
While they were there, away from the palace, talking over various subjects, the conversation turned towards talk about invading Silla. At this, Mononobe no Okoshi related the story of how Kanamura had basically orchestrated giving up four districts of Nimna over to Baekje. Those were the Upper and Lower Tari, Syata, and Muro. This had pissed off Silla, who no doubt wanted as much of a buffer state between them and their allies as possible, and who also may have felt that Nimna and other border states were theirs to manipulate. Through all of these talks and deliberations, which apparently went on for some time, Kanamura stayed at home, out of the public eye, feigning illness. Eventually, though Awomi no Ōtoshi no Magariko came to check in on him and see how he was doing, and Kanamura admitted that he had simply been feigning illness to get out of the humiliation of having given up the provinces so many years ago.
Hearing of this, Ame Kunioshi pardoned Ōtomo no Kanamura of any guilt. He could put the past behind him and speak nothing of it.
And he did. Speak nothing of it, that is. Or at least nothing that was recorded in the Chronicles. From here on out, we don’t hear of Kanamura—and barely of Ōtomo. There is a brief mention of Kanamura’s son, Sadehiko, who had gone to the Korean peninsula to fight back in the previous reign. Then, another member of the Ōtomo pops up again in the reign of Bidatsu, but this appears to be the last time we see an “Ōtomo no Ōmuraji”—no other Ōtomo would be recorded as having taken that position, even though others, particularly the Mononobe, would continue to be honored with the title up through at least the 7th century.
Ōtomo no Kanamura’s exit at this point in the narrative seems somewhat appropriate, as the narrative will go on to focus on Nimna, and the violence on the peninsula. That fighting would consume much of the next century, with Silla eventually winding up on top, but that was not always a foregone conclusion. In the meantime there were numerous battles, back and forth. Sometimes it was Silla and Goguryeo against Baekje and Yamato. Other times, Silla and Baekje fought against Goguryeo. Then there were the smaller states of Kara, Ara, Nimna, and more.
With all of that chaos, the Chronicles record numerous people from the peninsula coming to stay in the archipelago, but also there were many ethnic Wa people—possibly from Yamato, especially based on their names—that went to live and fight on the peninsula as well. Family names such as the Mononobe, Ikuba, and even Kibi show up with Baekje or Silla titles, intermingled with other names of unknown, though likely peninsular, origin. This intermingling would appear to indicate that the states of the Korean peninsula were multi-ethnic states, with individuals from all over. Despite—or perhaps even because of—all the fighting, there seems to be an increased intercourse between the various states, as well as with states like the Northern Wei, to the West, in the Yellow River Basin, and Liang, to the South, along the Yangtze.
We’ll dive into all of that chaos and confusion—and try to draw a few more concrete facts and concepts—next time.
Until then, thank you for listening and for all of your support. If you like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts. If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode.
Also, feel free to Tweet at us at @SengokuPodcast, or reach out to our Sengoku Daimyo Facebook page. You can also email us at the.sengoku.daimyo@gmail.com.
And that’s all for now. Thank you again, and I’ll see you next episode on Sengoku Daimyo’s Chronicles of Japan.

References

Kim, P., & Shultz, E. J. (2013). The 'Silla annals' of the 'Samguk Sagi'. Gyeonggi-do: Academy of Korean Studies Press.
Bentley, John. (2006). The Authenticity of Sendai Kuji Hongi: a New Examination of Texts, with a Translation and Commentary. ISBN-90-04-152253.
Best, J. (2006). A History of the Early Korean Kingdom of Paekche, together with an annotated translation of The Paekche Annals of the Samguk sagi. Cambridge (Massachusetts); London: Harvard University Asia Center. doi:10.2307/j.ctt1tg5q8p
Aston, W. G. (1972). Nihongi, chronicles of Japan from the earliest times to A.D. 697. London: Allen & Unwin. ISBN0-80480984-4
Philippi, D. L. (1968). Kojiki. Princeton, N.J.: Princeton University Press. ISBN4-13-087004-1

Traveling Through the Ancient Nara Basin, Part 1

February 16, 2023 Joshua Badgley

Torii gate for Ōmiwa shrine in Sakurai. The modern gates tower over the surrounding buildings.

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Ōmiwa Shrine entrance

The entrance to the main Ōmiwa shrine grounds.

Ōmiwa shrine torii

A view of the giant torii of Ōmiwa shrine, looking down the Omote-sando

Hebi no Sugi

A sacred cedar connected to stories of the spirit of Mt. Miwa appearing as a snake. Snakes were common forms of kami in early stories.

Welcome to Sengoku Daimyo’s Chronicles of Japan. My name is Joshua, and this is a special episode: Traveling through the ancient Nara Basin, part 1
First things first, apologies as I had fully intended to jump into the story of Ame Kunioshi Hiraki Hiro Niha, aka Kimmei Tennō. However, I’ve been recently overcome with a bout of Real Life, which has prevented me from doing the full prep work that such an episode deserves. The entry for Kimmei Tennō in the Nihon Shoki is easily one of the longer entries, and there is a lot to digest, and I don't want to jump in until I've been able to do a bit more research.
Instead, I figured I would do something different and introduce you to a little tour of the Nara Basin and all of the wonderful sites that one can go and check out, many of which are still there and quiet accessible. In fact, I recently spent some time there doing *cough* “research”, by which I mean traveling around and walking through the ancient landscape to see what remained.
Now many people may be familiar with Nara, the city which gave the basin its name. Founded in 710, it was the site of the first long term, permanent continental style capital on the archipelago. Today it is a beautiful city, nestled against the mountains, with ancient temples, shrines, and the occasional kofun, which predate the founding of the ancient capital.
It is also home to what we’ve come to call the Nara attack deer. Within the main historical park area, between Kōfukuji Temple, Tōdaiji Temple, and Kasuga Shrine, hunting is strictly outlawed, and the deer wander boldly throughout the streets. Unafraid of humans, they are generally polite, until they find an easy mark: typically a timid soul who has foolishly purchased a set of Shika Senbei, or deer crackers, hoping to gently feed the deer in an Instagram-worthy video post. The deer, however, often have other ideas, especially the young bucks, who might even use their antlers to prod such people, hoping to startle them into dropping all of the crackers.
All joking aside, the deer in Nara are just as much a draw as the rest of the city, which draws thousands of tourists every year, but it is only a small part of a larger area. Today we are going to explore a little bit outside the standard tourist route, in the southeast corner of the basin, between the cities of Tenri and Sakurai.
This is the area mentioned in the oldest stories in the Chronicles, from the time of the “first sovereign”, Mimaki Iribiko, and his successor, Ikume Iribiko. Archaeological excavations have turned up evidence of people from across the archipelago living here—or at least interacting—since the third century, which we talked about in Episode 28. That's right around the time of Queen Himiko and the emergence of the giant round keyhole shaped tumuli, or Zenpō-kōen Kofun, thought to contain the remains of the kings of ancient Yamato.
Today, this area remains relatively rural. Between the cities of Tenri and Sakurai, they still have less than half the population of Nara, their northern neighbor. Urban areas around the train stations quickly give way to rice fields and fruit orchards. The lack of urban development is often a good thing for archaeologists, suggesting that there remain many potential sites under the soil. It can be a bit of a challenge, however, for the modern traveler. While there are trains and local b uses, expect to experience much of the area as the ancient people of Yamato would have: by walking.
To start us off, then, let's imagine ourselves traveling down, by train, to Sakurai, and to the ancient shrine of Ōmiwa. As you approach, keep an eye out for the massive Shintō torii gate that towers over the buildings around it, marking the entrance to the omote-sandō, the outer approach, to Ōmiwa and the sacred Mt. Miwa that is the focus of worship, there.
Even today, Miwa dominates the landscape. While the large torii are clearly modern—and even the famous triple torii gates at the foot of the mountain are probably a later addition—it nonetheless demonstrates the continued importance of the shrine and the sacred mountain in this region.
Fortunately, today, you need not walk the entire approach, as the train station drops you off much closer to the shrine, along the latter part of the omote-sandō.
Speaking of which, I should perhaps describe this common feature at many famous shrines and temples.
The omote-sandō, or outer approach, is both a part of the shrine and yet not at the same time. It is typically the main road to the shrine, or at least the traditional approach. Unlike the main ground of the shrine, these are public roads with numerous shops lining the sides, typically geared towards those making a pilgrimage to the shrine itself. You can usually find various souvenirs, restaurants, as well as local sweets and delicacies to take back as gifts.
These paths may have one belonged to the shrine, especially if it used to be a larger institution that could then use the land rents to help pay for their own upkeep, and you may find auxiliary shrines or temples along the way, but there seems to have always been a kind of symbiotic relationship with places of worship and the merchants catering to the pilgrims visiting them. It is not dissimilar to how restaurants, motels, and gift shops spring up around various attractions anywhere else in the world.
Fortunately, at Ōmiwa shrine, as I said the train station is actually well along the outer approach, meaning you don't have to walk the entire thing if you do not wish.
As you approach the main shrine, you'll come to a second torii gate, leading you into the forested area of the main shrine grounds, which leads you to the Edo period haiden, or prayer hall.
One of the unique things about Ōmiwa shrine is that they never built an actual building to contain the spirit of the kami of the shrine, which in this case is Ōmononushi. Instead, the kami lives on the mountain itself. This is thought to be the older style of worship, where the kami were thought to live in the mountains, close to the sun and the sky. Many stories talk about the kami alighting from the heavens onto mountains, and early depictions of them taking corporal, or visible, form are often as animals—snakes and other such things—living on or near the mountain.
There is a teaching, in fact, that as rice cultivation grew in Japan, many communities would create a sacred space in or near the rice fields, designating a pillar and setting up a sacred fence, and call the kami down from the mountain to reside close to the workers, who were growing there rice. At harvest time, the village would celebrate, offering a part of the harvest to the kami, who had helped it grow, and sending the kami back to the mountain.
Over time, the pillar was covered with a roof, to avoid the rot and deterioration that comes with being outside throughout most of the year, and eventually that grew into a building, where ceremonies could be conducted. This is one story for how the modern shrine came to be.
In most places, even at sacred mountains, they will have an actual shrine building for the key focus of worship, but, as I said, at Ōmiwa they have maintained an older style of worship. Therefore, where most prayer halls are simply placed in front of the main building, where the spirit is enshrined, the haiden of Ōmiwa sits in front of the entrance to the mountain itself. If you find yourself with the time and the inclination, you can hike the trails up Mt. Miwa, though they are clear to indicate that this is a religious place, and not just a hike through the wilderness, and people are expected to treat it appropriately.
Regrettably, when I was there I had limited time, and so I didn't get a chance to hike up, but maybe that will be a trip for another day.
From Ohomiwa shrine, you have several options. The most scenic is to travel north along the Yamanobe no Michi, the ancient mountain road.
This road—though mostly more a walking path—is touted as the oldest road in all of Japan. This designation comes from the fact that it is the first road mentioned in the Nihon Shoki, with various kofun and ancient palaces sited in relation to it over the years. It travels up along the foot of the mountains all the way to Nara city, and takes you through some absolutely beautiful countryside. I was last there in the fall, and people were walking the trail looking for pictures of fall foliage there and in the mountains.
It is unclear to me just how stable the route of this Yamanobe no Michi actually has been over the years. Certainly there have been paths along the foothills, but the designation of this particular path seems, perhaps, arbitrary. What I will not dispute is that this path winds through countryside that has a long history, which you can see all around you. Aside from the larger, more obvious kofun of the ancient kings, the landscape is dotted with smaller examples as well. As I walked along the trail, I made something of a sport of “kofun hunting”—looking for mounds in fields and then checking to see if it was a kofun or a natural feature. Of course, more often then not, it was a kofun—even if it is now in the middle of some farmer’s persimmon orchard. It was fascinating to see just how many were there—especially when you consider that many mounds may have collapsed or been worn away over the years.
Not all of the kofun I wanted to see were along the ancient path ways, however. Specifically, I was on the lookout for one of the oldest of the giant keyhole tomb mounds: Hashihaka kofun.
Hashihaka is a bit of a detour from the old Yamanobe no Michi—if you take the train it is about halfway between Miwa and Makimuku JR train stations. Coming up on it, and not knowing anything else, you might dismiss it as little more than a large, tree-covered hill, though the water-filled moat might alert you that something is up. Of course, from up above, or looking at a map, one can clearly make out the keyhole shaped features of the kofun mound.
As I said, this is thought to be one of the oldest of the keyhole shaped mounds. It has been dated to the mid to late 3rd century, and many people believe that this must be the resting place of the famous Queen Himiko, or at least someone from around her time. The fact that the Chronicles say that there is a woman buried there who demonstrated shaman-like powers in her interactions with the kami lend a lot of credence to that—something we first discussed back in episode 13, when we talked about the evidence for Queen Himiko.
When it was new, of course, the mound would not have been covered in trees. The various levels would have been carefully graded, with clear steps showing the levels up to the top of the mound. It may have started out at its core as a small hill that was then reshaped, or it may have been built from the ground up—I’m not sure if we can tell without more intrusive investigations. The surface would have been covered with small stones, which likely inhibited too much growth, although it still would have required maintenance, and likely some number of households were identified to regularly provide labor and rice for the mound’s upkeep.
An early kofun like this would not have had the elaborate haniwa of later evolutions. There have been found some haji-ware style pots that have holes drilled into the bottom, thus indicating that they were not likely being used to store anything—or at least not in the way a normal pot would. These were along the squarish front shape of the kofun. Later, we find cylindrical stands, which become the basis for the actual haniwa that cover so many other kofun. Still, even without this, the shape and the material and other such aspects would have called out that this was a special place.
Hashihaka kofun sits in the shadow of Mt. Miwa, though it isn’t directly oriented towards it. Possibly there is religious significance in its direction, but some of that may have been dictated by other local features at the time, some of which may no longer be evident, including the shape of any original hill or mound used in the kofun’s creation. It is clear, however, that it would have been visible for quite some distance, and even today it towers over most of the one-to-two storey buildings that surround it.
It would also have been clearly visible from the site of our next stop, at Makimuku JR train station.
Makimuku is a small station, and mostly just a stop in the region for those living in the area. Still, when you are in a land as steeped in history as the Nara basin, there is always something around, and at Makimuku it is the remains of an ancient third century palace.
Uncovered near the JR train lines and the station, the Makimuku palace is largely indicated by postholes, indicating at least three distinct raised buildings on the site. Numerous excavations have been carried out in the area, indicating habitation through the 3rd and 4th centuries, with a shift closer to the mountains in the latter part of the area’s focus. There is indication of trade with people on Korean peninsula, and indication of goods from as far away as Southeast Asia, at least. Many of these excavations are now beneath homes and other buildings that have sprung up over time, but you can still see where the Makimuku palace was, though access is a little strange. From the station, one walks around and through the nearby streets—you actually walk away from the ruins and then eventually back towards them. The actual entrance to the site is more like an empty lot between two buildings, providing access to an area with the location of the main postholes indicated in concrete. There is a small board where someone is ensuring that information about the site is being kept up for any interested travelers.
This is definitely a site for someone with a keen interest in history and not necessarily a site that most tourists would likely come to visit. There are no reconstructed buildings—anything that someone did build would simply be conjecture, as it is merely the postholes and some various fragments of pottery and other trade goods that have been found. And yet from there you can get a sense of the size of how large the Makimuku area, at the foot of Mt. Miwa, might have been. From there to Hashihaka kofun is a comfortable walk, and both Hashihaka and the sacred Mt. Miwa would have been clearly visible at the time. Nearby is the Yamato River, to provide another form of early transportation. And all around is flat land that makes for excellent rice farming, which would have spurred on the ancient economy and may explain how Yamato was able to grow so large so quickly.
Around the countryside, we have plenty of reminders of this period. Besides Hashihaka kofun, there are numerous others, many of them from the late 3rd to 4th centuries and attributed to some of the figures from the Nihon Shoki, including Mimaki and Ikume Iribiko. Of course, there are also various signposts that detail where tradition states this or that palace was or some other event. Given the lack of detail in the chronicles, it is hard to know how accurate any of this is, but walking around at least gives you some idea of the area and where all of this was taking place.
Many of these are just north of Sakurai proper, and in the area of Tenri city, in Nara, but I’m going to hold off on talking about that at this point, as we’ll probably make that the focus of a second part of this little travelogue.
I do want to point out, though, a few more things in the area. For instance, there is a shrine to sumou, recounting the supposed first sumou match mentioned in the Chronicles. There are also several supposed palace sites closer to the mountains themselves.
Looking away from the mountains, across the Yamato River, we can see the flat plain of the Shiki district. “Shiki” is an area that pops up time and again in the Chronicles, and the area of Tawaramoto is well built up, today. Across the flat plain you can see the mountain ridge that would separate the Nara basin and the land of Yamato from the area of Kawachi and modern Ohosaka proper. Beyond them both is the Seto Inland Sea.
I’ll have some photos from this trip up on the podcast website for those who want to get an idea of what it is like on the ground, but it is a fairly easy area to reach from a variety of different locations. North is Tenri and Nara, each with their own areas of historical interest, and west and south you have the areas of Kashihara and Asuka, which both feature prominently in the chronicles, especially in some of the later sections. I’ll try to do a little bit of each of them as I can, interspersing these geographical descriptions in between other episodes to help give a better sense of the area and perhaps give you a bit of guidance for your own travels.
And that is going to do it for this episode. Thanks for taking this detour with me - I’m going to keep looking into the reign of Ame Kunioshi, and hopefully we can get to him next time.
Until then, thank you for listening and for all of your support. If you like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts. If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode.
Also, feel free to Tweet at us at @SengokuPodcast, or reach out to our Sengoku Daimyo Facebook page. You can also email us at the.sengoku.daimyo@gmail.com.
And that’s all for now. Thank you again, and I’ll see you next episode on Sengoku Daimyo’s Chronicles of Japan.

Episode 80: The Asuka Period

February 1, 2023 Joshua Badgley

Marker indicating the spot tradition holds was the site of Senka Tenno’s palace at Ihorino in Hinokuma. Photo by Takanuka, CC BY 3.0, via Wikimedia Commons

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This episode we take a look at the reign of Takewo Hiro Oshikuni Tate, aka Senka Tenno, and we take our first steps into what is referred to as the Asuka Period, due to the large number of rulers who had courts in the region of Asuka in the southern Nara Basin.

Welcome to Sengoku Daimyo’s Chronicles of Japan. My name is Joshua and this is Episode 80: The Asuka Period Begins!
When last we looked at the Chronicles, we were in the reign of Magari no Ohine, aka Ohoye—though we’ve gone with Ohine so I’m going to stick with that—aka Ankan Tennou. Assuming the dating in the Chronicles is correct, he was born about 465, and would have come of age in the era of Wakatakiru no Ohokimi, aka Yuuryaku Tennou. When his father, Wohodo no Ohokimi, first took the throne in 507, Ohine would would have been in his early forties—his father only in his mid to late 50s. And so when his father passed away about 25 years later, Ohine was already into his late 60s, himself. It is unclear whether his father reigned for 25 or 28 years; the Chronicles say 25, officially, but then note that there is another source that claims it was 28. It goes on to skip over about three years, during which Ohine himself didn’t take the throne, allowing for 28 years to have passed. That discrepancy of three years may not seem like much, but it is still curious.
Realistically, though, he had his hand on the tiller of the ship of state for much longer. We see his hand in stories dated to about 513, when he is shown politicking on national issues, taking a royal princess as his wife, and being established as the heir apparent. So he is actively participating in the government, and while it does appear that the long tradition of co-rulership, which we’ve discussed a few times, may have died out around this period, there seems little doubt as to his influence in the court.
And yet, Ohine’s reign only lasted two years. He was perhaps 68 or 69 years old when he took the throne, and he would die in the following year. Despite his influence, his father’s long reign had kept him off the throne for much of that time, and he was likely considered venerable even as he took the throne. He was succeeded by his maternal brother, the second eldest son of Wohodo no Ohokimi, who full name was Take-wo Hiro Kunioshi Tate. Based on his age and the dating in the Chronicles, he was only about one year younger than his older brother. So everything I said above about Ohine coming to the throne at a late age applies to Takewo as well - he would have also been through almost 7 decades by that point, so he was no spring chicken.
It is unclear what Takewo’s role was, growing up. He was the second son. His older brother was the heir apparent, and had his elder brother had children, no doubt those children would have been expected to inherit. However, such as not meant to be, as Magari no Ohine died childless.
Here I should point out that there were other brothers, since in the stories we’ve seen so far there has not necessarily been an insistence on the eldest brother taking the throne. One of these brothers was the young Ame Kunioshi Hiraki Hiro Niwa no Mikoto. Born to Wohodo and his formal queen, Tashiraga, he would have been 26 at the time of Magari no Ohine’s death. Young, in comparison to Takewo, but not impossibly so, and certainly old enough to have taken the throne. In fact the Chronicles treat it as a forgone conclusion, though that is likely more twenty-twenty hindsight than anything else. Besides, although his mother was queen, that appears to have been a blatantly political marriage, designed to join Wohodo’s line with that of the previous sovereigns. Even Ohine had married a royal princess from the previous ruling line, and Takewo would be little different.
Still, it seems likely that Takewo and Ohine were likely from the more favored line, at least at the time, and as they took the throne, had they had heirs who could follow after them those heirs would have likely been the new royal lineage.
So: both Ohine and his brother came to the throne quite late in their lives, and neither would hold it for very long. That doesn’t mean, though, that there aren’t some important tidbits for us in their stories. As we’ve discussed in the last few episodes, a lot happened during Ohine’s reign, particularly with the establishment of various royal granaries. His entry in the Nihon Shoki is over twice the length of Takewo’s, even though the latter’s reign was longer, though not by much—lasting from the twelfth month of 535 to the spring of 539—a little more than three years, all told.
Still, Takewo’s reign has a few notable events. First such thing is the enthronement ceremony in the twelfth month of 535, as the Ministers of the court delivered up to Takewo the regalia—the sword and the mirror. Notice that there is no mention of the jewel, and neither is their mention of the seal, which was the item given to Takewo’s father, Wohodo, on *his* ascension, which we discussed back in Episode 75. This continues something of a trend, where the sword and the mirror are the truly public regalia.
Then, they moved the palace, as was customary. The Chronicles say that they set it up in Ihorino, in Hinokuma. This has traditionally been identified as being in the Hinokuma district of Asuka, near Omiashi jinja. Omiashi jinja claims to be the family shrine of the Aya, one of the families that trace their lineage back to the weavers brought over from the Korean peninsula. That family, much like the current dynasty, traced their own lineage back to the time of Homuda Wake, and I wonder if there wasn’t some kind of connection that would have made Hinokuma important to the sovereign and the court back in the early 6th century.
It is also near the site of the ruins of Hinokuma temple, said to have been established over a century later, in 686. Temples often were their own kind of symbol, and likely spoke to some importance for this area at the time it was founded, though it is likely that was coincidental to the site’s use by Takewo and his court, assuming the Chronicles can be trusted on that point.
Now some of you, like me, may have picked up on the location of this palace; that is to say, Asuka. As in the Asuka period. This is the period, between the 6th and 7th centuries, when many of the sovereigns based their capitals out of this region south of Kashihara in the Nara Basin, and hence the name. We’ll talk more on this periodization—as well as the various dates and what they mean—later on in the episode. For now, just know that this area, which is rich in archaeological evidence for this period, is going to be of particular importance to us—so much so that scholars have named an era after this region.
After setting up the palace, we are told that Takewo appointed his ministers. Two of the names are no surprise—Ohotomo no Kanamura and Mononobe no Arakahi were still around, and had continued in positions of power. Two new names join the list, however: Soga no Iname no Sukune was made Oho-omi, and Abe no Ohomaro no Omi was made Daibu.
Soga no Iname comes from the famous Soga clan. They claimed descent through none other than the famous Katsuragi no Sotsuhiko, and have popped up now and again. For more on Sotsuhiko, check out episode 47. The last mention appears to be during the reign of Wakatakiru no Ohokimi, when they mentioned Soga no Karako—which looks like it may be talking about someone born on the Korean peninsula. Given their connections to the continent and their eventual connection with Buddhism—as we’ll see in later episodes they played a large role in bringing it over and popularizing it in Japan—it seems quite likely that they had ties to the Korean peninsula. Here, we see Soga no Iname being made Ohoomi, the head of the Soga no Omi family, and what appears to be a rank of prime minister, although so far the actual authority of the Oho-omi in State affairs seems a bit hit or miss.
Abe no Ohomaro, on the other hand, is being made Daibu. This term is interesting—they are not making Ohomaro the head of the Abe clan, which would also be Ohoomi, one assumes, just like the Ohomuraji of the Ohotomo and Mononobe, though there are a lot of “Omi” ranked families that have been mentioned, but only a handful who have been mentioned as Oho-omi. The term “daibu” has shown up a few times in the Chronicles before, and generally just seems to refer to high ranking court officials, generally, though here it seems to be a specific court title. It would certainly be used that way, later, but it is also possible that, like Omi, it was originally just a more general term for high ranking ministers.
The Abe family has shown up here and there. Much like the Mononobe, their family name appears to suggest that they were originally formed as one of the “-Be” corporate family groups, though of course they show up in the Chronicles well before that would seem to have been the case, and have been prominent enough to marry daughters off to various sovereigns, so they at least claim something of a pedigree. They would continue to be important at court, and appear to have been close allies with the Soga clan, at least in this period.
There are a host of famous Abe throughout history. From the poet, Abe no Nakamaro, to the famous Onmyoji, or Yin-yang diviner, Abe no Seimei. There was a branch of Abe in the Tohoku region that regularly caused problems for later courts. And of course there is the modern political dynasty, as well, including the late Prime Minister, Abe Shinzo. However, it is somewhat difficult to know just who is actually related. The poet Nakamaro may be named for a village, rather than for his relationship to the court family. There are even different ways of spelling and pronouncing the Abe name, even in the Nihon Shoki itself. The Abe family was large enough that it would not have been difficult for someone to claim a relationship that didn’t exist, particularly in some of the more chaotic times. Still, we’ll try to keep track of them as best we can, at least as they interact with our narrative. In this case, that means keeping an eye on Abe no Ohomaro and his position at court.
Besides affirming the ministers, there was also the appointment of a queen. Here we again see the trend to connect this dynasty with the previous, as Takewo’s primary wife was none other than Tachibana no Nakatsu, a daughter of Ohoke no Ohokimi, aka Ninken Tennou. Together they had one son and three daughters, so technically it would appear that he did have an heir when he passed, but as we’ll see, that isn’t quite how the succession ended up working out.
One of the major events of this reign seems rather substantial. That’s the creation of a government house—basically an administrative center—in northern Kyushu, specifically in Nanotsu no Kuchi. Ostensibly it was to organize granaries to consolidate and distribute food as necessary. Of course, it can’t be forgotten that rice was not just food, but also the basis of the economy. So granaries were just as much a place that taxes could be collected, and that would have given officials there a tidy sum, some of which was no doubt destined for Yamato, but which I imagine was also used to help grease the wheels of local government.
We’ve seen this coming for some time. We see the military subdual of Kyushu in the old stories, and we see various people sent out to bring it to heel or otherwise administer at least the northern areas, which would have been part of the critical trade routes between Yamato and the mainland. Mononobe no Arakahi had been sent down with what we are told was a “battleax” of office to put down the Iwai Rebellion. That was about ten years ago, and we see Arakahi still in the government. Now, however, Yamato seems to be consolidating its hold over the area, instituting economic controls, beyond just the threat of military force.
There are also the various areas and families that they drew upon to fund and kickstart this venture. Most of it is from the Yamato region—Mamuta, in Kawachi; Owari, near modern Nagoya; Nihinomi, likely near Ohosaka; and Iga. The families in charge of this include Aso no Kimi, who must have had some leverage in Mamuta; Soga no Iname, who held influence of the Owari no Muraji; Mononobe no Arakahi, who apparently was in charge of the Nihinomi no Muraji; and then the Abe family, who directed the Iga no Omi. Of these, I find the Aso no Kimi most intriguing, as the others are all related to the great ministers of state. Aso no Kimi feels out of place, to me. It may be a reference to Mt. Aso or similar. But I also can’t help but notice that we have one Great Minister missing: Ohotomo no Kanamura, though not for long.
The rest of the setup of this government house—what sounds suspiciously like the area we’ll later come to know as the Dazaifu—included commandments that the local regions of the island of Kyuushuu also provide funds, which is to say rice. They consolidated reserves from Tsukushi, Hi, and Toyo, which is mostly northern Kyushu.
This was all in the year 536. Whether that is when it was commanded or that is when it was setup is not quite clear to me. One suspects that it would have fallen to Mononobe no Arakahi to administer things from this new government center, if it weren’t for that fact that Arakahi passed away only about a month later.
It is unclear who administered this new government house immediately, but in the year following, 537, and with Silla breathing down Nimna’s neck, Takewo’s government assigned Ohotomo no Kanamura’s sons, Iwa and Sadehiko, to assist Nimna. Iwa took charge of the government in Tsukushi, which would have been supplying any adventures on the peninsula, including raising troops and making preparations. Meanwhile his brother, Sadehiko went to Nimna and, we are told, “restored the peace” there, as well as lending aid to Yamato’s ally, Baekje.
This is rather vague. I don’t see anything in the Samguk Sagi that clearly equates to this. In 532, the Silla Annals talk about the King of Keumgwan Kara surrendering to Silla, though Kara would continue to be a going concern for at least another sixty years or so. It is possible that this had something to do with this new expedition around 537, but it isn’t clear.
Takewo would pass away in 539. His kofun near Mt. Unebi, just a little ways north of his palace at Hinokuma. It is identified as one in modern Toriyacho. It is said that he was buried together with his wife, Tachibana, and one of their children, who died while still quite young.
And that’s where we might end things, but there are a few other points to note for this period. For one thing, this is a great time to discuss periodization in Japanese history, since some people claim that the Asuka period started during this reign—specifically referencing the date of 538.
Periodization of historical eras often seems straightforward, but more often than not it is anything but. Periods may be designated for political reasons or even cultural. Political reasons may include things like a change in government, or even a change in the location of government. Certainly the Nara period, starting in 710, is based quite squarely on the foundation of Heijo-kyo, the continental style capital in modern Nara city. Likewise the Heian and Kamakura eras are often dated from the founding of the governments in those areas.
However, just because the government moved does not necessarily mean that things changed overnight, or even much at all. Likewise there were smaller changes that often happened within these periods, so within the Heian and Kamakura periods, you get terms like the Fujiwara and Insei periods to denote specific aspects of who was controlling the government at any given time.
For some, that means that the Asuka period doesn’t start until the reign of Toyomike Kashikiya-hime, aka Suiko Tenno, in 593, and by the narrowest definition only continues until the Taika reforms in 645, which are easily defined political dates with broad agreement across the scholarship for when they occurred.
And yet, we know that there were governments based out of the Asuka period before that, if the Nihon Shoki is to be at all believed. So if this is about the location of the capital, why not start it with Takewo and his palace? Shouldn’t that be the start of the so-called “Asuka Period”? After all, during this period the sovereigns continued the practice of building new palaces upon their ascension, with most, though not all, being in the Asuka area. And yet, that probably wouldn’t really help break up the period in the most meaningful ways. After all, if we go with that idea, why not start when Wohodo no Ohokimi built his palace in Iware, just a little to the north? What was so different from one to the other?
On the other hand, cultural periods tend to focus on changes in things like art or even thought. These often overlap well, but not exactly, with political periods. For instance, you may hear about the Higashiyama period, a time in the Muromachi when the Higashiyama era of Kyoto was ascendant, and it was influencing artistic growth and evolution across the country. But even that is a hard thing to tack down.
For the Asuka period, perhaps the biggest change – and one we will spend a lot of time discussing – was the introduction of Buddhism, that foreign religion from India, transported across Eurasia to the Korean peninsula and then over to Japan. The primary figure to whom the spread of Buddhism in Japan is attributed is the enigmatic Shotoku Taishi, who served as a regent for Toyomike Kashikiya hime, and instituted myriad reforms, often along continental models. And yet, if we want to look at the start of Buddhism, that actually goes further back—and for many it goes back all the way to the years included in this reign—specifically the year 538.
Now the year 538 in the Nihon Shoki contains no mention of Buddhism. In fact, the Nihon Shoki wouldn’t have a record of anything related to Buddhist teachings coming to Japan until about 13 or 14 years later, in the reign of the following sovereign, known as Kimmei Tenno, whom we will be getting to shortly. This chronicle states that it was in about 552 when an envoy from Baekje brough an image of the Buddha as well as Buddhist scriptures to the court.
However, these days it seems that many scholars prefer a date of 538 for this particular event. The 538 date comes from the records of Gangoji Temple—the Gangouji Garan Engi—as well as the Jouguu Shoutoku Houou Teisetsu, aka the Jouguu-ki. This latter is purported to be a biography of Shotoku Taishi, and comes from the 8th century, so contemporary with the Nihon Shoki, the Kojiki, and the Sendai Kuji Hongi. Both of these sources lend credence to the idea of 538 being when these Buddhist icons first came over, and so many people will start the Asuka period at this date.
To be clear, it isn’t as if Buddhism came over once and that was the end of it and everybody became Buddhist. This is just the first recorded instance of Buddhist items and ideas entering Japan—it wasn’t until later, as the court was adopting more and more continental ways, that Buddhism really gained acceptance and spread. Eventually it seems that state sponsorship of temples would override the construction of large kofun, as economic resources and labor were shifted to these new institutions of the state, bringing the Kofun era to its eventual end. But that is still down the road for us. Right now we are just at the beginning of the introduction of Buddhism, and while things are changing and the state is definitely growing, life didn’t suddenly take a turn one way or the other.
As for the date of 538—why was this, in hindsight, incredibly important religious and cultural event not mentioned in the reign of Takewo? Why was it instead mentioned in the reign of his successor? I’ve seen a few theories, but nothing that can concretely answer this question. Of course, there is the possibility that Takewo just wasn’t as impressive. The Chronicles seem to take issue with both his lineage and his elder brother’s, suggesting they weren’t true heirs because they did not have the full pedigree that someone like their brother, Ame Kunioshi, had. Of course, that could also have something to do with the path history took—to the Chroniclers it only made sense, but I think we can all see how that could have turned out differently.
There is also a theory that Ame Kunioshi, aka Kimmei Tenno, was actually co-ruling. Some have even suggested that Takewo and his brother, Magari no Ohine, were fictional, though why they would need to pad things out is anybody’s guess. It certainly does not seem unreasonable to think that some tradition of co-rulership had briefly continued in some form. As such, it may be that it did happen during Ame Kunioshi’s reign, but that said reign overlapped with his brother. If that were the case, the Chroniclers may have been teasing the two apart to provide a more direct narrative.
In the end, it is hard to know exactly why the dates don’t correspond between the different documents, but for our part I think we can say that we have now at least dipped our toes into the Asuka Period, especially as we get into the reign of Takewo’s younger step-brother, the youngest son of Wohodo no Ohokimi, or so we are told: Ame Kunioshi Hiraki Hiro Niwa, aka Kimmei Tennou
But that will be for another episode, and there is so much to talk about: More contact with the continent, further discussion of the coming of Buddhism, and perhaps a look at some of the archaeology, including some volcanic events that don’t seem to have made it into the Chronicles themselves. All of that, coming up.
Until then, thank you for listening and for all of your support. If you like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts. If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode.
Also, feel free to Tweet at us at @SengokuPodcast, or reach out to our Sengoku Daimyo Facebook page. You can also email us at the.sengoku.daimyo@gmail.com.
And that’s all for now. Thank you again, and I’ll see you next episode on Sengoku Daimyo’s Chronicles of Japan.

References

Kim, P., & Shultz, E. J. (2013). The 'Silla annals' of the 'Samguk Sagi'. Gyeonggi-do: Academy of Korean Studies Press.
Bentley, John. (2006). The Authenticity of Sendai Kuji Hongi: a New Examination of Texts, with a Translation and Commentary. ISBN-90-04-152253.
Best, J. (2006). A History of the Early Korean Kingdom of Paekche, together with an annotated translation of The Paekche Annals of the Samguk sagi. Cambridge (Massachusetts); London: Harvard University Asia Center. doi:10.2307/j.ctt1tg5q8p
Aston, W. G. (1972). Nihongi, chronicles of Japan from the earliest times to A.D. 697. London: Allen & Unwin. ISBN0-80480984-4
Philippi, D. L. (1968). Kojiki. Princeton, N.J.: Princeton University Press. ISBN4-13-087004-1

Episode 79: Ankan's Glass Bowl

January 16, 2023 Joshua Badgley

Glass bowl from central Asia, said to be from the tomb of Ankan Tennō. Photo by author.

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This episode we talk about the bowl (above) said to be from the tomb of Ankan Tennō, but we also talk about more than that. The above bowl is said to be from an early 6th century tomb, and appears consistent with at least 5th century Sassanid glassware.

Similar glassware is found elsewhere and in a Sassanian context

Sassanid glass bowl fragment found on Okinoshima island

Glass fragment found on Okinoshima island, forming part of a Sassanid glass bowl. From the National Museum of Japanese History in Sakura. Photo by author.

Glass plate and bowl

Glass plate and bowl, with origins in Central Asia (likely Sassanid Persia), excavated from Niizawa Senzuka Kofun and on display at the Tokyo National Museum. Photo by author.

Sassanid Glass Bowl

From the British Museum. Photo by Geni, CC BY-SA 4.0, via Wikimedia Commons

Sassanid Glass Bolws

From the Tabriz Museum. Photo by Alborz Fallah at English Wikipedia, CC BY-SA 3.0 , via Wikimedia Commons

Welcome to Sengoku Daimyo’s Chronicles of Japan. My name is Joshua, and this is Episode 79: Ankan’s Glass Bowl.
We are currently in the early part of the 6th century. Last episode was our New Year’s wrapup, but just before that we talked about the reign of Magari no Ōye, aka Ohine, aka Ankan Tennō. According to the Chronicles, he was the eldest son of Wohodo, aka Keitai Tennō, coming to the throne in 534. For all of the various Miyake, or Royal Grannaries, that he granted, his reign only lasted about two years, coming to an unfortunate end in the 12th month of 535. The Chronicles claim that Ohine was 70 years old when he died, which would seem to indicate he was born when his father, Wohodo, was only 13 years of age. That seems rather young, but not impossibly so.
It is said that Ankan Tennō was buried on the hill of Takaya, in the area of Furuichi. And that is where my personal interest in him and his short reign might end, if not for a glass bowl that caught my eye in the Tokyo National Museum.
Specifically, it was the Heiseikan, which is where the Tokyo National Museum hosts special exhibitions, but it also hosts a regular exhibition on Japanese archaeology. In fact, if you ever get the chance, I highly recommend checking it out. I mean, let’s be honest, the Tokyo National Museum is one of my favorite places to visit when I’m in Tokyo. I think there is always something new—or at least something old that I find I’m taking a second look at.
The Japanese archaeology section of the Heiseikan covers from the earliest stone tools through the Jomon, Yayoi, Kofun, and up to about the Nara period. They have originals or replicas of many items that we’ve talked about on the podcast, including the gold seal of King Na of Wa, the Suda Hachiman mirror, and the swords from Eta Funayama and Inariyama kofun, which mention Wakatakiru no Ōkimi, generally thought to be the sovereign known as Yuuryaku Tennō. They also have one of the large iron tate, or shields, on loan from Isonokami Shrine, and lots of bronze mirrors and various types of haniwa.
Amongst this treasure trove of archaeological artifacts, one thing caught my eye from early on. It is a small, glass bowl, round in shape, impressed throughout with a series of round indentations, almost like a giant golf ball. Dark brown streaks crisscross the bowl, where it has been broken and put back together at some point in the past. According to the placard, this Juuyo Bunkazai, or Important Cultural Property, is dated to about the 6th century, was produced somewhere in West Asia, and it is said to have come from the tomb of none other than Ankan Tennō himself.
This has always intrigued me. First and foremost there is the question of provenance—while there are plenty of tombs that have been opened over the years, generally speaking the tombs of the imperial family, especially those identified as belonging to reigning sovereigns, have been off limits to most archaeological investigations. So how is it that we have artifacts identified with the tomb of Ankan Tennō, if that is the case?
The second question, which almost trumps the first, is just how did a glass bowl from west Asia make it all the way to Japan in the 6th century? Of course, Japan and northeast Asia in general were not strangers to glassmaking—glass beads have a long history both on the Korean peninsula and in the archipelago, including the molds used to make them. However, it is one thing to melt glass and pour it into molds, similar to working with cast bronze. These bowls, however, appear to be something different. They were definitely foreign, and, as we shall see, they had made quite the journey.
So let’s take a look and see if we can’t answer both of these questions, and maybe learn a little bit more about the world of 6th century Japan along the way.
To start with, let’s look at the provenance of this glass bowl. Provenance is important—there are numerous stories of famous “finds” that turned out to be fakes, or else items planted by someone who wanted to get their name out there. Archaeology—and its close cousin, paleontology—can get extremely competitive, and if you don’t believe me just look up the Bone Wars of the late 19th century. Other names that come to mind: The infamous Piltdown man, the Cardiff Giant, and someone we mentioned in one of our first episodes, Fujimura Shin’ichi, who was accused of salting digs to try to claim human habitation in Japan going back hundreds of thousands of years.
This is further complicated by the fact that, in many cases, the situation behind a given find is not necessarily well documented. There are Edo period examples of Jomon pottery, or haniwa, that were found, but whose actual origins have been lost to time. Then there are things like the seal of King Na of Wa, which is said to have been discovered by a farmer, devoid of the context that would help to otherwise clear the questions that continue to surround such an object. On top of this, there are plenty of tombs that have been worn down over the ages—where wind and water have eroded the soil, leaving only the giant stone bones, or perhaps washing burial goods into nearby fields or otherwise displacing them.
So what is the story with the tomb of Ankan Tennō, and this glass bowl?
To answer this, let’s first look at the tomb attributed to Ankan Tennō. The Nihon Shoki tells us in the 8th century that this tomb was located at Takaya, in the area of Furuichi. This claim is later repeated by the Engi Shiki in the 10th century. Theoretically, the compilers of both of these works had some idea of where this was, but in the hundreds of years since then, a lot has happened. Japan has seen numerous governments, as well as war, famine, natural disaster, and more. At one point, members of the royal household were selling off calligraphy just to pay for the upkeep of the court, and while the giant kofun no doubt continued to be prominent features for locals in the surrounding areas, the civilian and military governments of the intervening centuries had little to no budget to spare for their upkeep. Records were lost, as were many details.
Towards the end of the Edo period, and into the early Meiji, a resurgence in interest in the royal, or Imperial, family and their ancient mausoleums caused people to investigate the texts and attempt to identify mausoleums for each of the sovereigns, as well as other notable figures, in the Kojiki and the Nihon Shoki. Given that many of those figures are likely fictional or legendary individuals, one can see how this may be problematic. And yet, the list that eventually emerged has become the current list of kofun protected by the Imperial Household Agency as imperial mausolea.
Based on what we know, today, some of these official associations seem obviously questionable. Some of them, for instance, are not even keyhole shaped tombs—for instance, some are circular, or round tombs, where the claim is often made that the other parts of the tomb were eroded or washed away. Still others engender their own controversy, such as who, exactly, is buried in Daisen-ryō, the largest kofun, claimed to be the resting place of Ōsazaki no Mikoto, aka Nintoku Tennō. Some people, however, claim that it is actually the sovereign Woasatsuma Wakugo, aka Ingyō Tennō, who is buried there, instead. What is the truth? Well, without opening up the main tomb, who is to say, and even then it is possible that any evidence may have already been lost to the acidic soils of the archipelago, which are hardly kind to organic matter.
By the way, quick divergence, here—if you look up information on Daisen-ryō, aka Daisen Kofun, you may notice that there are drawings of a grave, including a coffin, associated with it. That might get you thinking, as I did at one point, that Daisen kofun had already been opened, but it turns out that was a grave on the slopes of the square end of the kofun, and not from the main, circular burial mound. Theoretically this may have been an important consort, or perhaps offspring or close relative of the main individual interred in the kofun, but most likely it is not for the person for whom the giant mound was actually erected. So, yes, Daisen kofun remains unopened, at least as far as we know.
As for the kofun identified for Ankan Tennō, today that is the tomb known as Furuichi Tsukiyama Kofun, aka Takaya Tsukiyama Kofun. While the connection to Ankan Tennō may be somewhat unclear, the kofun has had its own colorful history, in a way. Now most of the reports I could find, from about ’92 up to 2022, place this kofun, which is a keyhole shaped kofun, in the correct time period—about the early to mid-6th century, matching up nicely with a 534 to 535 date for the reign given to Ankan Tennō. But what is fascinating is the history around the 15th to 16th centuries. It was just after the Ounin War, in 1479, when Hatakeyama Yoshihiro decided to build a castle here, placing the honmaru, the main enclosure, around the kofun, apparently incorporating the kofun and its moats into the castle design. The castle, known as Takaya Castle, would eventually fall to Oda Nobunaga’s forces in 1575, and most of the surrounding area was burned down in the fighting, bringing the kofun’s life as a castle to an end.
Some of the old earthworks still exist, however, and excavations in the area have helped determine the shape of the old castle, though there still have not been any fulsome excavations of the mound that I have found. This makes sense as the kofun is designated as belonging to a member of the imperial lineage.
There are, however, other keyhole shaped kofun from around the early 6th century that are also found in the same area, which also could be considered royal mausolea, and would seem to fit the bill just as well as this particular tomb. In addition, there are details in the Chronicles, such as the fact that Magari no Ohine, aka Ankan Tennō, was supposedly buried with his wife and his younger sister. This is, however, contradicted by records like the 10th century Engi Shiki, where two tombs are identified, one for Ankan Tennō and one for his wife, Kasuga no Yamada, so either the Chronicles got it wrong, or there were already problems with tomb identification just two centuries later. So we still aren’t entirely sure that this is Ankan Tennō’s tomb.
But at least we know that the glass bowl came from a 6th century kingly tomb, even if that tomb was only later identified as belonging to Ankan Tennō, right?
Well, not so fast.
The provenance on the bowl is a bit more tricky than that. You see, the bowl itself came to light in 1950, when a private individual in Fuse, Ōsaka invited visiting scholar Ishida Mosaku to take a look. According to his report at the time, the bowl was in a black lacquered box and wrapped in a special cloth, with a written inscription that indicated that the bowl had been donated to a temple in Furuichi named Sairin-ji.
There are documents from the late Edo period indicating that various items were donated to Sairin-ji temple between the 16th to the 18th centuries, including quote-unquote “utensils” said to have been washed out of the tomb believed to be that of Ankan Tennō. Ishida Mosaku and other scholars immediately connected this glass bowl with one or more of those accounts. They were encouraged by the fact that there is a similar bowl found in the Shōsōin, an 8th century repository at Tōdai-ji temple, in Nara, which houses numerous artifacts donated on behalf of Shōmu Tennō. Despite the gulf of time between them—two hundred years between the 6th and 8th centuries—this was explained away in the same way that Han dynasty mirrors, made in about the 3rd century, continued to show up in burials for many hundreds of years afterwards, likewise passed down as familial heirlooms.
Still, the method of its discovery, the paucity of direct evidence, and the lack of any direct connection with where it came from leaves us wondering—did this bowl really come from the tomb of Ankan Tennō? Even moreso, did it come from a 6th century tomb at all? Could it not have come from some other tomb?
We could tie ourselves up in knots around this question, and I would note that if you look carefully at the Tokyo National Museum’s own accounting of the object they do mention that it is quote-unquote “possibly” from the tomb of Ankan Tennō.
What does seem clear, however, is that its manufacture was not in Japan. Indeed, however it came to our small group of islands on the northeastern edge of the Eurasian continent, it had quite the journey, because it does appear to be genuinely from the Middle East—specifically from around the time of the Sassanian or Sassanid empire, the first Iranian empire, centered on the area of modern Iran.
And it isn’t the only one. First off, of course, there is the 8th century bowl in the Shousoin I just mentioned, but there are also examples of broken glass found on Okinoshima, an island deep in the middle of the strait between Kyushu and the Korean peninsula, which has a long history as a sacred site, mentioned in the Nihon Shoki, and attached to the Munakata shrine in modern Fukuoka. Both Okinoshima and the Shōsōin—at least as part of the larger Nara cultural area—are on the UNESCO register of World Heritage sites, along with the Mozu-Furuichi kofun group, of which the Takaya Tsukiyama kofun is one..
Okinoshima is a literal treasure trove for archaeologists. However, its location and status have made it difficult to fully explore. The island is still an active sacred site, and so investigations are balanced with respect for local tradition. The lone occupant of the island is a Shinto priest, one of about two dozen who rotate spending 10 days out at the island, tending the sacred site. Women are still not allowed, and for centuries, one day a year they allowed up to 200 men on the island after they had purified themselves in the ocean around the island. Since then, they have also opened up to researchers, as well as military and media, at least in some instances.
The island is apparently littered with offerings. Investigations have demonstrated that this island has been in use since at least the 4th century. As a sacred site, guarding the strait between Kyushu and the Korean peninsula, fishermen and sailors of all kinds would make journeys to the island and leave offerings of one kind or another, and many of them are still there: clay vessels, swords, iron ingots, bronze mirrors, and more. The island’s location, which really is in the middle of the straits, and not truly convenient to any of the regular trading routes, means that it has never really been much of a strategic site, just a religious one, and one that had various religious taboos, so it hasn’t undergone the centuries of farming and building that have occurred elsewhere.
Offerings are scattered in various places, often scattered around or under boulders and large rocks that were perhaps seen as particularly worthy of devotion. Since researchers have been allowed in, over 80,000 treasures have been found and catalogued. Among those artifacts that have been brought back is glass, including glass from Sassanid Persia. Pieces of broken glass bowls, like the one said to have come from Ankan’s tomb, as well as what appear to be beads made from broken glass pieces, have been recovered over the years, once more indicating their presence in the trade routes to the mainland, although when, exactly, they came over can be a little more difficult to place.
That might be helped by two other glass artifacts, also found in the archaeological exhibit of the Heiseikan in the Tokyo National Museum: a glass bowl and dish discovered at Niizawa Senzuka kofun Number 126, in Kashihara city, in Nara.
This burial is believed to date to the latter half of the 5th century, and included an iron sword, numerous gold fittings and jewelry, and even an ancient clothes iron, which at the time looked like a small frying pan, where you could put hot coals or similar items in the pan and use the flat bottom to help iron out wrinkles in cloth. Alongside all of this were also discovered two glass vessels. One was a dark, cobalt-blue plate, with a stand and very shallow conical shape. The other was a round glass bowl with an outwardly flared lip. Around the smooth sides, the glass has been marked with three rows of circular dots that go all the way around, not dissimilar from the indentations in the Ankan and Shōsōin glass bowls.
All of these, again, are believed to have come from Sassanid Persia, modern Iran, and regardless of the provenance of the Ankan bowl, it seems that we have clear evidence that Sassanian glassworks were making their way to Japan. But how? How did something like glass—hardly known for being the most robust of materials—make it all the way from Sassanid Persia to Yamato between the 5th and 8th centuries?
To start with, let’s look at Sassanid Persia and its glass.
Sassanid Persia—aka Sassanid or Sassanian Iran—is the name given to the empire that replaced the Parthian empire, and is generally agreed to have been founded sometime in the early 3rd century. The name “Sassanid” refers to the legendary dynastic founder, Sassan, though the first historical sovereign appears to be Ardeshir I, who helped put the empire on the map.
Ardeshir I called his empire “Eran sahr”, and it is often known as an Iranian or Persian empire, based on their ties to Pars and the use of the Middle Persian, or Farsi, language. For those not already well aware, Farsi is one of several Iranian languages, though over the years many of the various Iranian speaking peoples would often be classified as “Persian” in English literature. That said, there is quite a diversity of Iranian languages and people who speak them, including Farsi, Pashto, Dari, Tajik, and the ancient Sogdian language, which I’m sure we’ll touch on more given their importance in the ancient silk road trade. Because of the ease with which historical “Iranian” ethnic groups can be conflated with the modern state, I am going to largely stick with the term Persian, here, but just be aware that the two words are often, though not always, interchangeable.
The Sassanid dynasty claimed a link to the older Achaemenid dynasty, and over the subsequent five centuries of their rule they extended their borders, dominating the area between the Caspian Sea and the Persian Gulf, eastward to much of modern Afghanistan and Pakistan, running right up to the Hindu Kush and the Pamir mountains. They held sway over much of Central Asia, including the area of Transoxiana. With that they had access to both the sea routes, south of India and the overland routes through the Tianshan mountains and the northern and southern routes around the great Taklamakan desert – so, basically, any trade passing between Central and East Asia would pass through Sassanid territory.
The Persian empire of the Sassanids was pre-Islamic—Islamic Arab armies would not arrive until about the 7th century, eventually bringing an end to the Sassanid dynasty. Until that point, the Persian empire was largely Zoroastrian, an Iranian religion based around fire temples, restored after the defeat of the Parthians, where eternal flames were kept burning day and night as part of their ritual practice.
The Sassanids inherited a Persian culture in an area that had been dominated by the Parthians, and before that the Hellenistic Seleucids, and their western edge bordered with the Roman empire. Rome’s establishment in the first century BCE coincided with the invention of glassblowing techniques, and by the time of the Sassanid Empire these techniques seem to have been well established in the region.
Sassanid glass decorated with patterns of ground, cut, and polished hollow facets—much like what we see in the examples known in the Japanese islands—comes from about the 5th century onward. Prior to that, the Sassanian taste seems to have been for slightly less extravagant vessels, with straight or slightly rounded walls.
Sassanid glass was dispersed in many different directions along their many trade routes across the Eurasian continent, and archaeologists have been able to identify glass from this region not just by its shape, but by the various physical properties based on the formulas and various raw materials used to make the glass.
As for the trip to Japan, this was most likely through the overland routes. And so the glass would have been sold to merchants who would take it up through Transoxiana, through passes between the Pamirs and the Tianshan mountains, and then through a series of oasis towns and city-states until it reached Dunhuang, on the edge of the ethnic Han sphere of influence.
For a majority of this route, the glass was likely carried by Sogdians, another Iranian speaking people from the region of Transoxiana. Often simply lumped in with the rest of the Iranian speaking world as “Persians”, Sogdians had their own cultural identity, and the area of Sogdia is known to have existed since at least the ancient Achaemenid dynasty. From the 4th to the 8th century, Sogdian traders plied the sands of Central Eurasia, setting up a network of communities along what would come to be known as the Silk Road.
It is along this route that the glassware, likely packed in straw or some other protective material, was carried on the backs of horses, camels, and people along a journey of several thousand kilometers, eventually coming to the fractious edge of the ethnic Han sphere. Whether it was these same Sogdian traders that then made their way to the ocean and upon boats out to the Japanese islands is unknown, but it is not hard imagining crates being transferred from merchant to merchant, east, to the Korean Peninsula, and eventually across the sea.
The overland route from Sogdia is one of the more well-known—and well-worn—routes on what we modernly know as the Silk Road, and it’s very much worth taking the time here to give a brief history of how this conduit between Western Asia/Europe and Eastern Asia developed over the centuries.
One of the main crossroads of this area is the Tarim Basin, the area that, today, forms much of Western China, with the Tianshan mountains in the north and the Kunlun Mountains, on the edge of the Tibetan plateau, to the south. In between is a large desert, the Taklamakan desert, which may have once been a vast inland sea. Even by the Han dynasty, a vast saltwater body known as the Puchang Sea existed in its easternmost regions. Comparable to some of the largest of the Great Lakes, and fed by glacial run-off, the lake eventually dwindled to become the salt-marshes around Lop Nur. And yet, researchers still find prominent boat burials out in what otherwise seems to be the middle of the desert.
Around the Tarim basin were various cultures, often centered on oases at the base of the mountains. Runoff from melting ice and snow in the mountains meant a regular supply of water, and by following the mountains one could navigate from watering hole to watering hole, creating a natural roadway through the arid lands. In the middle of the Basin, however, is the great Taklamakan desert, and even during the Han dynasty it was a formidable and almost unpassable wasteland. One could wander the sands for days or weeks with no water and no indication of direction other than the punishing sun overhead. It is hardly a nice place and remains largely unpopulated, even today.
While there were various cultures and city-states around the oasis towns, the first major power that we know held sway, at least over the northern route, were the Xiongnu. Based in the area of modern Mongolia, the Xiongnu swept down during the Qin and early Han dynasties, displacing or conquering various people.
An early exploration of the Tarim basin and its surroundings was conducted by the Han dynasty diplomat, Zhang Qian. Zhang Qian secretly entered Xiongnu territory with the goal of reaching the Yuezhi—a nomadic group that had been one of those displaced by the Xiongnu. The Yuezhi had been kicked out of their lands in the Gansu region and moved all the way to the Ferghana valley, in modern Tajikistan, a part of the region known as Transoxiana. Although Zhang Qian was captured and spent 10 years in service to the Xiongnu, he never forgot his mission and eventually made his way to the Yuezhi. By that time, however, the Yuezhi had settled in to their new life, and they weren’t looking for revenge.
While Zhang Qian’s news may have been somewhat disappointing for the Han court, what was perhaps more important was the intelligence he brought back concerning the routes through the Tarim basin, and the various people there, as well as lands beyond. The Han dynasty continued to assert itself in the area they called the “Western Regions”, and General Ban Chao would eventually be sent to defeat the Xiongnu and loosen their hold in the region, opening up the area all the way to modern Kashgar.
Ban Chao would even send an emissary, Gan Ying, to try to make the journey all the way to the Roman empire, known to the Han court as “Daqin”, using the name of the former Qin dynasty as a sign of respect for what they had heard. However, Gan Ying only made it as far as the land of Anxi—the name given to Parthia—where he was told that to make it to Rome, or Daqin, would require crossing the ocean on a voyage that could take months or even years. Hearing this, Gan Ying decided to turn back and report on what he knew.
Of course if he actually made it to the Persian Gulf—or even to the Black Sea, as some claim—Gan Ying would have been much closer to Rome than the accounts lead us to believe. It is generally thought that he was being deliberately mislead by Parthian merchants who felt they might be cut out if Rome and the Han Dynasty formed more direct relations. Silks from East Asia, along with other products, were already a lucrative opportunity for middlemen across the trade routes, and nobody wanted to be cut out of that position if they could help it.
That said, the Parthians and, following them the Sassanid Persians, continued to maintain relationships with dynasties at the other end of what we know as the Silk Road, at least when they could. The Sassanid Persians, when they came to power, were known to the various northern and southern dynasties as Bosi—possibly pronounced something like Puasie, at the time, no doubt their attempt to render the term “Parsi”. We know of numerous missions in both directions between various dynasties, and Sassanian coins are regularly found the south of modern China.
And so we can see that even in the first and second centuries, Eurasia was much more connected than one might otherwise believe. Goods would travel from oasis town to oasis town, and be sold in markets, where they might just be picked up by another merchant. Starting in the fourth century, the Sogdian merchants began to really make their own presence known along these trade routes. They would set up enclaves in various towns, and merchants would travel from Sogdian enclave to Sogdian enclave with letters of recommendation, as well as personal letters for members of the community, setting up their own early postal service. This allowed the Sogdian traders to coordinate activities and kept them abreast of the latest news.
And so this is how our glass bowls and other goods likely made their way from Sasanid Persia. Most likely they were sold to merchants who took them to Afrasiab, known today as Samarkand, in modern Uzbekistan, a Sogdian city that would become one of the major cosmopolitan centers on the Silk Road. From there they likely traveled through the Ferghana valley, where the Yuezhi had once settled. This area was renowned for its horses, known as “Heavenly Horses”, which fetched high prices in Eastern markets.
To pass from Ferghana into the Tarim Basin, one must cross over the Alai mountains and descend to the city of Kashgar. From there one can take the southern route, through Khotan and the area generally controlled by Tibet or the northern route, hitting the oases of Aksu, Kuqa, and more. Unless one looped further north to pick up some famous hami melons, the merchant caravan would likely find its way to Dunhuang, where the various routes through the Tarim basin converge. From there, it was a matter of taking the roads through the Gansu corridor to the Yellow River and beyond.
I’m not sure we have a clear indication how long this trip would take. Theoretically, one could travel from Kashgar to Xi’an and back in well under a year, if one were properly motivated and provisioned—it is roughly 4,000 kilometers, and travel would have likely been broken up with long stays to rest and refresh at the various towns along the way.
I’ve personally had the opportunity to travel from Kashgar to Turpan, though granted it was in the comfort of an air conditioned bus. Still, having seen the modern conditions, the trip would be grueling, but not impossible back in the day, and if the profits were lucrative enough, then why not do it—it is not dissimilar to the adventurers from Europe in the 16th century who went out to sea to find their own fortunes.
And so the glass bowl likely made its way through the markets of the Tarim basin, to the markets of various capitals in the Yellow River or Yangzi regions—depending on who was in charge in any given year—and eventually made its way to the Korean peninsula and from there to a ship across the Korean strait.
Of course, those ships weren’t simply holding a single glass vessel. Likely they were laden with a wide variety of goods. Some things, such as fabric, incense, and other more biodegradable products would not be as likely to remain, and even glass breaks and oxidizes, and metal rusts away. Furthermore, many of the goods had likely been picked over by the time any shipments arrived in the islands, making things such as these glass bowls even more rare and scarce.
Still, this bowl, whether it belonged to Ankan or not, tells us a story. It is the story of a much larger world, well beyond the Japanese archipelago, and one that will be encroaching more and more as we continue to explore this period. Because it wasn’t just physical goods that were being transported along the Silk Road. The travelers also carried with them news and new ideas. One of these ideas was a series of teachings that came out of India and arrived in China during the Han dynasty, known as Buddhism. It would take until the 6th century, but Buddhism would eventually make its way to Japan, the end of the Silk Road.
But that is for another episode. For now, I think we’ll close out our story of Ankan and his glass bowl. I hope you’ve enjoyed this little diversion, and from here we’ll continue on with our narrative as we edge closer and closer to the formal introduction of Buddhism and the era known as the Asuka Period.
Until then, thank you for listening and for all of your support. If you like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts. If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode.
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And that’s all for now. Thank you again, and I’ll see you next episode on Sengoku Daimyo’s Chronicles of Japan.

References

小寺知津子 (2023)。「カラス来た道:古代ユーラシアをつなぐ輝き。ISBN 978-4-642-05963-3
徳田　誠志 (2020).「伝安閑天皇陵出土ガラス碗」再発見の経緯と東京国立博物館への収蔵について ― 加藤三之雄教授（第二代社会学部長）の関与。「関西大学博物館紀要」。Vol. 26, pp 1-15. http://hdl.handle.net/10112/00020235
劉東波 (2017)。井上靖「玉碗記」論 : 対の器物から生まれた人物。http://hdl.handle.net/10191/5053
井原稔 (2014)。羽曳野市教育委員会 2014 『羽曳野市埋蔵文化財調査報告書73：古市遺跡群35』羽曳野市教育委員会。https://sitereports.nabunken.go.jp/17337
吉澤則男 (1992)。羽曳野市教育委員会 1992 『羽曳野市埋蔵文化財調査報告書27：羽曳野市内遺跡調査報告書平成3年度』羽曳野市教育委員会。 https://sitereports.nabunken.go.jp/en/17369
Aston, W. G. (1972). Nihongi, chronicles of Japan from the earliest times to A.D. 697. London: Allen & Unwin. ISBN0-80480984-4
Philippi, D. L. (1968). Kojiki. Princeton, N.J.: Princeton University Press. ISBN4-13-087004-1

New Year's Recap 2023

January 1, 2023 Joshua Badgley

View of the top of the mound (or the treetops atop the mound) of Daisen kofun, from a pedestrian overpass near the northwest corner of the site. Photo by author.

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Greetings! And welcome to our New Year’s Recap Episode for 2023, where we look back at the past year, and a little at what is to come. We also talk a bit of the behind the scenes

Shinnen akemashite omedetou gozaimasu! Happy New Year!
Welcome to Sengoku Daimyo’s Chronicles of Japan. My name is Joshua and this is our New Year’s Recap Episode for 2023.
This year we covered topics from the 5th to the 6th centuries—from the time of Woasatsuma Wakugo no Sukune, aka Ingyou Tennou, back in episode 56, all the way up to Wohodo and his son, Magari no Ohoye, aka Keitai and Ankan Tennou, in episode 78. These are the 19th through 25th and 26th sovereigns, according to the official reckoning, though as we’ve mentioned there are possibly a few missing—and maybe even a few added. Still, in this time, we’ve seen the growth of the Yamato state, as well as various changes involving their relations with those on the other side of the continent. So let’s take a moment to look back at this and pull up from the individual stories to see how the larger narrative is coming along.
Before we get into that, a quick note of thanks for all of our listeners out there. We appreciate you—thank you for staying with us through this journey. It is just so great to know there are others out there who are interested in all of this. Also thanks to those who’ve reached out with assistance or with suggestions. While not everything fits into the format or what we are currently doing, I have a list of things that I’m looking for ways to do or insert into the narrative at some point.
I also thought I’d try to lift the curtain for you all a bit on the production of this little show, to help you understand a bit more about what goes into it.
So first off, for those who haven’t realized already, we aren’t part of a major podcast network and we don’t have a crew of people putting this together. For the most part it is me and my wife, both of whom have other jobs and responsibilities, doing our best to put it out there. Typically I’m looking for downtime to do the research and put a given episode together, and after I write my first draft I give it to her for a sanity check and editing. Once she’s had time to go over it, I record the podcast, which isn’t always smooth, and edit out as many of the mistakes as I can. Then we upload it—we are currently using Libsyn for distribution, and schedule it for release on either the first or the sixteenth of every month.
Once the episode is recorded, that’s usually where we start working on a blog post for the episode; I’m not sure how much people read the blogposts, vice just listen, since this is an audio medium more than anything else, but that is where I’ve tried to put up various names and individuals for people to follow along with what is going on, since we have so many different characters.
One of the things that takes the most time is searching through and finding the images for the podcast blogs. In some cases, I pull from our own extensive library of photos taken at various times and places, and otherwise I usually am looking for images in the public domain or at least using a license that can be used on the website.
Depending on the amount of time all this takes, I try to focus first and foremost on getting the audio out on a consistent and regular basis, and sometimes I have to come back to the blog post later.
I am hoping to add into this the transcripts for the show, to make things more accessible, as well as adding content up on YouTube, though that requires turning things into “video” which is all doable, just time consuming, especially with 78 episodes to update. The transcripts should also allow me to add captions on YouTube, but I’m still figuring that out.
And of course all of this is done as a labor of love at the moment—I still have a day job that pays the bills for hosting, new research material, etc., though Patreon and Ko-Fi donations are always appreciated.
So those are the things that go into making the podcast. If you have thoughts, advice, or questions, please feel free to reach out.
Now, looking at the past year, we’ve spent a lot of time with the family that many scholars know as the Kawachi dynasty. This is a term derived from the fact that early on they are said to have ruled from around the Naniwa area, and the giant keyhole tombs that popped up were largely in the Mozu-Furuichi tumulus group in modern Osaka, in the old land of Kawachi. This includes the largest tumuli ever built, including Daisen-ryou.
Daisen-ryou is the largest kofun in Japan and about the largest mausoleum for a single person in the world—on par with tomb of the Qin Shihuangdi, the first emperor of Qin, in modern Xi’an, for sheer size. It is several stories tall, and really is like a man-made mountain. It is also surrounded by numerous other kofun.
Compare this to the Great Pyramid, in Egypt. The Pyramids are taller, rising over 140 meters in the air compared to Daisen’s 47 meter height, but the pyramid rises from a square base about 53,000 square meters. Daisen’s mound, meanwhile, covers about 100,000 square meters, and with the moats, covers approximately 460,000 square meters in total.
I finally had the opportunity to visit the Mozu tumulus group in November this past year and it really is impressive. One thing about these tombs is the manpower that was clearly required to build them. They are *massive* and it required an enormous engineering effort. Before all the trees grew up on the mound and the surrounding earthworks—not to mention all of the modern buildings—these tombs would have been clearly viewable from miles around. This ability to mobilize individuals in a single effort is one of the key factors that archaeologists look at to assess the strength of the early state in the archipelago.
One other thing about these mounds, and something I’m not quite sure we addressed—recent investigations appear to indicate that most of them were built with solar and lunar considerations. While this might not be entirely obvious when looking at a map—they appear almost to be random at that point—a team out of Italy published an article in the journal, Remote Sensing, in January of this past year, 2022, that used satellite imagery to study the orientation of the major keyhole tombs in the Japanese archipelago. They determined that the orientations were not random, and that there appears to be a connection to both the sun and the moon, so that the main corridor would be illuminated by both throughout the year. Daisen Ryou is even oriented specifically to the summer solstice sunset.
Of course, some of these astronomical alignments may be affected by other factors. For example, those kofun near the eastern edge of the Nara basin won’t see the sunrise until it crests over the mountains, which may affect their orientation. Others may have also been influenced by things like proximity to sacred sites, like Mt. Miwa. And of course, subsidiary tombs, like the others in the Mozu Kofun group, were oriented in relation to the main tomb. None of this was done willy-nilly; there is still a lot to be considered, and it is also possible that the importance of various directions and points on the calendar changed over the centuries of kofun building and even with differences in local practice. There is still a lot of work to be done here, but it is fascinating to see continued work on this topic, including the use of modern technology, especially with the restrictions placed on modern archaeologists when it comes to excavating these kofun that remain so closely tied to the Japanese imperial family.
For all that we don’t know, the Mozu and Furuichi kofun groups do leave their mark on this period, which covered much of the last year. Even the Chronicles, as questionable as they may be in their narrative, describe courts at least attached to the Kawachi area, especially Naniwa, generally identified as modern Ohosaka, where the Yodo river empties into the Seto Inland Sea.
The first tenno we talked about in 2022 was Woasatsuma Wakugo no Sukune, aka Ingyou Tennou—curious for the apparent use of a courtly title, Sukune, in his name. Woasatsuma was supposedly disabled, although then miraculously healed, I guess? Either way, he wasn’t exactly expected to succeed his brothers, and yet he did.
Woasatsuma’s own death led to the kind of violent succession struggle that we’ve come to associate with this period. His own son, Anaho, aka Ankou Tennou, took the reins, but immediately went after the Kusaka line, supposedly because of some dastardly deeds by a rogue courtier, named Ne no Omi. After Anaho’s forces killed Prince Ohokusaka, it was only later that they found out it was all just a big misunderstanding. However, that’s not how Ohokusaka’s son, Mayuwaka, saw it, and he, at an extremely young age, took revenge and killed Anaho. This set off yet another bout of bloodletting that saw Anaho’s brother, Ohohatsuse Wakatakeru, murder his way through the royal family until he was the only surviving viable heir to the throne.
The rise of Wakatakeru, aka Yuuryaku Tennou, would seem to make him out as quite the villain. The Chroniclers certainly spill plenty of ink telling his story, but in hardly the most flattering of terms. And yet, his reign is one of the lengthier and more impactful reigns. He is also the first or second sovereign who appears to be confirmed by contemporary sources. The first might be Woasatsuma Wakugo, though this is questionable – the famous mirror from the Suda Hachiman Shrine has an inscription that can be read in several different ways, but may recall his marriage in one interpretation. For Wakatakeru, however, we have at least two swords from different parts of the archipelago that mention his name. This seems to confirm that there was not only a sovereign named Wakatakeru—or possibly Wakatakiru—around the right time, but they had enough influence that their name was apparently known across the archipelago.
This is also the time of the Five Kings of Wa from the Liu Song chronicles. How exactly these sovereigns line up with the Ohokimi of the Chronicles is still unclear—many assume that Bu must be Wakatakeru, since Bu and Takeru use the same character, at least in modern interpretations. A wrench in this theory is that Wakatakeru’s name on the two swords, mentioned above, use characters in a phonetic, rather than meaningful, way. So it isn’t entirely clear that Wakatakeru used that character during his reign. In fact, it is possible, though seemingly unlikely, that the five kings mentioned could be from another area of the Wa ethnic sphere altogether.
Whosoever the Liu Song were interacting with, the discussion of the Wa and their requests give us some interesting detail about their ambitions on the peninsula and the archipelago. Clearly someone on the Wa side was gathering enough support to not only make a trip to the Liu Song capital, situated as it was on the Yangtze river, but they were apparently credibly powerful enough for the Liu Song to take them seriously. It is interesting that they were willing to also grant them titles over groups like Silla, Nimna, and Kara—titles that, arguably, the Liu Song had no authority to actually enforce, let alone grant—and yet they balked at legitimating titles over Baekje’s territory. Of course they also continue to refer to the territories of Mahan and Jinhan, which may not have actually been a going concern at the time. They also differentiate between Nimna and Kara, which many later scholars would conflate into a single territory. As such, most of this just brings up more questions for the 5th century than it answers.
The archipelago’s relationship with the continent in the fifth century is complicated. Men of famous families are listed as having served in wars and fighting over on the continent, and there was certainly influx in the other direction, as well. There is plenty of evidence for Baekje and other groups moving to the continent and making a name of themselves.
They seem to have brought with them ideas for expanding Yamato’s control over the archipelago. For instance, we see the corporate -Be groups, groups created as a familial unit but geared around production of a specific good or service. Some of these, like the horse keeper’s Be, and the Jewel-maker’s Be, are based around particular professions, but others are groupings of peasant groups, whose agricultural output was designated for a specific function—either the support of a royal individual or the support of an institution, such as the maintenance of a royal kofun.
In particular, those groups created around production of a specific good or service could be made up of individuals throughout the archipelago, who reported, it seems, to a single courtier and their family. This nominally gave the court centralized control over these production groups, and blunted the rights of local lords to make demands of them. It was a truly impressive claim, one that I am hesitant to say was fully enforceable, but which nonetheless spoke to the aspirations of the court to become a central government.
An example of this was the Hata family, whose name seems to reference cloth production, something that was sought after on the continent, but who also use the character for the Qin dynasty, often claiming that they came from there, or possibly from “Jin-han” on the Korean peninsula, where a similar story claims the Qin name as the origin of that “Jin” moniker. Hata no Sake, a courtier who had an in with Wakatakeru, was placed in charge of all members of the Hata lineage—so theoretically all of those weaver families who had come over from the continent. In turn, he ensured that they turned out goods as taxes for the central court. The Hata family themselves would build a power base in the area of modern Kyouto, and a district in Kyouto still carries their name: Uzumasa, the name given to Hata no Sake and spelled out with the characters of “Great Hata”, or “Ohohata”.
This is also the era of numerous stories, including the first instance of the story of Urashima Tarou, Japan’s very own Rip Van Winkle character, although the story here is only in its infancy. Fact and fiction were still quite clearly interwoven, making it difficult to tell what was actually going on and what are just stories of a time long long ago.
Love him or hate him, Wakatakeru’s reign largely defines the 5th century. Before his death he placed the Ohotomo and the Mononobe in positions of great authority. Ohotomo no Muruya, and his descendant, Ohotomo no Kanamura, wielded considerable power—arguably more than the sovereigns that followed after Wakatakeru. Of those we saw Wakatakeru’s son, aka Seinei Tennou, but then he was followed by two sons—and even the daughter—of Prince Ichinobe, who was, perhaps, a sovereign in his own right.
Ihitoyo briefly took the throne—she is remembered as a short-lived regent, but in all honesty was likely a sovereign ruler in her own right—and then her two brothers, Woke and Ohoke—aka Kenzou and Ninken Tennou. They came to the throne through adoption, rather than birth, we are told, having gone into hiding after their father’s murder at the hands of Wakatakeru. Their reigns would not be extremely long, however, and eventually the throne passed to Ohatsuse Wakasazaki, aka Buretsu Tennou, the capstone on the Kawachi dynasty, which, despite its name, had theoretically moved back to the area of modern Sakurai, in the southeast corner of the Nara basin.
With Wakasazaki’s death, the court, under Ohotomo no Kanamura’s apparent leadership, sought out a new candidate, and they had to go pretty far afield to do it. They eventually settled on Wohodo, aka Keitai Tennou, and set him up on the throne. While there are some who doubt even the existence of Keitai Tennou, considering him a potentially legendary founder of yet another dynasty, he is the bridge the Chroniclers use between the Kawachi dynasty and our last line of Yamato sovereigns—ones that would lead us up through to the present day. Not that there weren’t schisms and weird branchings or power-sharing arrangements between various lines after this time, but from about this point on we generally agree that the sovereigns appear to be related back to a common ancestor in at least the 6th century. Beyond that, well, let’s just say that we don’t exactly trust everything that the Chroniclers put to paper.
This new dynasty brought in new traditions, including abandoning the burial mound groups in the Mozu and Furuichi regions, and possibly abandoning, as well, a tradition of co-rulership, which appears to show up in the burials, but is not exactly attested to in the written Chronicles, possibly because it was too messy. Such simplifications can be seen even in the modern day. For instance, in some of the old martial arts, or koryu lineages, where there once were two distinct lineages, they may be conflated when they later came back together, with different generations interspersed amongst each other in an attempt to honor all those who came before. Those without access to the history might look and think that it demonstrates a single, unbroken line, whereas the truth is messier and much more complicated. Given what the Chroniclers had to work with, and the distance they were from the 6th century at that point, one has to wonder just what they actually knew.
Although it may have been new, this dynasty appears to have acted much as the prior one did, possibly thanks to the continued presence of the Ohotomo family—specifically Ohotomo Kanamura. He would continue to guide the ship of state as it entered a new era.
All of this covers a critical period of state formation, as Yamato has gotten larger and more powerful, and exerts more and more influence it is also finding new ways of governing. The key is that none of this happens at once, or in a vacuum. It isn’t like one day a chieftain had an idea: Hey, let’s build giant mounds and then proclaim ourselves rulers of everything on these islands! It was an evolution, and one that didn’t necessarily always trend in a single direction towards a foregone conclusion, though of course that’s how it often appears after the fact.
At many points during this process, something could have happened—and sometimes did. For instance, an unexpected death with no heirs, or military defeats on the continent. Shifting alliances and changes in the balance of power could also destabilize things. And yet, here we are, with court in Yamato sitting as at least primus inter pares, if not more, and with enough prestige to influence most of the archipelago, from the Kantou plain to Kyushu, and even to make an appearance in continental politics.
And that’s where stand, so far. As we look into the New Year, we stare out into a new era of Japanese history. This is still the Kofun era, yes, but in the coming year we can make out shapes of what is to come. Influences from the continent will continue to shape the archipelago, including the influence of foreign thoughts from even beyond the edge of the upcoming Sui and Tang dynasties. We see figures like the illusive, and possibly even fictitious, Shotoku Taishi, and the establishment of courts in the Asuka era. This is the era of the coming of Buddhism, the rise of the Soga, and all of the benefits and strife that would bring to the archipelago and to the court. All of that an more, soon to come.
That’s all for now. I just want to wish all of you, once more, a bright New Year—Shinnen Akemashite Omedetou Gozaimasu—and thank you again for listening. Episode 79 we’ll continue with this new dynasty, and look at possible connections with the continent, including some rather distant lands, next time on Sengoku Daimyo’s Chronicles of Japan.

References

Baratta, Norma Camilla, Giulio Magli, and Arianna Picotti. 2022. "The Orientation of the Kofun Tombs" Remote Sensing 14, no. 2: 377. https://doi.org/10.3390/rs14020377

Episode 78: Eminent Domain in Ancient Japan

December 16, 2022 Joshua Badgley

Conjectural reconstruction of a 5th century storehouse based on posthole finds in Osaka, at the site of the Osaka National Museum, near the later Naniwa Palace site. Photo by author.

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This episode we say goodbye to Wohodo and say hello to his successor, Magari no Ōye, aka Magari no Ohine.

On Succession

We’ve talked in the past about succession and the Chronicles’ conception of what was appropriate. In that formula, only the son of the current sovereign and the designated Queen was considered a viable candidate for the throne, and a Queen wasn’t just the wife of the sovereign. The Queen had to be specifically designated as such and they had to be of royal descent themselves.

There is no evidence that I see which directly suggests that Menoko had those qualifications in the Chroniclers’ eyes. Rather, they clearly see Tashiraga no Iratsume as the One True Queen. Nonetheless, where they could have easily erased Prince Ohine and his brother from the record, they did not. They left them in, albeit with short reigns—possibly an accurate reflection of the time.

Some later sources put Tashiraga’s son, the future sovereign known as Kimmei, aka Ame Kunioshi Hiraki Hiro Niwa, as the direct inheritor from his father, Wohodo, aka Keitai. There are even some clues, hidden though they may be, that Ame Kunioshi had his two elder brothers killed in a struggle that the Chroniclers chose not to report for some reason.

The Nihon Shoki makes the claim, of course, that Ame Kunioshi was simply too young, and that he hadn’t come of age. This seems a bizarre claim given that they count Homuda Wake as sovereign from the time he was about 3 years old. Granted, much of Homuda’s story has more than a little of the fantastical about it, and so the veracity of that claim is questionable, but still it is left in without comment by the Chroniclers. Why would they not have commented on that?

This is a thread we’ll continue to pull on as we move closer to Ame Kunioshi’s assumption of the throne.

Miyake (屯倉) - The Royal Granaries

These are often translated as the Royal (or Imperial) Granaries or something similar, though there is no direct account of just what it was and what they were like. Many assume, however, that they were an early form of local governance set up by Yamato—and possibly others—in more far flung territory.

As seen above, the idea of storehouses appears in the archaeological record from at least the Yayoi period. Early raised structures were likely places to store grain where vermin could not easily get to it and it kept things dry.

Storehouses were a common good for a village. We see don’t see a storehouse attached to every household, so they were likely shared resources. But as states started to form, it wasn’t just villages and surrounding farms. Rice was the currency of the day, and taxes—largely rice, but likely other commodities as well—would be collected in central locations run by the central government. Essentially these would be local tax centers.

This could be what the structures in Osaka, pictured at the top of this post, were for. There were at least 10 of them, and it may be that they were the local center both taking in rice and distributing it when necessary. It is also possible, seeing that this was in Naniwa during the time when the ancient court is said to have been there, that these represent the endpoint of a network of storehouses.

That appears to have been the function of the “miyake”, which oversaw selected acreage of rice-land and the income that the state demanded. Based on later examples, we can make an assumption that local administrators would likely set the amount of rice to be collected and take a cut of the collected rice for operating the miyake itself. This would be some amount over what the court expected to receive.

Furthermore, these miyake didn’t collect generic tax revenue. Rather, the revenue generated by the miyake was designated to specific purposes or even to specific persons. So you might have land for the upkeep of the Queen’s quarters, or even for maintaining a particular kofun. In other cases you might have land that is designated for the use of a given noble or official, so that they could live in a style appropriate to their position.

In the brief reign of Ohine, aka Ankan Tenno, we see the largest number of miyake mentioned—more than during any other reign. They are occasionally mentioned elsewhere, but not nearly so heavily, let alone so many in the course of one or two years. While the language in the Nihon Shoki can make it seem as if the miyake were, in many cases, previously extant and simply repurposed, I suspect that in many, if not most, cases this is the point of their effective creation.

Generally speaking, these are miyake that are being created for the benefit of members of the royal family, which is effectively the court. It demonstrates a way that the court was further expanding its administrative and bureaucratic structures, much as the creation of the Be had similar effects. Later, provincial governance would be further structured and organized.

Another aspect we see here is the assertion of royal prerogative over any and all land. The ability to assign or re-assign land and titles is a key lever of power by which the sovereign and the court could require compliance. Now, how this worked in actual practice vice tentative legal theory is another question altogether. I suspect that such things would have to be reinforced from time to time with actual violence, rather than just threats of removing land or title.

Welcome to Sengoku Daimyo’s Chronicles of Japan. My name is Joshua and this is Episode 78: Imminent Domain in Ancient Japan
First off, a huge shout out to listener, Zach. When I asked everyone about suggestions for transcripts, he went out and found a tool to auto-generate them, tried it out already, and sent me example results. So I’ll be going over the tool and seeing what I can do to get transcripts uploaded for the podcast, hopefully making everything a bit more accessible. Thanks again, Zach!
Second, I want to address the way “Keitai” (as in Keitai Tennou, the first sovereign of this current dynasty) reminds me of “keitai” as in “keitai denwa”, or “cell phone”. This leads to some interesting notes on Japanese language, especially for those of us coming at it from outside. While both of those words sound the same to my English-speaking ear, especially in an English sentence, and are spelled the same in hiragana, they are slightly different, and as a Japanese instructor recently pointed out to me, they don’t sound the same in Japanese. This has to do with a certain tonal quality to Japanese that isn’t typically taught, and it is almost more about the difference between accents than anything else. In fact, there are even regional differences, all having to do with tone.
Or perhaps, more precisely, having to do with pitch. As one listener pointed out, this is more properly referred to as a “pitch accent”, and falls somewhere between a truly tonal language, like Putonghua, aka Mandarin, or the Thai language, and a stress-accented language like English and most European languages.
As an example, take the word “ame”. It can mean “rain” or it can mean “candy”, depending on the tone you use. Back when I was studying in Japan, I knew a couple who were from different parts of Japan, and the wife had a bit of an accent. She would say “ame ga furu”—the rain is falling—and her children would laugh because, as they had been brought up, it sounded like “ame ga furu”—candy is falling from the sky. Now, obviously they knew what she was saying, so if you don’t hear a difference, don’t worry, you will probably still be understood. Nonetheless, I think it is a curious feature of Japanese that often doesn’t get mentioned that these sorts of things exist, and I thought this might be a good time to share.
So, for anyone else who thinks I overreached in seeing Keitai Tennou as the cellphone sovereign, you just might be correct. I’m still going to giggle a little bit when I hear it though.
Anyway, back to history.
The last few episodes have been covering the reign of Wohodo no Ohokimi in the beginning of the 6th century, and today we’ll wrap up his reign and talk about his successors. To recap: Wohodo is said to have come to the throne in 507 and reigned up until his death in either 531 or 534. His ascension is strange—with the death of Wohatsuse, aka Buretsu Tennou, without any heirs the court scoured the land for a suitable candidate. They claim that Wohodo was a descendant of Homuda Wake, aka Oujin Tennou, some 5 generations back, and even descended from Ikume Iribiko through his maternal line. However accurate this was, it is clear that the line of Ohosazaki, aka Nintoku Tennou, the sovereigns responsible for the giant keyhole tumuli in the Kawachi region, such as Daisen Ryo, had come to an end with Wohatsuse—at least along the paternal line. So Wohodo had to be brought in from the distant land of Kochi, on the Japan Sea side of central to eastern Honshuu.
This raises some interesting questions about the relationship between Yamato and other Wa polities in Japan. Some scholars have suggested that Wohodo was a part of a separate royal family in Kochi—that many of the regions, including Izumo, Kibi, and Northern Kyushu all had their own independent polities that were only loosely tied to Yamato, which may have been primus inter pares—first among equals. It is also possible by this time that Yamato had some kind of a paramountcy; that is to say that they had become central enough that the other states were not seen as equals. Still, local governance would have more directly revolved around the local chieftains.
An example of this local independence is seen during this reign when Iwai, the lord of Northern Kyushu, flexes his muscles and tries to take control of the shipping routes between the archipelago and the continent. This is ultimately put down by a military expedition, suggesting that Yamato did possess some amount of military coercive power, along with any spiritual or religious cachet they may have had.
It also seems quite likely that another component holding things together among these different polities were the various marriage alliances. We’ve seen this in the ancient stories and so it is quite possibly true that Wohodo did have both paternal and maternal connections to Yamato. It is also possible that these were just two in a web of relationships that could have been called on, and doesn’t necessarily mean that he had the strongest claim to the throne. In fact, the Chronicles even point out that there was another candidate who also was selected before him, but who fled due to the Yamato court’s poor communication tactics.
Overall, it is unclear why Wohodo was chosen as sovereign, and even his hand in things seems relatively light. In the Chronicles, the focus during this reign is much more on those serving the court. This includes individuals like Hodzumi no Omi no Oshiyama, Mononobe no Ohomuraji no Arakahi, Kena no Omi, and, of course, Ohotomo no Ohomuraji no Kanamura. Even then, most of the reign seems to be dealing with the interactions between Yamato and the continent. Tamna, Baekje, Nimna, Kara, Silla, Ara, and other polities are all brought up, some appearing in the narrative for the first time here. Even the rebellion of Iwai, in Northern Kyushu, was focused on its effects with continental relations.
The Sendai Kuji Hongi focuses just on the events in the archipelago and, even then, on the actions of the sovereign and the royal family. Most of it is genealogical, though it does note specifically that Prince Magari Ohoe—also known as Ohine in the Nihon Shoki—was moved in to the palace for the Heir to the Throne.
And this brings up the matter of succession, which we discussed somewhat before. Wohodo had two important wives or consorts. First, when he took the throne, Wohodo was already married to at least one wife, Menoko, the daughter of Owari no Muraji no Kusaka. Owari is the land focused on the modern area of western Aichi prefecture, including Nagoya. She is named in the Kuji Hongi as being raised up to the status of “Royal Consort” when Wohodo took the throne—normally the primary wife of the sovereign is raised up as the queen, but of course, our story took a turn and the court suggested that Wohodo marry a second woman, Tashiraka hime and raise her up as his queen.
This strikes me as an overtly political action. Tashiraka hime was either the daughter of Woke no Ohokimi, aka Ninken Tennou, and thus sister to the previous sovereign, Wohatsuse, or, by inference, the daughter of Shiraga no Ohokimi, aka Seinei Tennou, though this seems less likely to me. Whatever the case, she is presented as a daughter from the previous royal line, so by suggesting that Wohodo marry her, the court may have been trying to help legitimize his rule—either that, or this is a fictional connection inserted by the Chroniclers to try to sort things out later.
Because you see, when Wohodo no Ohokimi died, which happened in either 531 or 534—there is some disagreement—it wasn’t his son by his second wife and full Queen Tashiraka hime who succeeded him. Rather it was Magari no Ohine, his eldest son by his first wife and consort Menoko, who came to the throne and is known as Ankan Tennou. Skipping ahead, we’ll see that both of Menoko’s sons would take the throne, albeit briefly. Prince Ohine took the throne for about 2 years, and his brother, Take Ohiro Kunioshi Tate would reign for three, being named Senka, or Senkwa, Tennou by the Chroniclers. It was only after those five years that the son of Wohodo and his Queen, Ame Kunioshi Hirakihiro Niha, actually took the throne.
The Nihon Shoki claims that this son, aka Kimmei Tennou, was the rightful heir, but that he was too young, and so his brothers took the throne until he was old enough. This seems more than a little suspicious, however. First of all, both of the brothers are counted as full sovereigns—as Ohokimi—and part of the line of succession, as opposed to simply being counted as regents, holding the throne until their little brother came of age. It is said their father died at the age of 82, so it is quite possible they were already in their 60s by the time they took the throne themselves, depending on when they were actually born—though records claim they were in their 70s.
It is also curious that Ohine, the first to succeed his father, was clearly counted as the Crown Prince—he was set up in the palace reserved for the Crown Prince and was clearly involved in governmental affairs, as Crown Princes have been known to do before.
In fact, it seems to me that Ohine and his full brother were legitimate heirs, and that something later happened to put Ame Kunioshi on the throne—and we can talk about that later.
By the way, I mentioned there is some disagreement about the actual dates of Wohodo’s demise. The Nihon Shoki uses 531, which seems drawn from the Baekje Annals and their account, which the compilers found more trustworthy. However, it mentions that other accounts give another year, the 28th year of the reign instead of the 25th, which would have made it 534, instead. This year is the same one given in the Sendai Kuji Hongi, but it is also significant because according to all accounts, Magari no Ohine ascended the throne the same year that his father, Wohodo no Ohokimi, passed away. If this is, indeed, the 28th year then everything appears to work out just fine, but otherwise we end up with a three year gap, at least if the stem and branch system is to be believed.
Now, truth be told, Magari no Ohine’s time on the throne was not long, but there is a fair amount discussed during his reign, nonetheless. We’ve already talked about a couple of things that happened during his father Wohodo’s reign, while Ohine was a prince.
First off, you may recall from last episode that Ohine had courted and wed Princess Kasuga, herself also a daughter of Oke no Ohokimi, aka Ninken Tenou, though only a half-sister to Wohatsuse no Ohokimi and Princess Tashiraga. He did it himself, without any urging by the court, it seems, but it still seems that there is more evidence here of them intertwining the various lineages; two of Wohatsuse’s sisters have now been made queens, greatly increasing the chances that one of their progeny will rule in the future. This speaks, it seems, to the importance of the maternal line itself. The Chronicles take time to note that Wohodo’s mother was descended from Ikume Iribiko, and to be raised up as a “Queen” one had to be able to draw a connection to a royal lineage. Even if those connections are, shall we say, less than accurate, the need for at least the fiction is itself telling in terms of what was valued.
The other thing we notice is that Ohine showed up to intervene when Kanamura gave away part of Yamato’s territory to Baekje. Without getting too much into whether or not it was actually Yamato’s territory to give up, Ohine was certainly protesting any attempt to diminish the power of Yamato and clearly playing an important role in the government. We talked last episode about how he sent someone to stop the ambassadors on their way, but they said that it was “better to be beaten with a smaller stick than a larger one”. While this speaks to the authority of Wohodo no Ohokimi over the then Prince Ohine, it seems to also indicate that Prince Ohine himself held some clout as well, just not enough to overturn Ohokimi’s decision. Note that none of the other princes are mentioned at all, other than for genealogical purposes.
So, Ohine comes to the throne. Magari no Ohine is also given the name Magari no Ohoye Hiro Kunioshi Take. “Ohoye” may just reference his position as the eldest sone of Wohodo no Ohokimi.
As was typical, Ohine—or Ohoye, but for now I’ll stick with the name we first got to know him by—moved the court to a palace in Magari no Kanahashi, which is likely where he gets his name, one possible reading of which could be “the elder son of Magari”. While Kasuga no Yamada was his main squeeze and raised up as queen, he had several other consorts, including two daughters of the late Kose no Obito, who had been Oho-omi during his father’s reign, as well as a daughter of Mononobe no Itahi, who had been made Ohomuraji back in the reign of Woke no Ohokimi—that is to say, Ninken Tennou.
There are several stories from Ohine’s reign that I’m going to talk about, and they all center around the royal granaries, or Miyake. These appear to have been centralized mechanisms for storing and distributing rice, sources of income for the court and its various members that could be granted or transferred as needed. More importantly, they were attached to certain lands and the income from that land. Presumably whoever owned or controlled a given storehouse would benefit from the rice that came to it.
Since Ohine had no children—or at least no heirs—Kanamura suggested that all of the consorts be given grants of Miyake. I presume this was to ensure that they had a means of supporting themselves after he passed away. He also had various familial -Be groups created, including the Magari no Toneri-Be and the Magari no Yuki-Be, presumably to commemorate his name, Magari no Ohine.
He also is credited with creating a group called the Inukahi-be, or the Dog Keeper’s -Be. This is an interesting one, and some ancient explanations suggest it might be tied in with all of the Miyake that were being created. Even back in those days, guard dogs were apparently a thing, and so having a hereditary group of dog keepers who were responsible for ensuring that dogs were guarding the granaries seems to make as much sense as anything else. It also would explain why, in the following line, we are told that Sakuri Tanabe no Muraji, Agata no Inukahi no Muraji, and Naniwa no Kishi were put in charge of the revenues from the Miyake. “Agata no Inukahi” would seem to mean the “district dog keeper”, and if the Inukahi-Be were assisting with the operation of the Miyake, it would make sense that they would also be one of those in charge of the revenues, and likely ensuring that they were properly administered.
Another take on this, though, could be a more standardized and centralized approach to administration of the Miyake and their revenues. After all, centralization has been a continuing theme throughout the formation of the Yamato state.
One of the first granary stories from Ohine’s reign concerns Kashiwade no Omi no Ohomaro. Ohomaro sent a messenger to Ishimi in the land of Fusa, in what would later be Kazusa province, part of modern Chiba prefecture on the Boso peninsula. The messenger asked for local pearls, presumably for the court, but the lord of Ishimi—which is to say the Ishimi Kuni no Miyatsuko—delayed their shipment. Ohomaro was quite upset when he learned what had happened, and ordered that the Kuni no Miyatsuko be bound and interrogated.
Here, according to Aston’s translation, one “Wakugo no Atahe” and other Kuni no Miyatsuko who were at the court fled and hid in the Queen’s private apartments. When the Queen, Kasuga no Yamada saw them, she fell down in shame, or possibly shock. In atonement for their intrusion into the Queen’s quarters they offered her the Miyake, or royal granaries, of Ishimi as her private property.
Looking at the original characters, I have to say I’m a bit perplexed. Reading between the lines, I wonder if Wakugo no Atahe isn’t the Kuni no Miyatsuko of Ishimi that was going to be bound and interrogated for holding back the pearls, or else it could refer to his son—the Kuni no Miyatsuko no Wakugo no Atahe. That would better explain why this person would want to hide, especially given what we’ve seen about the use of ordeals during this time to prove guilt or innocence. It would also explain why he would have any authority to give up the granaries of Ishimi, along with the rice land that fed into them.
This anecdote also notes the severity of entering the Queen’s private quarters, or the Hinter Palace, unannounced.
Later, another grant of a Miyake would be established to help pay for the erection of a “Pepper Court”—a Han dynasty term for royal apartments for the Queen. The term may have originated from the idea of either smearing the walls with pepper, hoping it would help keep the occupants warm, or perhaps it was because pepper flowers were delivered, in the hopes that the Queen would be as fruitful as the plant itself.
Whatever the reason, including the question of why one was needed, as it seems the Queen had perfectly good apartments already, the court selected commissioners to go out and find good rice land to select for this project.
Now let’s be clear, they weren’t looking for land that *might* be good for growing rice so they could open new fields. No, they were looking for land that was already quite profitable. Rice was already one of the main commodities and the basis for the economy. You may as well be looking for a nice big wad of cash that you could just take.
And so you might imagine that not everyone would be exactly pleased to simply give up their own source of income and livelihood. Such was the case with Ohoshi Kawachi no Atahe no Ajihari. The commissioners suggested that Ajihari offer up his own rice land of Kiji, but Ajihari had othe ideas. He lied to the commissioners and told them that the land might look nice, but it was prone to drought and other problems. And so their report recommended against it, and apparently they kept searching.
About 6 months later, during the intercalary 12th month—that is to say an extra twelfth month added in to get the lunar calendar and the solar calendar synched up again—the sovereign himself went to Mishima, accompanied by our old friend, Ohotomo no Kanamura.
There they inquired about the rice-land of Ihibo, the Agatnushi, or district lord. In response he offered them Upper and Lower Mino, Upper and Lower Kuwabara, and Takefu—a total of 40 cho of land, where 1 cho, or “village”, of land is equal to a square, roughly 60 steps by 60 steps to a side. Later on, this would measure out as not quite 10,000 square meters, or about 1 hectare. So we can say that this was roughly 40 hectares or around 90 to 100 acres of land.
The Chronicles then record a speech by Kanamura, though I suspect it is more moralizing on the part of the Chroniclers. In the speech he notes how freely Ihibo offered up his land, and notes that it is established precedent that all land actually belongs to the sovereign. Essentially there is no such thing as private ownership—any appearance of ownership was just a grant by the Crown to use the land. Thus they could also institute imminent domain whenever they wanted and basically take whatever they deemed necessary. Of course, in practice, this was a bit more difficult, but that was the theory that allowed them to do it.
Here Ajihari is called out in contrast to Ihibo, with Kanamura accusing Ajihari that he “didst suddenly entertain a grudging as regards the lands of the Crown”. Because of this, Ajihari was stripped of his position as local governor. He prostrated himself and offered up five hundred labourers every spring and autumn. He also presented six cho worth of rice-land in Sawida to Kanamura, personally.
Meanwhile, Ihibo was overjoyed and offered up his son, Toriki, as a servant to Kanamura.
So what are we to make of all of this? For one thing, it is establishing the precedent of the throne’s ownership of the lands—something that has come up before, but this reinforces it. We also see how rewards and punishments could work within the framework of the court. I actually have to wonder if Ajihari wasn’t originally the Agatanushi, which was then stripped from him and given to Ihibo because of this loyalty. It is hard for me to say for certain, but it does appear that all of this is happening in and around what was then known as the land of Kawachi.
We also see evidence how, to get out of punishment, elites might offer up what are effectively bribes to the court and court officials. Here we see that both Ihibo and Ajihari are outright giving things to Ohotomo no Kanamura, and not just to the Crown. Once again, Kanamura’s own prominence is hard to miss, here.
Miyake being given in exchange for leniency, or as part of some judgment is a continued theme. For instance, we have another story during this reign: during the same month when everything we’ve just been talking about went down with Ajihari and Ihibo, Hata Hime, daughter of Ihoki-Be no Muraji no Kikoyu, stole a necklace belonging to Mononobe no Okoshi. Okoshi would later be made Ohomuraji a few reigns later, so he was someone of note.
This crime was discovered when Hata hime attempted to give the necklace to the Queen, Kasuga. When the deed was made public, Hata-hime’s father Kikoyu gave up his own daughter to be a servant of the Uneme—so a servant to the Queen’s servants. He also gave up the Miyake of Ihokibe over in the land of Aki, in the western part of modern Hiroshima prefecture. This was given to the sovereign.
And even though he technically had not done anything wrong, Okoshi, the owner of the necklace that got stolen, also presented the sovereign with various Be and villages, such as the Towochi Be, as well as the villages of Kusasa and Toi; and also Nihe no Hasebe, in the modern prefecture of Ise.
Then there is the story of the Omi and his relative, Wogi, who both were vying for position as the Kuni no Miyatsuko of the province of Musashi. Their dispute continued for years, until finally Wogi reached out to Wokuna, the Kuni no Miyatsuko of Kamitsukenu, aka Kozuke, and he suggested that they assaniate Omi, making Wogi the new lord. Omi heard about this and fled to the court, where he pled his case. There they decided to make Omi the rightful Kuni no Miyatsuko, and Wogi was put to death.
In thanks for the ruling, Omi offered up four Miyake—those of Yokonu, Tachibana, Ohohi, and Kurasu.
A few other things occurred during this reign. For one, we see an embassy from Baekje, bringing the standard “tribute”. We also see the sovereign installing cattle on the islands of Ohosumi Island and Hime Island, at Naniwa.
The cattle are interesting. Up to this point we haven’t seen too much on cattle. Mostly they required a fair bit of resources. They were needed as oxen for the cart, but there are some beef and even milk recipes that show up—largely medicinal purposes. The royal family themselves would maintain herds of cattle for medicinal use for several centuries before entirely dropping it. Japan wouldn’t really pick up a taste for beef and dairy again until much later.
And that covers the reign of Magari no Ohine, aka Ankan Tennou. He was buried, they say, at Takaya Hill at Furuichi in the land of Kawachi. We are told that his queen, Kasuga no Yamada, and his sister, Kamisaki, were both buried with him.
Next episode we will recap the year, as we are approaching that time. And then we’ll get into Ohine’s brother, also known as either Senka or Senkwa, depending on the romanization. Before we do that, though, I would like to talk a little bit about a piece of glass, attributed to none other than Ankan himself. So expect something on that as well.
Until then, thank you for listening and for all of your support. If you like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts. If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode.
Also, feel free to Tweet at us at @SengokuPodcast, or reach out to our Sengoku Daimyo Facebook page. You can also email us at the.sengoku.daimyo@gmail.com. It is always great to hear from people and ideas for the show.
And that’s all for now. Thank you again, and I’ll see you next episode on Sengoku Daimyo’s Chronicles of Japan.

References

Barnes, Gina L. (2015). Achaeology of East Asia: The Rise of Civilization in China, Korea and Japan
Kiley, C. J. (1973). State and Dynasty in Archaic Yamato. The Journal of Asian Studies, 33(1), 25–49. https://doi.org/10.2307/2052884
Aston, W. G. (1972). Nihongi, chronicles of Japan from the earliest times to A.D. 697. London: Allen & Unwin. ISBN0-80480984-4
Philippi, D. L. (1968). Kojiki. Princeton, N.J.: Princeton University Press. ISBN4-13-087004-1

The Tone River

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Ame Kunioshi, aka Kimmei Tennō

Soga no Iname no Sukune no Ōmi

Ishihime

Yata no Tamakatsu

Osada Nunakura Futodamashiki no Mikoto, aka Bidatsu Tennō

Kasanuhi (aka Satake) no Himemiko

Kitashi Hime

Wonane Gimi

Takechi (or Takeuchi) no Sukune

Koshi no Kuni

Sushen / Mishihase (粛慎)

Sado Island

Nivkh

Kawahara Tami no Atahe no Miya

Umakai no Omi no Utayori

Umakai no Omi no Morishi and Umakai no Omi no Nasehi

Hafuri

Michi no Ushi

Shibagaki

Yamato no Aya no Atahe no Arako

Katsuraki no Atahe no Naniwa

Sagaraka (or Saganaka)

Kashiwade no Omi no Katabeko

Kose no Omi no Saru and Kishi no Akabato

Yamato no Aya no Saka no Ue no Atahe no Komaro

Nishikori no Obito no Ōshi (or Ōishi)

Wang Jinnie

Tsunoga Arashito

Kibi no Atahe no Naniwa

Iwahi and Masa

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Who’s Who

Ame Kunioshi no Ōkimi, aka Kimmei Tennō

Soga no Iname no Sukune

Mononobe no Okoshi

Wang Jinnie and his children

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Buddhist Art and Architecture

Gandhara and the Kushan Empire

Tarim Basin

Dunhuang

China

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Dramatis Personae

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On Succession

Miyake (屯倉) - The Royal Granaries

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