Episode 137: Courtly Fashion

November 1, 2025 Joshua Badgley

Depiction from the Takamatsuzuka tumulus of four women—possibly Palace attendants. This is a late 7th or early 8th century tomb with some of the best—and dare I say the only—preserved images of this particular style of clothing from the Asuka period. The originals have deteriorated significantly, but fortunately we have images of the painted sections from around the time when they were first pulled out of the ground. Image in public domain, via Wikimedia Commons.

This episode we are digging into (pun intented) the material culture of Ōama’s court in Asuka. This will hopefully help us to have a better understand of what things may have looked like, but it also helps to understand changes more generally, at least at court. The move towards more continental styles of clothing and fashion demonstrate the popularity of continental ideas, which follows with the importation of Buddhism and new government structures. We might also have a better idea of the cultures that were particularly influential at this time.

Unfortunately, clothing is notorious ephemeral. Silk, in particular, deteriorates quickly, and many colors fade. Even various paintings that may have been created are no longer extant. As such, we have only a few key references from which to draw our conclusions.

Before delving much further into this blogpost, I would be remiss if I didn’t point out our own resources—though mostly focused on later fashion, you may find our section on Clothing and Accessories useful, which you can search for many of the terms we use.

Sources

There are a few different sources that we have for our understanding of clothing prior to the Nara period. All of these have their own problems, not the least of which being that each one is only a snapshot in time and even place. For example, is a 6th century image from modern Gunma prefecture relevant to Kyushu of the 6th century, let alone the 5th century? Without any contradictory evidence, we generally go with what we have.

Weizhi

The Wei Chronicles describe the clothing of the people in quite general terms that give us very little to go on, and which are not necessarily verifiable to the archipelago of the 3rd century:

All the men wear their topknots uncovered, with cotton cloths draped over their heads. Their clothes are made of wide strips of cloth tied together, with little or no sewing. The women's hair was tied in a knot, and their clothes were made like a single-layered robe with a hole in the middle, through which they stuck their heads.

It also contains mention of silk, as well as the use of tattoos.

Archaeological Evidence

Archaeologically speaking, we have pulled up certain things from sites, but nothing like a full set of clothes. There are fragments of cloth—or the impressions of cloth left in clay—which can help us understand the types of fabric, and even some of the dyes and colors that were used. We have examples of various ornaments and adornments that were a bit more sturdy—lacquered combs, shell bracelets, and the famous magatama come to mind. These come from a variety of sites, from the Yayoi through Kofun periods. It includes sites from different regions and time periods, including Yoshinogari, in Kyushu, clearly situated in the Yayoi period, to the Haruna eruption site of 550. There are also numerous items found in kofun, those ancient mounded tumuli, but that doesn’t always mean we have a clear idea of how they were worn, and by whom. In some cases we have multiple examples, but often we just have a single example of something here or there.

Embassies to the Liang Court

The Zhigongtu records embassies in the early 6th century. While the original is not extant, we have copies that were made. They show a variety of embassies from different countries including one from the “Wo” or “Wa”; the people of the Japanese archipelago. The images are great, but we have to wonder: how accurate are they? For one thing, they were likely drawn from memory, and the artist, the future Emperor Yuan of Liang, aka Xiao Yi, probably wasn’t examining their clothing too carefully. It is also possible that they were using the description in the Weizhi to guide their depiction.

Image of a copy of the original, showing ambassadors with notes on each figure. Public domain image via Wikimedia Commons

Image (and updated conceptual drawing) of the “Wo” ambassador in the Liang Zhigongtu. Image from Wikimedia Commons. For another take on this outfit, see the Kyoto Costume Museum’s reconstruction.

Haniwa

Another source that we have are Haniwa figures. While the majority of the haniwa were simply clay cylinders, there were certainly others that were topped with bowls and various figures. Some of these were quite abstract, while others were fairly detailed. Most of the human figures show up only in the latter part of the kofun period, and styles vary greatly from region to region. It also isn’t like any of this is clearly labeled as to what they mean to represent, so we have to make some educated guesses based on what we know and context, but that could still be missing important pieces of information.

Based on those models, the Kyoto Costume Museum reconstructed them as follows:

Tenjūkoku Mandala

This embroidered mandala was made for Chūgūji, the temple built for Princess Anahobe, the mother of the famous Shōtoku Taishi, in 621. This mandala is thought to be from the 7th century.

Takamatsuzuka Kofun

Takamatsuzuka, a circular kofun in the Asuka area, is extremely important to our understanding of the clothing at the time for the intricate paintings which were in incredible condition when the tomb was first found and opened. The paintings depict eight women and eight men, which give us some idea of what people of the time wore. Or so we presume. The tomb shares characteristics with Goguryeo style tombs, and it is possible that the images are not depicting locals, but they do seem to accord well with the outfits in the mandala.

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Click the below links to see images of the Kyoto Costume Museum’s reconstructions of these outfits:

Court Rank Color Chart

Click here for a color chart of the formal garments of the Asuka period onwards. Please note that the colors you see on the screen may be affected by many factors, just as dye lots for actual clothes wouldn’t always match exactly. So these are what we think they meant, but the color may be more of a range rather than just one, pure color.

Welcome to Sengoku Daimyo’s Chronicles of Japan. My name is Joshua and this is Episode 137: Courtly Fashion.
In the New Year’s ceremony, the court officials lined up in front of the Kiyomihara Palace, arranged by their relative court rank, dressed in their assigned court robes. The effect was impressive—the rows of officials painting the courtyard like the bands of color in a rainbow, albeit one with only a couple of hues. The fact that they were all wearing the same style of dress and black, stiffened gauze hats only added to the effect. The individual officers were all but lost in what was, at least in outward form, a single, homogenous machine of government, just waiting for the command of their monarch to attend to the important matters of state.
We are covering the reign of Ohoama no Ohokimi, aka Ama no Nunahara oki no mabito no Sumera no Mikoto, aka Temmu Tennou. Last episode we went over the changes he had made to the family titles—the kabane—as well as to the courtly rank system. For the former, he had consolidated the myriad kabane and traditional titles across Yamato into a series of eight—the Yakusa no Kabane.   These were, from highest to lowest: Mabito, Asomi, Sukune, Imiki, Michinoshi, Omi, Muraji, and Inaki. By the way, you might notice that “Mabito” actually occurs in Ohoama’s posthumous name: Ama no Nunahara oki no mabito, which lends more credence to the idea that that kabane was for those with a special connection to the royal lineage.
Besides simplifying and restructuring the kabane, Ohoama also reformed the court rank system. He divided the Princely ranks into two categories: Myou, or Bright, and Jou, or Pure. For the court nobles the categories were:
               Shou – Upright
               Jiki – Straight
               Gon – Diligent
               Mu – Earnest
               Tsui – Pursue
               Shin – Advancement
Each category was further divided into four grades (except for the very first princely category, Myou, which was only two). Each grade was then further divided into large, “dai”, or broad, “kou”.
And this brings us to our topic today. Along with this new rank system, Ohoama’s administration also instituted a new set of court sumptuary laws. Some are vague in the record—we can just make assumptions for what is going on based on what we know from later fashion choices. Others are a little more clear. We’ll take a look at those sumptuary laws, particularly those that were directly associated with the new court rank system, but we’ll also look at the clothing styles more generally.
To start with, let’s talk about what we know about clothing in the archipelago in general. Unfortunately, fabric doesn’t tend to survive very well in the generally acidic soils of the Japanese archipelago. Cloth tends to break down pretty quickly. That said, we have fragments here and there and impressions in pottery, so we have some idea that there was some kind of woven fabric from which to make clothing out of.
And before I go too far I want to give a shout out to the amazing people at the Kyoto Costume Museum. They have a tremendous website and I will link to it in the comments. While there may be some debate over particular interpretations of historical clothing, it is an excellent resource to get a feel for what we know of the fashion of the various periods. I’ll also plug our own website, SengokuDaimyo.com, which has a “Clothing and Accessory” section that, while more geared towards Heian and later periods, may still be of some use in looking up particular terms and getting to know the clothing and outfits.
At the farthest reaches of pre-history, we really don’t have a lot of information for clothing. There is evidence of woven goods in the Jomon period, and we have Yayoi burials with bits of cloth here and there, but these are all scraps. So at best we have some conjecture as to what people were wearing, and possibly some ability to look across the Korean peninsula and see what people had, there.
There are scant to no reliable records from early on in Japanese history, and most of those don’t really do a great job of describing the clothing. Even where we do get something, like the Weizhi, one has to wonder given how they tended to crib notes from other entries.
There is at least one picture scroll of interest: Portraits of Periodical Offering of Liang, or Liáng -Zhígòngtú. It is said to have been painted by Xiao Yi in the early 6th century, and while the original no longer exists there is an 11th century copy from the time of the Song Dynasty. The scroll shows various ambassadors to the Liang court, including one from Wa. The Wa ambassador is shown with what appears to be a wide piece of cloth around his hips and legs, tied in front. His lower legs are covered in what we might call kyahan today: a rather simple wrap around leg from below the knee to the foot. He has another, blue piece of cloth around his shoulders, almost like a shawl, and it is also tied in front. Then there is a cloth wrapped and tied around his head. It’s hard to know how much of this depiction is accurate and how much the artist was drawing on memory and descriptions from things like the Weizhi or Wei Chronicles, which stated that the Wa people wore wide cloths wrapped around and seamlessly tied
As such, it may be more helpful to look at depictions actually from the archipelago: specifically, some of the human-figured haniwa, those clay cylinders and statues that adorned the burial mounds which gave the kofun period its name. Some of these haniwa are fairly detailed, and we can see ties, collars, and similar features of clothing. These haniwa primarily seem to cluster towards the end of the Kofun period, in the later 6th century, so it is hard to say how much they can be used for earlier periods, though that is exactly what you will typically see for periods where we have little to know evidence. I’m also not sure how regional certain fashions might have been, and we could very much be suffering from survivorship bias—that is we only know what survived and assume that was everything, or even the majority. Still, it is something.
Much of what we see in these figures is some kind of upper garment that has relatively tight sleeves, like a modern shirt or jacket might have, with the front pieces overlapping create a V-shaped neckline. The garment hem often hangs down to just above the knee, flaring out away from the body, and it’s held closed with ties and some kind of belt, possibly leather in some cases, and in others it looks like a tied loop of cloth. There is evidence of a kind of trouser, with two legs, and we see ties around the knee. In some cases, they even have small bells hanging from the ties. Presumably the trousers might have ties up towards the waist, but we cannot see that in the examples we have. We also see individuals who have no evidence of any kind of bifurcated lower garment. That may indicate an underskirt of some kind, or possibly what’s called a “mo”—but it could also be just a simplification for stability, since a haniwa has a cylindrical base anyway. It is not always obvious when you are looking at a haniwa figure whether it depicts a man or woman: in some cases there are two dots on the chest that seem to make it obvious, but the haniwa do come from different artisans in different regions, so there is a lot of variability.
We also see evidence of what seem to be decorative sashes that are worn across the body, though not in all cases. There are various types of headgear and hairstyles. Wide-brimmed and domed hats are not uncommon, and we also see combs and elaborate hairstyles depicted. On some occasions we can even see that they had closed toed shoes. For accessories, we see haniwa wearing jewelry, including necklaces (worn by both men and women), bracelets, and earrings. In terms of actual human jewelry, early shell bracelets demonstrate trade routes, and the distinctive magatama, or comma shaped jewel, can be found in the archipelago and on the Korean peninsula, where it is known as “gogok”.
Based on lines or even colored pigment on the haniwa, it appears that many of these outfits were actually quite heavily decorated. Paint on the outfits is sometimes also placed on the face, suggesting that they either painted or tattooed themselves, something mentioned in the Wei Chronicles. We also have archaeological examples of dyed cloth, so it is interesting that people are often depicted in undyed clothing.
There is one haniwa that I find particularly interesting, because they appear to be wearing more of a round-necked garment, and they have a hat that is reminiscent of the phrygian cap: a conical cap with the top bent forward. These are traits common to some of the Sogdians and other Persian merchants along the silk road, raising the possibility that it is meant to depict a foreigner, though it is also possible that it was just another local style.
If we compare this to the continent, we can see some immediate difference. In the contemporaneous Sui dynasty, we can see long flowing robes, with large sleeves for men and women. The shoes often had an upturned placket that appears to have been useful to prevent one from tripping on long, flowing garments. Many of these outfits were also of the v-neck variety, with two overlapping pieces, though it is often shown held together with a fabric belt that is tied in front. The hats appear to either be a kind of loose piece of fabric, often described as a turban, wrapped around the head, the ends where it ties together trailing behind, or black lacquered crowns—though there were also some fairly elaborate pieces for the sovereign.
As Yamato started to import continental philosophy, governance, and religion, they would also start to pick up on continental fashion. This seems particularly true as they adopted the continental concept of “cap rank” or “kan-i". Let’s go over what we know about this system, from its first mention in the Chronicles up to where we are in Ohoama’s reign. As a caveat, there is a lot we don’t know about the details of these garments, but we can make some guesses.
The first twelve cap-ranks, theoretically established in 603, are somewhat questionable in their historicity, as are so many things related to Shotoku Taishi. And their names are clearly based on Confucian values: Virtue, Humanity, Propriety, Faith, Justice, and Wisdom, or Toku, Nin, Rei, Shin, Gi, and Chi. The five values and then just “Virtue”, itself. The existence of this system does seem to be confirmed by the Sui Shu, the Book of Sui, which includes a note in the section on the country of Wa that they used a 12 rank system based on the Confucian values, but those values were given in the traditional Confucian order vice the order given in the Nihon Shoki.

The rank system of the contemporaneous Sui and Tang dynasties was different from these 12 ranks, suggesting that the Yamato system either came from older dynasties—perhaps from works on the Han dynasty or the Northern and Southern Dynasty, periods—or they got it from their neighbors, Baekje, Silla, and Goguryeo. There does seem to be a common thread, though, that court rank was identifiable in one’s clothes.
As for the caps themselves, what did they look like? One would assume that the Yamato court just adopted a continental style cap, and yet, which one? It isn’t fully described, and there are a number of types of headwear that we see in the various continental courts. Given that, we aren’t entirely sure exactly what it looked like, but we do have a couple of sources that we can look at and use to make some assumptions.
These sources l ead us to the idea of a round, colored cap made of fabric, around the brim that was probably the fabric or image prescribed for that rank. It is also often depicted with a bulbous top, likely for the wearer’s hair, and may have been tied to their top knot.

Our main source for this is the Tenjukoku Mandala Embroidery (Tenjukoku-mandara-shuuchou) at Chuuguuji temple, which was a temple built for the mother of Prince Umayado, aka Shotoku Taishi.

This embroidery was created in 622, so 19 years after the 12 ranks would have been implemented. It depicts individuals in round-necked jackets that appear to have a part straight down the center. Beneath the jacket one can see a pleated hem, possibly something like a “hirami”, a wrapped skirt that is still found in some ceremonial imperial robes. It strikes me that this could also be the hem of something like the hanpi, which was kind of like a vest with a pleated lower edge. Below that we see trousers—hakama—with a red colored hem—at least on one figure that we can see. He also appears to be wearing a kind of slipper-like shoe.
As for the women, there are a few that appear to be in the mandala, but it is hard to say for certain as the embroidery has been damaged over the years. That said, from what we can tell, women probably would have worn something similar to the men in terms of the jacket and the pleated under-skirt, but then, instead of hakama, we see a pleated full-length skirt, or mo. We also don’t have a lot of evidence for them wearing hats or anything like that.
The round necked jacket is interesting as it appears to be similar to the hou that was common from northern China across the Silk Road, especially amongst foreigners. This garment came to displace the traditional robes of the Tang court and would become the basis for much of the court clothing from that period, onwards. The round necked garment had central panels that overlapped, and small ties or fastenings at either side of the neck to allow for an entirely enclosed neckline. This was more intricate than just two, straight collars, and so may have taken time to adopt, fully.
The next change to the cap-rank system was made in 647, two years into the Taika Reform. The ranks then were more directly named for the caps, or crowns—kanmuri—and their materials and colors. The ranks translate to Woven, Embroidered, Purple, Brocade, Blue, Black, and finally “Establish Valor” for the entry level rank.
The system gets updated two years later, but only slightly. We still see a reference to Woven stuff, Embroidery, and Purple, but then the next several ranks change to Flower, Mountain, and Tiger—or possibly Kingfisher. These were a little more removed from the cap color and material, and may have had something to do with designs that were meant to be embroidered on the cap or on the robes in some way, though that is just speculation based on later Ming and Qing court outfits.
Naka no Ohoye then updates it again in 664, but again only a little. He seems to add back in the “brocade” category, swapping out the “flower”, and otherwise just adds extra grades within each category to expand to 26 total rank grades.
And that brings us to the reforms of 685, mentioned last episode. This new system was built around what appear to be moral exhortations—Upright, Straight, Diligent, Earnest, etc. And that is great and all, but how does that match up with the official robes? What color goes with each rank category?
Fortunately, this time around, the Chronicle lays it out for us pretty clearly. First off we are given the color red for the Princely ranks—not purple as one might have thought. Specifically, it is “Vermillion Flower”, hanezu-iro, which Bentley translates as the color of the “Oriental bush” or salmon. In the blogpost we’ll link to a table of colors that the founder of Sengoku Daimyo, Anthony Bryant, had put together, with some explanation of how to apply it. I would note that there is often no way to know exactly what a given color was like or what shades were considered an acceptable range. Everything was hand-dyed, and leaving fabric in the dye a little longer, changing the proportions, or just fading over time could create slightly different variants in the hue, but we think we can get pretty close.
From there we have the six “common” ranks for the nobility. Starting with the first rank, Upright, we have “Dark Purple”. Then we have “Light Purple”. This pattern continues with Dark and Light Green and then Dark and Light Grape or Lilac. Purple in this case is Murasaki, and green here is specifically Midori, which is more specifically green than the larger category of “Aoi”, which covers a spectrum of blue to green. The grape or lilac is specifically “suou”, and based on Bentley’s colors it would be a kind of purple or violet.
The idea is that the official court outfits for each rank would be the proper color. And yes, that means if you get promoted in rank, your first paycheck—or rice stipend—is probably going to pay for a new set of official clothes. Fortunately for the existing court nobles at the time, in the last month of 685, the Queen provided court clothing for 55 Princes and Ministers, so they could all look the part.
And the look at court was important. In fact, several of the edicts from this time focus specifically on who was allowed—or expected—to wear what. For instance, in the 4th month of 681, they established 92 articles of the law code, and among those were various sumptuary laws—that is to say, laws as to what you could wear. We are told that they applied to everyone from Princes of the blood down to the common person, and it regulated the wearing of precious metals, pearls, and jewels; the type of fabric one could use, whether purple, brocade, embroidery, or fine silks; and it also regulated woollen carpets, caps, belts, and the colors of various things.
And here I’d like to pause and give some brief thought to how this played into the goals of the court, generally, which is to say the goal of creating and establishing this new system of governance in the cultural psyche of the people of the archipelago. From the continental style palaces, to the temples, and right down to the clothing that people were wearing, this was all orchestrated, consciously or otherwise, to emphasize and even normalize the changes that were being introduced. When everything around you is conforming to the new rules, it makes it quite easy for others to get on board.
The court had surrounded themselves with monumental architecture that was designed along continental models and could best be explained through continental reasoning. Even if they weren’t Confucian or Daoist, those lines of reasoning ran through the various cultural and material changes that they were taking up. Sure, they put their own stamp on it, but at the same time, when everything is right in front of you, it would become that much harder to deny or push back against it.
And when you participated in the important rituals of the state, the clothing itself became a part of the pageantry. It reinforced the notion that this was something new and different, and yet also emphasized that pushing against it would be going against the majority. So court uniforms were another arm of the state’s propaganda machine, all designed to reinforce the idea that the heavenly sovereign—the Tennou—was the right and just center of political life and deserving of their position.
Getting back to the sumptuary laws and rank based regulations: It is unfortunate that the record in the Nihon Shoki doesn’t tell us exactly how things were regulated, only that they were, at least in some cases. So for anything more we can only make assumptions based on later rules and traditions. A few things we can see right away, though. First is the restriction of the color purple. Much as in Europe and elsewhere in the world, getting a dark purple was something that was not as easy as one might think, and so it tended to be an expensive dye and thus it would be restricted to the upper classes—in this case the princely and ministerial rank, no doubt. Similarly brocade and fine silks were also expensive items that were likely restricted to people of a particular social station for that reason.
The mention of woolen rugs is particularly intriguing. Bentley translates this as woven mattresses, but I think that woolen rugs makes sense, as we do have examples of woolen “rugs” in Japan in at least the 8th century, stored in the famous Shousouin repository at Toudaiji temple, in Nara. These are all imported from the continent and are actually made of felt, rather than woven. As an imported item, out of a material that you could not get in the archipelago, due to a notable lack of sheep, they would have no doubt been expensive.
The funny thing is that the carpets in the Shousouin may not have been meant as carpets. For the most part they are of a similar size and rectangular shape, and one could see how they may have been used as sleeping mattresses or floor coverings. However, there is some conjecture that they came from the Silk Road and may have been originally meant as felt doors for the tents used by the nomadic steppe peoples. This is only conjecture, as I do not believe any of these rugs have survived in the lands where they would have been made, but given the size and shape and the modern yurt, it is not hard to see how that may have been the case. Either way, I tend to trust that this could very well have meant woolen rugs, as Aston and the kanji themselves suggest, though I would understand if there was confusion or if it meant something else as wool was not exactly common in the archipelago at that time or in the centuries following.
The last section of the regulations talks about the use of caps and belts. The caps here were probably of continental origin: The kanmuri, or official cap of state of the court nobles, or the more relaxed eboshi—though at this time, they were no doubt closely related.
In fact, a year later, we have the most specific mention to-date of what people were actually wearing on their heads: there is a mention of men tying up their hair and wearing caps of varnished gauze. Earlier caps related to the cap rank system are often thought to be something like a simple hemisphere that was placed upon the head, with a bulbous top where the wearer’s hair could be pulled up as in a bun.
The kanmuri seems to have evolved from the soft black headcloth that was worn on the continent, which would have tied around the head, leaving two ends hanging down behind. Hairstyles of the time often meant that men had a small bun or similar gathering of hair towards the back of their head, and tying a cloth around the head gave the effect of a small bump. This is probably what we see in depictions of the early caps of state. Sometimes this topknot could be covered with a small crown or other decoration, or wrapped with a cloth, often referred to as a “Tokin” in Japanese. But over time we see the development of hardened forms to be worn under a hat to provide the appropriate silhouette, whether or not you actually had a topknot (possibly helpful for gentlemen suffering from hair loss). And then the hat becomes less of a piece of cloth and more just a hat of black, lacquered gauze made on a form, which was much easier to wear.
At this point in the Chronicle, the cap was likely still somewhat malleable, and would made to tie or be pinned to that bun or queue of hair. This explains the mention of men wearing their hair up. This pin would become important for several different types of headgear, but ties were also used for those who did not have hair to hold the hat on properly.
Two years after the edict on hats, we get another edict on clothing, further suggesting that the court were wearing Tang inspired clothing. In 685 we see that individuals are given leave to wear their outer robe either open or tied closed. This is a clue that this outer robe might something akin to the round-necked hou that we see in the Tenjukoku Mandala, where the neck seems to close with a small tie or button. However, we do see some examples, later, of v-necked garments with a tie in the center of the neck, so that may be the reference.. Opening the collar of the formal robes was somewhat akin to loosening a necktie, or unbuttoning the top button of a shirt. It provided a more relaxed and comfortable feeling. It could also be a boon in the warm days of summer. Leaving it closed could create a more formal appearance.
The courtiers also had the option of whether or not to wear the “Susotsuki”, which Bentley translates as “skirt-band”. I believe this refers to the nai’i, or inner garment. This would often have a pleated hem—a suso or ran—which would show below the main robe as just a slight hem. Again, this is something that many would dispense with in the summer, or just when dressing a bit more casually, but it was required at court, as well as making sure that the tassles were tied so that they hung down.
This was the uniform of the court. We are also told that they would have trousers that could be tied up, which sounds like later sashinuki, though it may have referred to something slightly different. We are also given some regulations specifically for women, such as the fact that women over 40 years of age were allowed the discretion on whether or not to tie up their hair, as well as whether they would ride horses astride or side-saddle. Presumably, younger women did not get a choice in the matter. Female shrine attendants and functionaries were likewise given some leeway with their hairstyles.
A year later, in 686, they do seem to have relaxed the hairstyles a bit more: women were allowed to let their hair down to their backs as they had before, so it seems that, for at least a couple of years, women under the age of 40 were expected to wear their hair tied up in one fashion or another.
In that same edict, men were then allowed to wear “habakimo”. Aston translates this as “leggings” while Bentley suggests it is a “waist skirt”. There are an example of extant habakimo in the Shousouin, once again, and they appear to be wrappings for the lower leg. It actually seems very closely related to the “kyahan” depicted all the way back in the 6th century painting of the Wo ambassador to Liang.
Even though these edicts give a lot more references to clothing, there is still plenty that is missing. It isn’t like the Chroniclers were giving a red carpet style stitch-by-stitch critique of what was being worn at court. Fortunately, there is a rather remarkable archaeological discovery from about this time.
Takamatsuzuka is a kofun, or ancient burial mound, found in Asuka and dated to the late 7th or early 8th century. Compared to the keyhole shaped tombs of previous centuries, this tomb is quite simple: a two-tiered circular tomb nestled in the quiet hills. What makes it remarkable is that the inside of the stone burial chamber was elaborately painted. There are depictions of the four guardian animals, as well as the sun and the moon, as well as common constellations. More importantly, though, are the intricate pictures of men and women dressed in elaborate clothing.
The burial chamber of Takamatsuzuka is rectangular in shape. There are images on the four vertical sides as well as on the ceiling. The chamber is oriented north-south, with genbu, the black tortoise, on the north wall and presumably Suzaku, the vermillion bird, on the south wall—though that had been broken at some point and it is hard to make out exactly what is there.
The east and west walls are about three times as long as the north and south walls. In the center of each is a guardian animal—byakko, the white tiger, on the west wall and seiryuu, the blue—or green—dragon on the east. All of these images are faded, and since opening of the tomb have faded even more, so while photos can help, it may require a bit more investigation and some extrapolation to understand all of what we are looking at.
On the northern side of both the east and west wall we see groups of four women. We can make out green, yellow, and red or vermillion outer robes with thin fabric belt sashes, or obi, tied loosely and low around the waist. There is another, lightly colored—possibly white, cream or pink—that is so faded it is hard to make out, and I don’t know if that is the original color. These are v-necked robes, with what appear to be ties at the bottom of the “v”. Around the belt-sash we see a strip of white peaking out from between the two sides of the robe—most likely showing the lining on an edge that has turned back slightly. The cuffs of the robe are folded back, showing a contrasting color—either the sleeves of an underrobe or a lining of some kind. Below the outer robe is a white, pleated hem—possibly a hirami or similar, though where we can make it out, it seems to be the same or similar color as the sleeves. Under all of that, they then have a relatively simple mo, or pleated skirt. The ones in the foreground are vertically striped in alternating white, green, red, and blue stripes. There is one that may just be red and blue stripes, but I’m not sure. In the background we see a dark blue—and possibly a dark green—mo. At the base of each mo is a pleated fringe that appears to be connected to the bottom of the skirt. The toe of a shoe seems to peek out from underneath in at least one instance. They don’t have any obvious hair ornaments, and their hair appears to be swept back and tied in such a way that it actually comes back up in the back, slightly. They appear to be holding fans and something that might be a fly swatter—a pole with what looks like tassels on the end.
In comparison, at the southern end of the tomb we have two groups of men. These are much more damaged and harder to make out clearly. They have robes of green, yellow, grey, blue, and what looks like dark blue, purple, or even black. The neckline appears to be a v-necked, but tied closed, similar to what we see on the women. We also see a contrasting color at the cuff, where it looks like the sleeves have turned back, slightly. They have belt-sashes similar to the women, made of contrasting fabric to the robe itself. Below that we see white trousers, or hakama, and shallow, black shoes. On some of the others it is suggested that maybe they have a kind of woven sandal, but that is hard to make out in the current image. On their heads are hats or headgear of black, stiffened—probably lacquered—gauze. They have a bump in the back, which is probably the wearer’s hair, and there is evidence of small ties on top and larger ties in the back, hanging down. Some interpretations also show a couple with chin straps, as well, or at least a black cord that goes down to the chin. They carry a variety of implements, suggesting they are attendants, with an umbrella, a folding chair, a pouch worn around the neck, a pole or cane of some kind, and a bag with some kind of long thing—possibly a sword or similar.
The tomb was originally found by farmers in 1962, but wasn’t fully examined until 1970, with an excavation starting in 1972. The stone at the entryway was broken, probably from graverobbers, who are thought to have looted the tomb in the Kamakura period. Fortunately, along with the bones of the deceased and a few scattered grave goods that the robbers must have missed, the murals also survived, and somehow they remained largely intact through the centuries. They have not been entirely safe, and many of the images are damaged or faded, but you can still make out a remarkable amount of detail, which is extremely helpful in determining what clothing might have looked like at this time—assuming it is depicting local individuals.
And there is the rub, since we don’t know exactly whom the tomb was for. Furthermore, in style it has been compared with Goguryeo tombs from the peninsula, much as nearby Kitora kofun is. Kitora had images as well, but just of the guardian animals and the constellations, not of human figures.
There are three theories as to who might have been buried at Takamatsuzuka. One theory is that it was one of Ohoama’s sons. Prince Osakabe is one theory, based on the time of his death and his age. Others have suggested Prince Takechi. Based on the teeth of the deceased, they were probably in their 40s to 60s when they passed away.
Some scholars believe that it may be a later, Nara period vassal—possibly, Isonokami no Maro. That would certainly place it later than the Asuka period.
The third theory is that it is the tomb of a member of one of the royal families from the Korean peninsula—possibly someone who had taken up refuge in the archipelago as Silla came to dominate the entire peninsula. This last theory matches with the fact that Takamatsuzuka appears to be similar to tombs found in Goguryeo, though that could just have to do with where the tomb builders were coming from, or what they had learned.
That does bring up the question of the figures in the tomb. Were they contemporary figures, indicating people and dress of the court at the time, or were they meant to depict people from the continent? Without any other examples, we may never know, but even if was indicative of continental styles, those were the very styles that Yamato was importing, so it may not matter, in the long run.

One other garment that isn’t mentioned here is the hire, a scarf that is typically associated with women. It is unclear if it has any relationship to the sashes we see in the Kofun period, though there is at least one mention of a woman with a hire during one of the campaigns on the Korean peninsula. Later we see it depicted as a fairly gauzy piece of silk, that is worn somewhat like a shawl. It is ubiquitous in Sui and Tang paintings of women, indicating a wide-ranging fashion trend. The hire is a fairly simple piece of clothing, and yet it creates a very distinctive look which we certainly see, later.
Finally, I want to take a moment to acknowledge that almost everything we have discussed here has to do with the elites of society—the nobles of the court. For most people, working the land, we can assume that they were probably not immediately adopting the latest continental fashions, and they probably weren’t dressing in silk very much. Instead, it is likely that they continued to wear some version of the same outfits we see in the haniwa figures of the kofun period. This goes along with the fact that even as the elite are moving into palaces built to stand well above the ground, we still have evidence of common people building and living in pit dwellings, as they had been for centuries. This would eventually change, but overall they stuck around for quite some time. However, farmers and common people are often ignored by various sources—they aren’t often written about, they often aren’t shown in paintings or statues, and they did often not get specialized burials. Nonetheless, they were the most populous group in the archipelago, supporting all of the rest.
And with that, I think we will stop for now. Still plenty more to cover this reign. We are definitely into the more historical period, where we have more faith in the dates—though we should remember that this is also one of the reigns that our sources were specifically designed to prop up, so we can’t necessarily take everything without at least a hint of salt and speculation, even if the dates themselves are more likely to be accurate.
Until then, if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts. If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode.
Also, feel free to reach out to our Sengoku Daimyo Facebook page. You can also email us at the.sengoku.daimyo@gmail.com.
Thank you, also, to Ellen for their work editing the podcast.
And that’s all for now. Thank you again, and I’ll see you next episode on Sengoku Daimyo’s Chronicles of Japan.

References

Bentley, John R. (2025). Nihon Shoki: The Chronicles of Japan. ISBN 979-8-218634-67-4 pb
Izutsu, Yohei; et al (Last Reviewed 2025). The Kyoto Costume Museum Website. https://www.iz2.or.jp.
Aston, W. G. (1972). Nihongi, chronicles of Japan from the earliest times to A.D. 697. London: Allen & Unwin. ISBN0-80480984-4.

Episode 136: Kabane and Court Rank

October 16, 2025 Joshua Badgley

An artist’s depiction of Ōama no Ōkimi, aka Temmu Tennō. He continued the work of his brother, Naka no Ōe, and made significant changes to the social and political landscape of Yamato. Image in public domain, from Wikimedia Commons.

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This episode we look at “kabane”—ancient titles used in the Japanese archipelago that were often, though not exclusively, attached to the uji, the large corporate families, or clans, set up as part of the early Yamato government. We’ll also talk about the newest innovations in the court rank system.

Kabane (姓)

The kanji for “kabane” actually translates, today, as family name.

  
    




Kabane according to MillerNew Kabane (684)
Kimi (公)Mabito (眞人)
Omi (臣) Asomi (朝臣)
Sukune (宿禰) 
Kimi (君) Asomi (朝臣) 
Muraji (連) Asomi (朝臣)
Sukune (宿禰) 
Obito (首) Muraji (連) and then…
Sukune (宿禰)
Imiki (忌寸) 
 (Kuni no) Miyatsuko (国造)  Muraji (連) and then…
Sukune (宿禰)
Imiki (忌寸) 
Kishi (吉士)  Muraji (連) and then…
Sukune (宿禰)
Imiki (忌寸) 
Atahe (値)
also: Atahi/Atai Muraji (連) and then…
Imiki (忌寸) 
Fubito (史) Muraji (連) 
Agata-nushi (県主) Muraji (連) 
Suguri (村主)Muraji (連) 
Kurabito (蔵人)Muraji (連) 

  

The above lacks data for the last four of the new kabane, so here are the Eight Kabane of 684:

Mabito (眞人)
Asomi [aka Ason] (朝臣)
Sukune (宿禰)
Imiki (忌寸)
Michinoshi (道師)
Omi (臣)
Muraji (連)
Inaki (稲置)

Court Ranks of 685

Ranks for those not lower than Prince (王):

Myō-dai-ichi-i　明大一位 (Great Bright First Rank)
Myō-kō-ichi-i　明黄一位 (Broad Bright First Rank)
Myō-dai-ni-i　明大二位 (Great Bright Second Rank)
Myō-kō-ni-i　明黄二位 (Broad Bright Second Rank)
Jō-dai-ichi-i　浄大一位 (Great Pure First Rank)
Jō-kō-ichi-i　浄黄一位 (Broad Pure First Rank)
Jō-dai-ni-i　浄大二位 (Great Pure Second Rank)
Jō-kō-ni-i　浄黄二位 (Broad Pure Second Rank)
Jō-dai-san-i　浄大三位 (Great Pure Third Rank)
Jō-kō-san-i　浄黄三位 (Broad Pure Third Rank)
Jō-dai-shi-i　浄大四位 (Great Pure Fourth Rank)
Jō-kō-shi-i　浄黄四位 (Broad Pure Fourth Rank)

Ranks for other court officials:

Shō-dai-ichi-i　正大一位 (Great Upright First Rank)
Shō-kō-ichi-i　正黄一位 (Broad Upright First Rank)
Shō-dai-ni-i　正大二位 (Great Upright Second Rank)
Shō-kō-ni-i　正黄二位 (Broad Upright Second Rank)
Shō-dai-san-i　正大三位 (Great Upright Third Rank)
Shō-kō-san-i　正黄三位 (Broad Upright Third Rank)
Shō-dai-shi-i　正大四位 (Great Upright Fourth Rank)
Shō-kō-shi-i　正黄四位 (Broad Upright Fourth Rank)
Jiki-dai-ichi-i　直大一位 (Great Straight First Rank)
Jiki-kō-ichi-i　直黄一位 (Broad Straight First Rank)
Jiki-dai-ni-i　直大二位 (Great Straight Second Rank)
Jiki-kō-ni-i　直黄二位 (Broad Straight Second Rank)
Jiki-dai-san-i　直大三位 (Great Straight Third Rank)
Jiki-kō-san-i　直黄三位 (Broad Straight Third Rank)
Jiki-dai-shi-i　直大四位 (Great Straight Fourth Rank)
Jiki-kō-shi-i　直黄四位 (Broad Straight Fourth Rank)
Gon-dai-ichi-i　勤大一位 (Great Diligent First Rank)
Gon-kō-ichi-i　勤黄一位 (Broad Diligent First Rank)
Gon-dai-ni-i　勤大二位 (Great Diligent Second Rank)
Gon-kō-ni-i　勤黄二位 (Broad Diligent Second Rank)
Gon-dai-san-i　勤大三位 (Great Diligent Third Rank)
Gon-kō-san-i　勤黄三位 (Broad Diligent Third Rank)
Gon-dai-shi-i　勤大四位 (Great Diligent Fourth Rank)
Gon-kō-shi-i　勤黄四位 (Broad Diligent Fourth Rank)
Mu-dai-ichi-i　務大一位 (Great Earnest First Rank)
Mu-kō-ichi-i　務黄一位 (Broad Earnest First Rank)
Mu-dai-ni-i　務大二位 (Great Earnest Second Rank)
Mu-kō-ni-i　務黄二位 (Broad Earnest Second Rank)
Mu-dai-san-i　務大三位 (Great Earnest Third Rank)
Mu-kō-san-i　務黄三位 (Broad Earnest Third Rank)
Mu-dai-shi-i　務大四位 (Great Earnest Fourth Rank)
Mu-kō-shi-i　務黄四位 (Broad Earnest Fourth Rank)
Tsui-dai-ichi-i　追大一位 (Great Pursuit First Rank)
Tsui-kō-ichi-i　追黄一位 (Broad Pursuit First Rank)
Tsui-dai-ni-i　追大二位(Great Pursuit Second Rank)
Tsui-kō-ni-i　追黄二位 (Broad Pursuit Second Rank)
Tsui-dai-san-i　追大三位(Great Pursuit Third Rank)
Tsui-kō-san-i　追三位 (Broad Pursuit Third Rank)
Tsui-dai-shi-i　追大四位(Great Pursuit Fourth Rank)
Tsui-kō-shi-i　追黄四位 (Broad Pursuit Fourth Rank)
Shin-dai-ichi-i　進大一位 (Great Advancement First Rank)
Shin-kō-ichi-i　進黄一位 (Broad Advancement First Rank)
Shin-dai-ni-i　進大二位 (Great Advancement Second Rank)
Shin-kō-ni-i　進黄二位 (Broad Advancement Second Rank)
Shin-dai-san-i　進大三位 (Great Advancement Third Rank)
Shin-kō-san-i　進黄三位 (Broad Advancement Third Rank)
Shin-dai-shi-i　進大四位 (Great Advancement Fourth Rank)
Shin-kō-shi-i　進黄四位 (Broad Advancement Fourth Rank)

Welcome to Sengoku Daimyo’s Chronicles of Japan. My name is Joshua, and this is Episode 136: Kabane and Court Rank

Mononobe no Muraji no Ujimaro was in a foul mood. Once more he had been passed over for promotion, and so he continued to toil away, tallying reports as they came in from the various provinces across the kingdom. Meanwhile, Hasama no Atahe no Woshibi was now his superior, with an exalted rank and the generous stipend that came with it. Ujimaro fumed—he was Mononobe, and his family had once all but ruled Yamato. Though they had been perhaps reduced in circumstances since then, they still proudly held to their place as a Muraji family—a distinction that demonstrated their superior pedigree. Meanwhile, Woshibi was from the Hasama family. Sure, his relative, Nemaro, had been one of those on the front lines in the recent conflict, but still, his family was only atahe. Honestly, a Mononobe was supposed to take orders from someone of an Atahe family?
But this was the new way of things. The ancient traditions were no longer enough—you had to work hard and make sure way up through this new court rank system if you wanted to succeed. Ujimaro grumbled, but there was little he could do in the moment. Nonetheless, he couldn’t help but think about how the natural order of the world was somehow turned upside down…

Greetings and welcome back, everyone. We are working our way through the reign of Ohoama, aka Temmu Tennou. This reign spanned fourteen years, if you include the Jinshin year of 672, though it is broken into two narratives in the Nihon Shoki. The first chapter covers the year of the disturbance, the Jinshin no Ran, when Ohoama fought with the Afumi court, who supported his nephew, Ohotomo, on the throne. We’ve covered that turbulent period previously. The second chapter covers the other 13 years of Ohoama’s reign.
Last episode we covered the first year of Ohoama sitting properly on the throne. The year 673 included Ohoama’s ascension; the confirmation, continuation, and evolution of the Ritsuryou system instituted during Naka no Oe’s time; as well as various ceremonies around Ohoama’s ascension to the throne, including the first verifiable “Daijosai”, the specialized harvest ceremony for the first harvest season of the reign.
This episode we are going to try and tackle something that people have sent in questions about. We’ve touched on it here and there, but I really want to get into the Kabane system—that ancient practice of family titles that were like a collective rank system. It was during Ohoama’s reign that the court made major reforms to the kabane system and restructured it pretty extensively. At the same time, the kabane system was gradually being replaced by other systems of displaying one’s status in society—such as the court rank system, which was also revised this reign. Eventually, without the same purpose as before, kabane would fade away, with a few remaining as honorifics and titles, but at this point they were still important.
So we’ll get into both of these status systems and discuss a little bit about what that meant for the people of the late 7th century court.
From the beginning of Ohoama’s reign, the court had continued to implement the cap-rank system, most recently amended in 664, by Ohoama’s brother, Naka no Ohoye. With the new rank system of 685, the format changed considerably. To better understand this, let’s talk about the rank systems in Yamato and how we have gotten to this point. We’ll want to start with the kabane, and to do that, I want to take us back to a much earlier time.
As you may recall, in the oldest stories in the Nihon Shoki, the Kojiki, and the Sendai Kuji Hongi, most individuals only have a single name, or they are known by the name of a location and a title. Iware Hiko, for example, with Hiko and Hime being general masculine and feminine terms for elites from a given area.
From this, it would appear as though there was no such thing as a “family” name in early Wa societies. As I’ve pointed out before, that does not mean that there were not families, of course, or that lineage and family relationships were not important; we do see familial relationships, and we see concepts of lateral inheritance—from brother to brother rather than necessarily from father to son. The rules behind such inheritance seem to have been rather malleable, however.
And that all makes some sense in a society where most people are dealing with the people of their village and surrounding communities—there is no need for anything more than a given name. Otherwise one’s place of origin or their profession could easily be used to identify any given individual. Even the elites would be known by the territory they control.
I mention all of this because some of the earliest terms we see as “kabane” appear to be titular in nature—that is to say they are derived from ancient titles. Hiko, Hime, Wake, Mimi, and Ushi are all terms we see from the ancient past, commonly found in the names of sovereigns, among other things.
It isn’t until some time in about the 5th century that we start to see the family units arise. These started as something like a corporate group or guild: Those who looked after horses were all labelled as Umakai, while those who worked jade and made magatama jewels were labelled as Tamatsukuribe. These groups or “be” were familial in that they were structured much as a family, with a single family head. That gave the ruler a single point of contact to presumably administer all of the work that particular corporate group was expected to perform. Furthermore, the name passed to their children, who would presumably have been brought up in the family business.
For some of these families, rather than overseeing a business, craft, or similar thing, they were, instead, administrators of a given region or locality. We might think of these as chiefly families, overseeing domains of varying sizes.
These families were known as “uji”. This is often translated in English as “clan”, which is an overloaded term used to describe a group that all claim familial descent from a single putative ancestor—whether real or fictional. Many of the earliest uji were created as “-be” groups: Abe, Mononobe, Imbe, Kataribe, etc., but they eventually started dropping “-be” altogether: Inukahi, Umakahi, Soga, Nakatomi, Wani, and the like. For these Uji, many were connected to various deities, or kami, from which they claimed descent. These kami are thought to be some of the original ujigami, though that term later came to be applied to various kami that were seen as guardians of a particular locale, and later uji need not claim direct descent from a kami for it to be special. For example, the main deity of Kasuga Taisha, the shrine built in Nara in the 8th century, said to house the ujigami of the Nakatomi and Fujiwara, primarily pays worship to Takemikazuchi no Mikoto and Futsunushi no Mikoto, deities brought from the east. Takemikazuchi is considered an ujigami of the two uji, but the oyagami, the actual parent or ancestral kami from which they claim direct lineage, would be Ame no Koyane no Mikoto, who is also worshipped as the third deity at the shrine.
The fact that these uji operate more like clans means that they were made up of numerous family units, who might be scattered across the archipelago. At the head of each uji would have been a central family to provide the uji leadership and interface with the court. Nonetheless, they were all considered the same uji, and a rise in the fortunes of the uji applied to all of its disparate members.
To be clear, there were titles attached to individual names, Sukune, for example, which is one we’ve encountered several times in the narrative.
Professor Kan’ichi Asakawa, in his work “The Early Institutional Life of Japan”, provides an overview of some of these corporate titles, that came to be known as “kabane”.
In all likelihood, they all had a straightforward meaning at some point. “Omi” means minister, for example, and continues to be used in that sense—as well as as a title—up through at least the 7th century. Another common kabane that we see is “Muraji”, which appears to originally reference someone in charge of a village or similar polity. Asakawa suggests that it comes from Mura no Ushi, with “Ushi” meaning something like “lord” and showing up elsewhere as well. “Kimi” also appears to be demonstrating some kind of hegemony over a land.
Beyond that, here are a few others that we have seen: Atahe—or Atai—as well as Suguri, which appears to truly be a lower level village headmaster. Then there is Agata-nushi, aka Agata No Ushi, the Lord of an Agata, or district. Asakawa also notes Wake, Inaki, Sukune, Kishi, and Tamitsukasaas other kabane.
The kabane are interesting in that they do appear to be precedental—that is to say that there does appear to be some kind of hierarchy in terms of the social position of each uji. The kabane did not, however, confer any particular resources. There was no stipend attached to a given kabane, though certain court positions were only open to members of uji with the appropriate kabane. Perhaps most notable in this are the Omi and the Muraji, which were the only two family types that held the supreme court positions—what we would likely refer to as “Prime Minister”. These included families such as the Ohotomo no Muraji, the Mononobe no Muraji, the Kose no Omi, and the Soga no Omi. The heads of these families had a special title—the Ohomuraji or the Oho-omi, the Great Muraji and the Great Omi. These positions were placed at the top of the court system, allowing them unrivaled access to the levers of power. Typically there were two to three of these individuals at any given time, down to as few as one during the height of the Soga no Omi’s power and influence.
It is unclear if all uji at the Omi and Muraji level had a designated Oho-Omi or Oho-Muraji at their head, or if that was only for those who were in actual positions at the top of the court structure.
It is also unclear if the precedence between the Omi and Muraji was always fixed. Early on, we see Muraji houses that appear to be holding the majority of the powerful positions, and later we see the ascendancy of the Omi households. By the 7th century, however, it appears that Omi came first, followed by Muraji, based on the order that individuals are frequently named in the Chronicles, among other things.
As for the other titles, some of them we believe we know, and others are more of a mystery. The origin of “wake” and “kimi” are rather obscure, though they both appear to have something to do with territorial rule and belong to uji that lay some kind of claim to a blood relationship with the royal house. Some of them may have been rulers in their own lands, prior to Yamato hegemony.
“Inaki” may be related to rice castle, or storehouse, and seems to have referred to one of the smallest local units. That also means we rarely see it in the narrative, which tended to focus on those more closely tied to the court and the royal house. Asakawa notes that the Atahe, or Atai, seems to be for uji who possessed some amount of private land and private soldiery, but we don’t know much more. Asakawa also points out that the Suguri, Tamitsukasa, and the Kishi kabane all seem to be related to groups with ties to the continent—perhaps descended from immigrant groups.
The Kuni no Miyatsuko and the Agata-nushi are the titles with the clearest seeming ties to territorial hegemony. “Kuni” is the term for the ancient lands, such as Yamato, Kibi, Kenu, Koshi, etc. There seem to be around 140 such “kuni” described in the archipelago. Agata, on the other hand, were much smaller districts. While some of these district names have survived, it is hard, if not impossible, to know exactly how many of them there were.
Then you have this term: “Miyatsuko”. Breaking that apart, he translates it as child or servant—ko—of the exalted house—miya. Taken together, these appear to reference the elite families in charge of overseeing territorial lands.We also see another term that uses “Miyatsuko”: Tomo no Miyatsuko. Unlike Kuni no Miyatsuko, Tomo no Miyatsuko is a term representing a group, rather than a kabane attached to an individual family. When the sovereign addresses the court, for example, he typically addresses the Omi, the Muraji, the Tomo no Miyatsuko and the Kuni no Miyatsuko.
Asakawa proposed that, technically, all of these could fall under the term “Miyatsuko” as servants of the sovereign’s house. Rather than focusing on specifics of all the myriad kabane, however, Asakawa treats them broadly as the Omi, Muraji, Tomo no Miyatsuko, and Kuni no Miyatsuko.
The Omi and the Muraji we already touched on. They were the houses that could, among other things, supply the court with their Ohoomi and Ohomuraji—their prime ministers. So it makes some sense. The Tomo no Miyatsuko and the Kuni no Miyatsuko are a little more tricky to pin down, but Asakawa suggests that, ased on what we can tell, the heads of the Omi, Muraji, and Tomo no Miyatsuko likely attended court on a regular basis and lived nearby, whereas the Kuni no Miyatsuko were those whose heads dwelt elsewhere, likely because they were the local elites in various other areas of the archipelago. This is in the name—the term “tomo” might be thought of as being “with” someone, and at one point it is suggested that the Tomo no Miyatsuko are related to those who traced kinship back to the kami who originally descended from the Plain of Heaven. However, among the myriad kabane, not all of them were strictly local, and we find some kabane doing double duty for both local and geographically dispersed uji.
Thus he also suggested that Kuni no Miyatsuko, though it was a kabane in its own right, also represented the other forms of territorial elite titles—all those who did not regularly attend the court, but instead administered their own lands.

Richard Miller, in his work, “Ancient Japanese Nobility”, does provide a suggested hierarchy of the kabane. I don’t know if I completely agree, as I think that it was a lot more complicated across the entire archipelago, but nonetheless I’ll add the information to the blogpost page if you want to see at least one suggestion of relative precedence between uji of different kabane.
Now let’s not forget that not everyone was a member of an uji. For one thing, the royal family—both the sovereign’s immediate family and Princes who claimed a more distant relationship—were exempt from the Uji-Kabane system. Also, the commoners, those who actually toiled and worked the land, likewise would not have been included in a given Uji. The Uji may have directed production, and even included certain artisans, but it still only included those who were tied, in some way, to the government.
Now while the Uji-Kabane system may have started as titles with actual meanings—that is to say that the names and titles were essentially indicative of a group’s role in society—it didn’t take too long for it to become a little more abstract. After all, generation after generation, people change. Individuals vied for power and position in the court and elsewhere, and one’s uji may rise, and even fall, depending on how they were able to succeed in the political climate of the day. This was augmented with the marriage politics which no doubt was conducted as much between the elite families as well as with the royal family.
And then there were the branch or cadet families. For example, let’s say that the head of a family has four children. Each one of those children could theoretically succeed their father—if his own siblings don’t do so. With each generation, the familial ties get weaker, and smaller, sub-houses could form. If the uji was geographically dispersed, then local branches could become more or less independent.
All of this seems to have caused not a small bit of confusion, and thus we get an edict in the last months of 682: it instructed all of the uji to ensure that they had a senior member—an uji-no-kami or ko-no-kami, with “kami”, in this instance, meaning top or head, rather than deity. This family head was to be reported to the government, presumably so that the government knew exactly who was in charge of each family. If there were too many people in a given uji, then they were encouraged to split themselves up and submit their own heads, with government officials adjudicating the decision. Finally, they are exhorted not to include any people that do not belong.
A few things this seems to indicate. First is that the government did not have a handle on all of the different families out there, which makes some sense. It had been many generations since the uji had been initially set up, and the State had gone through a lot in that period. It may also indicate that there were those making a false claim to a family name specifically for the added prestige. How difficult would it be to claim to be a member of a prominent family that just happened to have been from a far-flung, out of the way branch? We see this in the 10th century with the Oushu Fujiwara—a family in Tohoku, around the region of Hiraizumi, who claimed descent from the famous Fujiwara family. Of course, the Fujiwara family by that point had grown so large, that it was next to impossible to check any such claim. How much moreso in the age before written records were common?
We’ve seen examples where different parts of a given Uji were recorded separately. For example, the Aya were split early on into different groups, with the Yamato no Aya being perhaps the most often referenced, but we also have the Kawachi no Aya—the Aya from Kawachi. And then we have the Inukahi, where we see the Ama no Inukahi and the Agata no Inukahi, referring to the Inukahi of the Sea and the Inukahi of the District, though sometimes just a reference to “Inukahi”.
Of course, it also seems that these branch families maintained the kabane of the original. Over time, uji were promoted, but rarely were they demoted. And so, over time, more and more uji are counted among the ranks of the Omi and the Muraji.
At the same time, the court was changing. With the Taika reforms and the development of the ritsuryo codes, the Uji-kabane system was no longer required for managing the realm. Furthermore, the government was centralizing land and the produce thereof. And so they instituted the cap-rank system, a more explicit system of rank within the court that was held by the individual, not by the entire uji. In addition, cap-rank could be tied directly to a stipend, making the court officers more dependent on the central government, rather than on their own uji’s resources.
Early on, it is likely that higher cap rank was given to members of the more highly exalted uji, as those were the uji that also filled the upper echelons of government and therefore would have been best prepared to succeed in those roles. However, as things continued, it was likely that it was going to get even more confused. Or they would need to raise up all of the families to Omi and Muraji status, but as that happened, the meaning of the kabane themselves became less and less clear. After all, if everyone is an “Omi” and “Muraji” than, really, nobody is.
In 681, we are told that they began to put together a law code, and later a law code of 92 articles is said to have been established. However, it seems it was still being updated, and wasn’t until 689, after Ohoama’s death, that all 22 volumes would be distributed to the various governors. It became known as the Kiyomihara Codes. In 684, Ohoama’s reforms attacked the problem of the Kabane. The record complains that the various titles had become confused. That there were people out there taking kabane they were not entitled to, and just a general confusion because it no longer aligned quite so well with the evolving cultural norms of the new Yamato state.
Early attempts to deal with this appear to have been, in the years since they began codifying it all in 681, to raise up families and individuals to the rank of “Muraji”. There are several records where lists of families are all given “Muraji”. In the case of individuals being granted Muraji, it is unclear if that was going just to them or to their entire family, though there are some examples where it seems an individual was granted the title and then their uji was separately awarded the same.
This seems like an initial attempt to straighten things out. With the new bureaucratic system and the court ranks, no doubt there were people of worth from uji with less prestigious kabane who now outranked individuals from uji that were, at least on paper, more prestigious. This can’t really have solved the problem. If anything, it just watered down the meaning of “muraji” even further, since now everyone and their brother seemed to have been granted that title.
Ohoama’s solution was to pare down the system to only eight kabane, total. Some of these were existing kabane, and others were entirely new.
At the bottom of this new system was the title of Inaki, which had been about the lowest territorial kabane of the existing system. I suspect that this included all of those families that were still below the rank of Muraji, who had not been raised up in the preceding years. However, from there it immediately jumped up to the Muraji and Omi, in that order. And so the kabane that were previously at the top of the system were now towards the bottom. That way, they could “promote” families into greater kabane, without needing to “demote” a bunch of existing families at the same time.
Above the Omi were mostly new kabane, except for one. The first was “Michinoshi”, a Master of the Way. It is unclear what this was intended for, as we aren’t told who was promoted to this kabane. Based on the name, it is thought that this may have been for uji that had demonstrated a mastery of learning or perhaps some other pursuit, such as medicine, science, crafts, etc.
Above the Michinoshi title was the kabane of Imiki, the fourth of eight. This may mean something like “One who arrived”. Some suggest that it may have originally been “imaki”. Richard Miller, in his work “Ancient Japanese Nobility” suggests that this was effectively the equivalent of the old title of “Atahe”. That said, most of those who received this kabane had previously been promoted to the old title of “Muraji”, though before that they were mostly Atahe, or else Obito, Kishi, or Miyatsuko.
There is a thought that Imiki had something to do with “coming” and was meant for uji descended from immigrant families. Miller notes that this is not immediately born out in the data from the Nihon Shoki, where we see about a 50:50 split between immigrant and native uji. However, in the following chronicle, the Shoku Nihongi, we see about 100 of 150 of uji with the Imiki kabane that were of immigrant origins, so 2/3rds. That still isn’t entirely conclusive, but does add some weight to the idea.
Continuing to the 3rd kabane from the top we are at “Sukune”. This was previously used as a kabane, but from what I can tell it was given to an individual and was not passed down to the entire uji. Now it was something different. Miller suggests that this kabane was for those uji who claimed descent from one of the kami, but not necessarily from the royal lineage.
In contrast, Asomi, later read as “Ason”, the 2nd of the 8 kabane, literally reads as “court minister”. It appears to be for those who claimed some connection to the royal family. It is notable that Ohoama awarded this to some 52 families during his reign. Compare that with making 11 Imiki and 13 Mabito, the next and highest ranking kabane. Asomi would be the most common kabane among those at the top of the court bureaucracy. Of all of them, this one seems to linger, perhaps because it is the kabane that was given to the Fujiwara family, who then carried that with them into later centuries.
Finally, there is Mabito. Mabito means something like “True Person” or perhaps “Upright Person”, and it seems to have gone exclusively to families with the old kabane of “kimi”. An examination of the thirteen uji in this group indicates that they were those with close royal ties, who claimed a descent closely related to that of the royal family.
So those were the new kabane. Although they were declared in 684 and handed out through the following year, we do see some individuals referenced with these kabane earlier in the narrative. This is likely just due to the fact that it is how they were eventually known, and so they are given an anachronistic kabane, which was probably much easier for the compilers than trying to make sure that all of the names were exactly correct for each record.
With the kabane thus dealt with, Ohoama then went on to make some major changes to the court rank system as well. In many ways I would say that his ranks were quite novel—previous changes to the cap-rank system had largely been additions or slight modifications but had left many of the names intact with each change. As such, the rank system decreed in 664 was really just an update to the previous cap-rank system of 649 and earlier. And so even through 664 you still had things like “Greater brocade” as someone’s rank. Towards the end of his reign, though, along with other reforms to the government,
Determining what exactly the rank system was at any given point can be a little confusing. Depending on the record being used, names are sometimes referenced anachronistically: That is they are given with the ultimate title, kabane, or rank by which they were known. This could sometimes be after multiple phases of reform, and so the honors mentioned may not necessarily reflect that individual’s ranks and position at the date of the entry. Also the various rank systems are close enough, sharing many of the various rank names, such that it isn’t immediately obvious if something different is being used. This is true of both kabane and court ranks. Furthermore, as many individuals may only be mentioned once or twice, we may not always have a lot of data on how things may have changed.

The new system enacted in 685 was different in several ways that make it quite distinct. In fact, we see in the record of this reign earlier mentions of individuals where their rank is given in terms of the new system even in records predating 685. So what did that look like?
The rank system of 685 still used various signifiers, which broke things up into categories, but these were broken up into 2-4 numerical grades: Ichi-I, Ni-I, San-I, Shi-I, or first rank, second rank, third rank, and fourth rank. This gets us closer to what was eventually an almost purely numerical system. Each grade was then divided further into “Larger”: “Dai”; or “Broader”: “Kou”
This is also where we see Princely ranks enumerated for the first time. As we noted, previously, princely rank was something that we started to see at the beginning of this reign in the Nihon Shoki, with Prince of the third rank, etc. In 685, however, we get an actual proclamation.
The Princely ranks are broken into two large categories—the bright, or Myou, ranks and the Pure, or Jou ranks. There were two grades of Myou—Ichi-I and Ni-I, and four grades of Jou—Ichi-I, Ni-I, San-I, and Shi-I. Each grade was further divided twice into large, dai, or broad, kou. So you had Myou-dai-ichi-I, Myou-kou-ichi-I, Myou-dai-ni-I, Myou-kou, ni-i… et cetera. That translates to something like Large First Bright rank, Broad First Bright rank, Large Second Bright rank, and Broad Second Bright rank. This would continue with “Jou” replacing “Myou”, and provided a total of 12 princely ranks.
As for how they were divvied out, we only see the granting of “Jou” ranks. In fact, Kusakabe, the Crown Prince himself is given Broader Pure First Rank (Jou-kou-ichi-i). His brother, Prince Ohotsu, was given Larger Pure Second Rank, their brother Takechi, who had helped lead the forces in the Jinshin war, was given Broader Pure Second Rank, one lower than his younger brother. Both Kawashima and Osakabe were given Larger Pure Third Rank. So if the highest “Pure” rank was going to the Crown Prince, then who were the Myou ranks going to? Unfortunately, thou the system would last until the development of the Taihou code, in 703, we don’t have any clear examples of the Myou ranks being handed out, so that may be a puzzle we don’t unravel.
Beyond the ranks for the various princes, there was another, similar set of ranks for the common court nobles. This system had 6 categories, broken up, like the Princely ranks, into four grades, each further divided into Larger and Broader, as before. In this case the categories were:
Shou – Upright
Jiki – Straight
Gon – Diligent
Mu – Earnest
Tsui – Pursue
Shin – Advancement
This created 48 total rank divisions, which gave an unprecedented granularity for the court.
As for granting rank, we have a couple of examples of that, beyond just the posthumous grants. In 686, Ohoama conferred Gon-I, the Dilligent rank, on six ministers who attended to him, personally. There was also a request that provincial governors should select nine people of achievement who could likely be given the same.
There is one strange account: in 685, Awata no Asomi no Mabito—Mabito, in this case, being his given name—requested permission to transfer his rank to his father, but this was refused.
And I think this gets to the heart of the cultural change that was underway, and which Ohoama and the court was actively encouraging. Although the kabane titles were a collective rank, court rank, and the accompanying stipend, was for the individual. This wasn’t something that could accrue to the head of a family. That would have been an important point at a time when the traditions of the uji system were still quite strong.
So there we have it. Hopefully there was something new for you to take away as we come to better understand Ohoama and his court.
We still have plenty more to discuss—probably enough for a few more episodes as we cover some of the natural events and disasters, the ties between the court and religion, as well as what was going on with peninsular affairs, not to mention the myriad other little random tidbits. We’ll get to all of that as we can.
Next episode we’ll take a look at the material culture of the court. Specifically we’ll take a look at what we know about their dress and clothing, much of which was influenced by that sumptuary laws that were, themselves, tied in closely with this new rank system.
Until then, if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts. If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode.
Also, feel free to reach out to our Sengoku Daimyo Facebook page. You can also email us at the.sengoku.daimyo@gmail.com.
Thank you, also, to Ellen for their work editing the podcast.
And that’s all for now. Thank you again, and I’ll see you next episode on Sengoku Daimyo’s Chronicles of Japan.

References

Bentley, John R. (2025). Nihon Shoki: The Chronicles of Japan. ISBN 979-8-218634-67-4 pb
Miller, Richard J. (1973). Ancient Japanese Nobility: The Kabane Ranking System. University of California Press. ISBN 0-320-09494-8.
Aston, W. G. (1972). Nihongi, chronicles of Japan from the earliest times to A.D. 697. London: Allen & Unwin. ISBN0-80480984-4.
Asakawa, K. (1903). The Early Institutional Life of Japan: A Study in the Reform of 645 AD. Tokyo Shueisha. Reprint (1963): Paragon Book Reprint Corp., New York, N.Y. 10016

New Year's Recap 2025

January 1, 2025 Joshua Badgley

Mt. Fuji from Miho Matsubara. Photo by author.

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Happy New Year!

Welcome to our 2025 recap. This episode we look back on the past year, but also try to make sure that we prepare for the next year. We’ll cover the big events and then go into some of the major themes that we’ve seen over the year. For that, we’ll also cover some of the previous history that has led up to the start of things this year.

One of the biggest things we’ll do is look at the various forms of power and influence used in the archipelago, based on what we can see in the archaeological record, but also on what we are told by the histories. There is still much that we don’t know, and one of the largest debates between the Chronicles and modern scholarly interpretations of events seems to be just how much control Yamato actually held prior to this period. However, from about the 7th century onwards, there appears to be enough correlation with other events that we have some idea of what was actually happening.

A key fact to remember is that we are in the middle of the 7th century, and the Nihon Shoki’s account ends in 697 CE—about twenty-three years earlier than the date it was published, in 720 CE. So these latter events would have been the ones with the most sources and the most people who probably remembered something about them—or had at least heard stories. In fact, we can imagine that someone who was 80 years old in 720 CE would have been born in 640, and would have been in the prime of their life by 660. So we are now within the period where people actually remembered the events the Chroniclers were writing about.

Chart showing the various lineages with bold outline around those referenced most heavily this year

Isshi Incident and the Taika Era

The majority of this year was focused on the changes that stemmed from the Isshi Incident, which spawned the Taika era—the era of “Great Change.” This is the start of the Ritsuryo era, and the birth of the bureaucratic state that would be used for some time to govern Yamato—and eventually Nihon, aka Japan.

Though it wouldn’t necessarily take a direct path—after building a grand palace in Naniwa, they moved back to Asuka. Still, they had expanded control throughout the archipelago, or so it seemed.

And now here we are: Takara hime is back on the throne, but Prince Naka no Oe is still Crown Prince and still has a lot of influence on the court.

Shinnen Akemashite! Happy New Year and Welcome to Sengoku Daimyo’s Chronicles of Japan. My name is Joshua, and this is the New Year’s Recap episode for 2025!
It’s that time again: we are going to look back at what happened in the episodes this year. That was only episodes 101 to 117—we’ll skip the travelogue episodes for the time being. This covered the years of the early to mid-7th century, from roughly 613 to 659. That is easily within the lifetime of a single individual, and yet a lot was going on.
At the start of this year, we were at the height of Soga power. In 2023, we covered how back in 587, Soga no Umako had wrested power away from the powerful Mononobe clan, defeating Mononobe no Moriya. As you may recall, the sovereign known to posterity as Jimmu Tennou was the descendant of the Heavenly Grandchild known as Ninigi no Mikoto, at least according to the Nihon Shoki. The Mononobe clan claimed descent from none other than Nigi Hayahi, the Other Heavenly Grandchild, whose offspring were said to have been defeated by Jimmu.
You may recall that scholars generally consider the story of Jimmu, and the nine sovereigns that immediately followed him, as almost certainly a later addition to the story of the royal lineage. So when did the story of Nigi no Hayahi’s defeat enter the picture? And was its inclusion perhaps related to the defeat of the Mononobe by the Soga family? A family that successfully intermarried with the Royal House, themselves, such that all later sovereigns would trace their ancestry back to the Soga house?
Of course, under Soga dominance we saw the rise of figures like the Soga descended Kashikiya Hime, aka Suiko Tenno. During her reign, major reforms were carried out, Buddhism became fully established by the State, and ties with the continent were strengthened.
Politics would continue to be dominated by Soga, even after the death of Soga no Umako and Kashikiya Hime, with Soga no Emishi taking up the mantle of Prime Minister, working closely with his son, Soga no Iruka. The Soga family was so entwined with the politics of rulership that the main rivals of the Soga were… the Soga. That is to say different Soga-descended lineages, like that of the Prince Umayado, aka Prince Shotoku. Rather than supporting Umayado’s son, Prince Yamashiro no Oe, Soga no Emishi backed another candidate to the throne, Prince Tamura. , of the royal Okinaga lineage. Tamura came to power as Jomei Tenno, but there is little doubt that Soga no Emishi was the one in control.
Later, when Tamura passed away in 641, Yamashiro no Oe continued to be passed over. In fact, Soga no Emishi supported the ascension of Tamura’s wife, Takara hime, over Yamashiro no Oe, and there is evidence that he supported a prince known as Furubito no Oe as the Crown Prince and eventual successor. All of the evidence—which, to be honest, is rather biased—suggests that the Soga family were setting up a series of puppet rulers who would do their bidding, or at least be pliable to their suggestions.
There must have been some pushback, though, especially when one considers how strong the cult of Prince Shotoku, aka Umayado, would eventually become. One imagines that Prince Yamashiro was another pole around which those who opposed the Soga family could rally. After all, he was the son of Crown Prince Umayado, and likely had just as much of a claim as Tamura and his children. And so, to counter this threat, Soga no Emishi’s son and successor, Soga no Iruka, took matters into his own hands.
In a brazen display of the violence of court politics, Soga no Iruka had Yamashiro no Oe accused of plotting against the throne and took an army to arrest him—no doubt in the hope that the prince would resist. Eventually they cornered Yamashiro and his family, who committed suicide rather than submit.
This attack was likely targeted to take out the rival to the Soga family’s preferred Crown Prince, Prince Furubito no Oe, but rather than quell any dissent, the move seems to have enflamed the passions of those who wanted to see an end to the Soga house. Those passions took particular root in none other than Furubito no Oe’s younger brother, Prince Naka no Oe. Together with the support of his uncle, Prince Karu; the head of the Nakatomi house, Nakatomi no Kamatari; as well as another scion of the Soga house, Soga no Kuroyamada, Prince Naka no Oe staged a coup d’etat. Using the death of Prince Yamashiro no Oe as an excuse, they engineered a plot to assassinate Soga no Iruka in court, in front of Naka no Oe’s own mother, Takara Hime no Oho-kimi. After Iruka’s death, Naka no Oe and his supporters then took the fight to Soga no Emishi, who committed suicide and set his own house on fire in what came to be known as the Isshi Incident.
This shocking assassination caused Takara hime to step down. The Soga-backed Prince Furubito no Oe, rather than stepping up and taking the throne, retreated to a Buddhist temple and took holy orders, effectively retiring and theoretically taking himself out of court politics. That left Prince Naka no Oe and his uncle, Prince Karu, as possible candidates.
We are told that Prince Naka no Oe declined to take the throne himself, instead supporting his uncle, Prince Karu. Prince Karu took the throne, and is known to us as Kotoku Tenno, today. Prince Naka no Oe stepped up as the Crown Prince, and with the help of his co-conspirators, such as Nakatomi no Kamatari, Soga no Kurayamada, and others, they began a project to remake the Yamato government, using continental models—specifically the Sui and Tang courts, which were also influencing the governments of the Korean peninsula, such as those of Baekje and Silla.
This is known as the Taika, or Great Change, era. There had been previous movements to adopt some of the continental trends, but nothing to this extent, which culminated in a tremendous palace complex built in Naniwa—modern Ohosaka. Governors were sent out to the east of the country. The old, decentralized system was being replaced by a centralized bureaucracy.
And yet this wasn’t entirely a smooth transition. Early on there was a threat by supporters of the previous Crown Prince, Furubito no Oe. He was killed to put down any possible revolt. Later, Naka no Oe was hoodwinked into going after his own co-conspirator, Soga no Kurayamada, resulting in Kurayamada’s death and the punishment of his entire family. A few years later, Naka no Oe moved back to Asuka, taking most of the royal family and the court with him, abandoning the grand government complex that they had built in Naniwa for reasons that remain unclear.
Shortly thereafter, Karu, aka Kotoku Tenno, passed away. But rather than Naka no Oe taking the throne—or even Karu’s son, Prince Arima—the throne went back to Naka no Oe’s mother, Takara Hime. This is the only case we have of a single sovereign reigning twice, and the Chroniclers gave her two separate regnal names—Kogyoku Tenno to refer to her first reign and Saimei Tenno to refer to her second.
And this is the reign that we are going to start the new year with.
Beyond what was going on on the archipelago, there was also plenty that we covered on the continent. We started the year with the Sui dynasty having consolidated control and working to continue to expand their territory north, south, and west, while also connecting the economic areas of the Yangzi and Yellow rivers.
Unfortunately, through their wars and public works projects they overextended themselves, and the dynasty fell, replaced, in 619, with the Tang dynasty. The Tang continued to expand, taking control of important points on the Silk Road and becoming a hub of trade and commerce. At the same time, they were contesting their borders with the Goguryeo, who, themselves, had come under the control of Yeon Gaesomun, an infamous noble and anti-Tang hard-liner, who had staged a coup, murdered the Goguryeo king and any who stood against him, and who had installed a puppet king on the throne. It is little wonder that the Tang dynasty was courting Goguryeo’s enemy, Silla, to pressure them from the other side. This eventually kicked off the Tang-Goguryeo war, with the loosely allied Tang and Silla fighting on and off with Goguryeo and their ally, Baekje, who was also invested in stifling Silla’s ambitions on the peninsula.
So that’s where we are: The Korean peninsula is currently embroiled in conflict between the three kingdoms on the peninsula and the nearby superpower, the Tang Dynasty. Meanwhile, Yamato, on the archipelago, is going through a whole… thing. What that is, we’ll try to get into over the next year.
Given all of this, let’s go over some of the themes from the past year. To start with, let’s talk about expanding Yamato influence.
From what we can tell, Yamato’s influence in the archipelago had peaked around the 5th century, between the creation of giant Daisen Ryo kofun and the reign of Wakatake no Ohokimi, aka Yuryaku Tenno. Wakatake no Ohokimi had courtiers from as far away as Kyushu and the Kanto plain. However, from what I can tell, Yamato’s influence appears to have temporarily waned, possibly coinciding with the end of Wakatake’s own dynasty, with a new dynasty coming to power in the 6th century.
It is possible that Wakatake was simply never quite as powerful as the Chronicles make out, but there are a few other things that make me think that the end of the 5th and early half of the 6th century were a low point in Yamato’s power. For one thing, we see a drop off in interactions with the continent after 479—or at least anything beyond the tip of the Korean peninsula. In addition, we see smaller rooms built in the region of the Nara Basin and the Kawachi plain, while more “royal” tombs continue to appear elsewhere in the archipelago. It isn’t that they stopped, but the size decreased, suggesting that Yamato didn’t have the same labor pool it used to.
On top of that, we have the dynastic change. We are told that the line related to Wakatake died out and they had to bring in someone from Afumi and Koshi, who traced their lineage back to the legendary Homuda-wake, aka Ōjin tennō, some five generations back. Many scholars suggest that this connection was a later merging of the lineages, suggesting that, in reality, an entirely new branch of sovereigns had come to power.
Finally, we can see the Chronicles focusing more and more on the areas near to Yamato, the area known as the Home Provinces, possibly because Yamato only held direct control over these areas, while control beyond that was only nominal. Local elites in those regions had a lot of autonomy, and if Yamato did not have anything in particular to offer them, they would not have a reason to necessarily go along with Yamato’s requests.
This may have even been part of the impetus for the so-called “rebellion” by Iwai, in Kyushu. As you may recall, in the early 6th century Iwai attempted to ally with Silla against Yamato and Baekje, with the idea of cutting off Yamato’s access to the continent. This ultimately failed, and Yamato ended up creating what would become the Dazaifu near modern Fukuoka, but the fact that Iwai could contemplate it and gather such support would suggest that Yamato was at least perceived as vulnerable.
Now up to this point, we see several different policies that were used for increasing the court’s control. Early on, this was done by doling out various elite goods. We also see Yamato soft power in the form of spiritual authority and the expansion of local Yamato cultic practices out into the other lands of the archipelago. There was also the tradition of monumental tombs, and especially the royal keyhole style tombs, which spread out from Yamato and was likely as much an indication that those regions saw Yamato practices as worthy of emulation, at the least, and perhaps saw Yamato as a cultural nexus on the archipelago.
To all of this, they eventually added the “Be” system. This appears to have been copied from systems being used on the Korean peninsula, and it focused on creating familial units to organize various industries, with family heads responsible for reporting and funneling necessary goods up to the court. This eventually included the noble “uji” clans, with their power bases in various geographic regions.
Yamato extended its influence through a variety of methods, including various public works projects. These included things like the building of ponds, or reservoirs, which would have been critical to the wet-rice paddy agriculture that was the economic backbone of the Yamato government.
Another means of extending government control was the “miyake”, or Royal Granaries. Originally we see these set up in the Nara basin, but during the current dynasty they had been extended all the way out to Kyushu. Ostensibly, they were there to collect rice for taxes, but they appear to have acted as government offices, providing a presence for Yamato even out in the hinterlands. Eventually they would turn the area in Kyushu, the Dazai, into its own, semi-autonomous extension of the Yamato government, as well.
In the past year of the podcast, we’ve seen many of those older forms of government control replaced with a new bureaucratic system. This included an upgrade to the rank system, which was a way for the government to both organize the bureaucracy while also creating a means to award individuals. Early rank systems had initially been granted at the family level, but following a continental model meant that the new system was based solely on the individual. Thus they could hand out rank to various kings and chieftains across the archipelago and entice them into the Yamato orbit, a trick they had been doing previously as well with various types of recognition. Those that took the titles and rank that Yamato handed out gained a certain amount of legitimacy, locally, but since that legitimacy was tied to the Yamato court, it also helped solidify Yamato’s own influence on those areas.
That doesn’t mean that all expansion was peaceful. Yamato contested on their eastern and northern border with the people referred to as the Emishi, which eventually included contests as far north as the island of Hokkaido with the Mishihase people.
There was another form of soft power used by the court in the way that it supported Buddhism, which was still a new religion at this point, having arrived in the early part of the 6th century. Patronage of Buddhism would lead to the building of temples and otherwise claiming some authority in the spiritual realm, beyond simply the court’s control of the Mt. Miwa site. Furthermore, the state itself took particular interest in Buddhist institutions, and cracked down heavily on the clergy, ensuring that they reported up to the court, formally solidifying the connection between temples and the State.
But then they went a bit further and instituted actual governors. They were appointed by the Yamato government, and they were particularly installed in the Eastern lands—referred to as provinces. These governors reported to the court, and appear to have initially been separate from locally recognized elites, who were known as the Kuni no Miyatsuko. The governors were to take stock of the areas under their authority and report up information such as a summary of the lands and local census information. This meant that Yamato did not need to rely on local elites to administer an area, they would have greater insight into what was actually going on.
This was all combined with the institution of new laws on taxes, corvee labor, and more, while eliminating traditional practices such as the Miyake and even royal tomb-building. The latter was likely affected by the various public works projects, but also the fact that more work was going into the building of things like Buddhist temples.
As we noted back in the previous year, Buddhist temple building appears to have had a hand in the end of the prolific kofun building, at least in Yamato proper. Kofun were memorials—meant to carry on the memory of an individuals well after their death. They were ritual sites, and families were set up to care for them.
Temples, likewise, were erected with certain memorial qualities. Donating to build a temple was thought to increase one’s karma, and thus do wonders for your next life. Temple patrons would be remembered, and services were carried out, but temples also had a certain public aspect to them, as well. On top of that, they were new, and no doubt exotic, with their tiled rooves, intricate carvings, and colorful buildings. Much of the labor that would have built tombs appears to have been co-opted, instead, to build temples.
Some of the temples founded in this period include Asuka dera, aka Hokoji, built on or near the Soga family compound, as well as other Asuka temples, such as Yamadadera, Kawaradera, Toyouradera, and Kudaradera. There was also Houryuji, erected by Prince Umayado near his house, and the ancient temple of Shitennouji, erected in Naniwa. Of these, both Horyuji and Shitennoji continue, today, at or near their original with some of the oldest extant buildings in Japan. Asukadera was moved to its modern site of Gangoji, in Nara city proper, but there is still a smaller Asukadera on the original site, with what may be one of the original images, though the buildings have been rebuilt after numerous fires and disasters over the years.
Of course, a big part of all of these foreign ideas, such as Buddhism but also Confucian thought as well, was the growing influence of the continent, whether in the form of Baekje, Silla, Goguryeo, or beyond. While there had been influence ever since the Yayoi period—and arguably even during the Jomon, in some instances—there seems to have been an acceleration once Yamato began to import Buddhism, which was likely connected with all of the learning and texts that were also being imported around that time. Then, during the Sui and Tang dynasties—both of which the Chronicles simply label as the “Great Tang”—the court sent several embassies to the Sui and Tang emperors, bringing back individuals with actual experience in the way things were happening outside of the archipelago.
And we should not discount the various embassies to and from the Korean peninsula. Yamato was increasing its involvement in peninsular affairs. They continued to be concerned with the state of Nimna, also known as Imna or Mimana, which had been assimilated by Silla, along with the rest of Gaya, or Kara, by the early to mid-6th century, with many accounts dealing with attempts to reinstate Nimna as a separate and sovereign entity. Along with this, Yamato continued their relationship with Baekje, who sent Prince Pung to reside at the Yamato court. This continued a long-standing tradition that is portrayed as a type of diplomatic hostage, though there have been several times that princes at the Yamato court came back to Baekje to rule after the king died or was killed.
All of this to say that not only did ambassadors from Yamato go to these countries, but ambassadors also traveled to Yamato, while various immigrants from these areas of Baekje, Silla, and even Goguryeo occasionally settled in Yamato. This further increased the number of individuals with knowledge and experience of continental concepts and technology, and we can see their influence in numerous different ways.
This was all part of what led to the Yamato government’s adoption of Tang style law codes, though it should be noted that the law codes were not taken wholecloth. Rather, they were adapted specifically to the issues of the archipelago. This was the beginning of what came to be known as the Ritsuryo system, literally the system of laws and punishments.
Under this system, the government went from a single Oho-omi, or great minister, to two Great ministers, one of the left and one of the right. These would come to be known as the Sadaijin and the Udaijin. Nakatomi no Kamatari was afforded a special place as the third minister, the minister of the center, or Naidaijin, possibly referring to his responsibilities with the interior of the royal household, while the ministers of the left and right would have had particular ministries beneath them - eight ministries in total, with various departments underneath them. They would be assigned to report either to the Minister of the Left or the Minister of the Right, each one overseeing, effectively, half of the government portfolio.
This system, combined with the governors and the Tomo no Miyatsuko in the provinces, meant that Yamato had much more granular control over the workers and the means of production. They organized households into villages, and villages into districts. There were lower level officials who reported up the chain all the way to the great ministers, the Daijin, or Oho-omi. This meant that they effectively abolished the Be and Uji system, at least as it had been set up. These familial groups continued to operate as families, or perhaps more appropriately as “clans”, given how the groups had come to be.
These officials were granted rank and, more importantly, stipends from the government. A portion of taxes, which were paid in rice, went to various officials. This meant that officials not only relied on the government for their status, but for their incomes as well.
This went along with an attempt to implement something known as the “equal field system”, imported, again, from the continent. This determined who would work what fields, and was another way that the government was involved down to the actual labor producing the rice that was the economic engine of the State.
And that covers most of what we’ve been up to this past year. There have been individual accomplishments that we didn’t get into, but there is plenty there if you want to listen to it.
So that covers the past year in the podcast—a little over half of the 7th century. It really was a time of dramatic change—whether or not “Taika” was the name given to part of it, it certainly feels appropriate. Even though the court eventually moved to Naniwa, this is the height of the Asuka period, and the start of the Ritsuryo state. It would form the foundations for what was to come, and themes from this period will continue to show up again and again.
In this next year, we are going to continue to look at Takara Hime’s reign and beyond. We’ll see the resolution of the Tang-Goguryeo war, and the impact of all the continental fighting on the archipelago. We’ll also see continued developments within the archipelago itself, hopefully getting through to the end of the 7th century.
We are actually reaching the end of the material in the Nihon Shoki. This does not mean that we are running out of material, though. The Chronicles end in 697—less than 40 years out from our current place in the Chronicles. From there, we have the Shoku Nihongi, which covers 95 years, until 797 CE. Translation of much of the Shoku Nihongi is available through the work of Dr. Ross Bender, and you can find his work online if you want to get a leg up on the reading, though that is a ways out. For now, we can still comfortably continue with the Nihon Shoki, at least through the reign of Temmu Tennou.
Until then, Happy New Year! As usual, thank you for listening and for all of your support. Thanks also to my lovely wife, Ellen, for her continued work at helping to edit these episodes!
Remember, if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts. If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode.
Also, feel free to Tweet at us at @SengokuPodcast, or reach out to our Sengoku Daimyo Facebook page. You can also email us at the.sengoku.daimyo@gmail.com.
And that’s all for now. Thank you again, and I’ll see you next episode on Sengoku Daimyo’s Chronicles of Japan.

References

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New Year's Recap 2024

January 1, 2024 Joshua Badgley

Sunset over the hills west of Asuka. Photo by author.

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Happy New Year!

Welcome to our 2024 recap. This episode we look back at what we went over the past year and try to cover some broad themes. We talk about the uji-kabane system, and how the families that were created to help the government work were now starting to get a bit big for their britches, leading to the rise of families like the Soga and the Mononobe. We note that the royal succession is still something of a mess, and even things we think are rules may not actually be rules.

There’s also the coming of Buddhism, destruction of Nimna, and the rise of the Sui dynasty. In the end, we have set the stage for a new Yamato, one that sees itself in a new light.

And with that, I hope the new light for this new year is bright and wonderful for everyone. Akemashite omedetou gozaimasu!

Shinnen Akemashite! Happy New Year and Welcome to Sengoku Daimyo’s Chronicles of Japan. My name is Joshua, and this is the New Year’s Recap episode for 2024
Every year I try to take a moment and look back at the material we covered. In part, this is to remind us of the journey we’ve been on, but it is also to help look at some of the larger themes that we might otherwise miss when we are looking at more discreet topics. This year we have not necessarily progressed through as much of the archipelago’s history as in previous years—we started in the early 530s and have probably covered about 80 or 90 years, in contrast to 2022 and before where we covered multiple centuries in a year. But there’s a good reason for that: it has been an eventful period, or at least more of the events are getting written down. However, there is a lot of important stuff going on. We are seeing, more than anywhere else, the rise of powerful families, not just individuals, a process that began as a way to expand the power of the state, but which then took on a life of its own under what is known as the uji-kabane system—the system of families and family rank. This is happening alongside of a reimagining of the state and of the royal family in particular. Many of the 8th century cultural norms are starting to be set in this period. In many ways, the people of Yamato are revising their cultural imaginary of themselves, often in reference to new ideas, concepts, and philosophies being imported from the continent. This includes the arrival of Buddhism and its shake up of the way that the people of the archipelago viewed the world and their place in it.
And so we’re going to start with a recap of the various sovereigns, then go into some of the more particular aspects of what was going on, and try to cover some of those more overarching themes. Hopefully this gives us a good base to move on into 2024.
Now over the past year we’ve gone through seven sovereigns. First was the short reign of Magari no Ohine, aka Ankan Tennou, around 531 to 536, back in episode 79, when we talked about the glass bowl attributed to his tomb. He was followed by his brother Takewo Hirokunioshi Tate, or Senka Tennou, who reigned until his death in 539. That was Episode 80, where we also kind of kicked off the Asuka period, which many see as starting around 538.
Next, in Episodes 81 through 86, was their half-brother, Amekunioshi Hiraki Hironiwa, or Kinmei Tennou, who ruled until about 571. Amekunioshi was followed by his son, Nunakura Futodamashiki, known as Bidatsu Tennou, who ruled until 585—Episodes 88 and 89. Bidatsu was followed, in episode 90, by our fifth sovereign in this year’s line up, Tachibana no Toyohi, or Youmei Tennou, father of Prince Umayado, aka the famous Shotoku Taishi, who we talked quite a bit about for his legendary and historical importance. Youmei Tennou passed away in 587, and after some conflict, Hasebe no Wakasasaki came to the throne, remembered as Sushun Tennou. He was assasinated in 592, as we covered in Episode 92, and succeeded by Toyomike Kashikiya Hime, daughter of Amekunioshi, wife to Nunakura Futodamashiki, and known to most as Suiko Tennou. That’s where we are at present.
We also have seen a succession of high officials. We started off with Ohotomo no Kanamura and Mononobe no Arakahi as the two Ohomuraji, but we quickly saw the addition of Soga no Iname as Oho-omi. This foreshadowed the fading of the Ohotomo family appear to have lost their status with their failures in peninsular dealings, while the Mononobe and Soga continued to help lead the country. Mononobe no Arakahi was succeeded in the position of Ohomuraji by Mononobe no Okoshi, and then Mononobe no Yugehi no Moriya. Soga no Iname was succeeded to the position of Oho-omi by his son, Soga no Umako.
Taken together with Prince Umayado, aka Shotoku Taishi, these are perhaps some of the main names in the Chronicles. Let’s recap what was most important about each of them.
We started this year talking about the reign of Magari no Ohine, aka Ankan Tennou. The official account says that he was the son of Wohodo, aka Keitai Tenno, and one of two of Wohodo’s sons that were basically just keeping the seat warm for their half-brother, Amekunioshi, aka Kinmei Tennou. In other words, they were kind of regents.
This story quickly falls apart, however, when you look at several factors. First, based on some of the dates given for his birth, Amekunioshi would have been around 22 years old when their father, Wohodo, passed away—young, but old enough to take the throne without requiring any kind of regent. In addition, neither of his two brothers gave up the throne to him when he finally came of age—whatever age that might have been. Instead, each one died in the position. That doesn’t exactly scream that they were giving up power.
Why this discrepancy? The best explanation is that the Chroniclers were trying to keep things nice and tidy, and
we are told that the tradition was for sovereigns to only come from lineages where both the male and female lines were considered royal—one sovereign and one royal princess, typically, who would be raised up as the Queen, and whose offspring would be eligible for the throne. However, that was slightly disrupted by Amekunioshi, aka Kinmei Tennou, who seems to have taken the throne despite the fact that his two half-brothers and their offspring may have had the stronger claim. Still, he was able to point to his mother’s royal status. In fact, she was even of the previous dynasty, sister to the last sovereign from that line, Wohatsuse Wakasazaki, aka Buretsu Tennou. Or so we are told by the Chroniclers.
. And so only Amekunioshi’s mother is considered to be the truly legitimate queen, while Magari no Ohine and the other so-called “regent” brother - Takewo Hiro Kunioshi Tate, aka Senka Tennou - must have been from a consort other than the Wohodo’s main wife. Their mother, Menoko, was instead linked to a prominent family, that of the Owari no Muraji, but it is unclear if they had the royal connections on her side—though I have little doubt that they could have been invented if they didn’t already exist.
I would point out that even given this explanation, both of the brothers were given the posthumous honors of “Tenno”, rather than being referred to as a regent, whereas the sovereign Okinaga no Tarashi Hime, aka Jingu Kougou, also ostensibly a regent, was never granted that honor, at least by the Chroniclers. We discussed this a bit in Episodes 41 and 42, and how that may have been due to the Chroniclers’ misogynistic tendencies as much as anything. There is a suggestion that in reality, these two brothers may have been rival claimants, and there may have even been competing courts, as different family members rallied support to their side.And all of that perfectly helps illustrate just how we think things might have looked around this time. Succession to the royal throne hardly appears to have been cut and dry. Even before this period, we saw times where there were multiple claimants , regents, etc. There is no clear pattern by which we can deduce who would succeed any given sovereign: it might be a brother, or any of their sons, or even a daughter. And without a clear system of succession, every time the sovereign passed away, there was a competition for the throne.

You might recall that the mutual father of these three sovereigns, Wohodo, was himself said to have been the first in a new dynasty-- the previous dynasty died out with Wohodo’s predecessor, Wohatsuse no Wakasazaki, aka Buretsu Tennou. There are a lot of questions around this transition, but even the Chroniclers couldn’t immediately connect Wohodo to the previous lineage without having to go all the way back to Homuda Wake, aka Oujin Tennou, on his father’s side, and to Ikume Iribiko, aka Suinin Tennou, on his mother’s side, but there are still plenty of questions about those ties and how real they were.

When it comes to the complications of succession, one thing to factor in is that this was still in the time when every sovereign moved into a new palace. There are various thoughts on why this was —one of them being that the move prevented spiritual pollution associated with a dead body. I also wonder if it wasn’t practical as the new sovereign may have already had their own base of power, or perhaps by building new it was a way to ensure that the buildings were always fresh and free of any problems, as I believe these early buildings were largely built of fresh, untreated wood. Whatever the reason, moving to a new palace each time also means that there wasn’t an actual, physical throne to fight over. Rival sovereigns could set themselves up in different areas in and around the Nara basin, Kawachi, et cetera, and gather supporters to their court.
Those supporters, no doubt individuals with some power and clout in their region who saw benefit in allying themselves with an even bigger name, would eventually become the heads of various corporate families, further extending their power and influence. There is plenty of reason to believe that the family systems we see on the archipelago were not necessarily indigenous creations. Early on people were associated with a place, perhaps, and of course you would know your line of descent, possibly even going back into myth and legend. The concept of “family” as simply a matter of descent and relationship no doubt existed—after all, everyone has a mother and a father. However, the idea of families with wide ranging control over a particular industry, administrative function, or even court ritual were likely imported from the continent as a way to group people together. In fact, these are often referred to more as “clans”—groups of individuals who claimed shared descent, whether real or imagined, often from some legendary figure. The new concept of these families not only grouped people based on things like their occupation or common ethnicity, if they came from the peninsula, but it also added a layer of administration that was then tied into the concept of the Yamato court, making it an extension of the government. In turn, the government classified these families through a system of rank and titles—the kabane.
This system had people being known as much or even more by their family name as they were by the common name they went by as individuals. Originally we see individuals working in similar professions organized into groups that used the term “-Be” in the name, but later we get the “uji”, or familial clans, that were more like administrators and extensions of the court. Of note, there would continue to be many people who were not formally part of a particular -Be or Uji or even Ie, or “house”. These were mostly individuals of the common agricultural class or similar, and long lineages might have no actual family name until the Meiji period, when everyone was expected to take on a family name as part of the efforts to modernize the country. Until then, having a family name meant that you actually were already a part of the upper crust of society, even if you were only on the bottommost rung of that particular social ladder.
In addition, a family name allowed someone to take on the family kabane, or title. While there were some titles that appear to be given to the individual, these kabane titles, such as Suguri, Kishi, Atahe, Kimi, Muraji, and Omi, designated entire families. These terms themselves appear to come from earlier job positions, indicating different types of leadership, from a local headmaster up to rulers of countries, and high ministers of the court. For example, the title of “Omi” was originally a job description, indicating one of the many functionaries that made the court run, but as a kabane, any member of a given family would be able to use the term, whether they were actually in a ministerial position or not.
At this point, these important families were essentially an extension of the state—a way to decentralize control so that the Yamato state could function at an expanded level. Some families appear to have been set up around local administration, including making local chieftains and the like part of their own family unit that was then granted control of the area by the court. During the period we’ve covered this past year, we see that approach of absorbing regional families mature and grow, and those families taking on greater roles: initially with stories of the Ohotomo and Mononobe families, culminating in the powerful Soga family.
For the Ohotomo and the Mononobe, the family name likely tells us part of what and who they were. The Ohotomo were the Great Tomo, or the Great Tomo no Miyatsuko. These Tomo no Miyatsuko are some of the earliest court nobles, and it would make sense that the Ohotomo were at their head—which would also explain their position as the Oho-omi in the 5th and early 6th centuries. Next to this family were the Mononobe, the Be (occupational group) of the Warriors, or Mononofu. Together these families represented the early concepts of administration and military might. However, as the families continued to evolve, they became independent from the roles they were originally created to hold. The Ohotomo would eventually fall from power, and in their place would rise up the Mononobe. However, the Mononobe would also find themselves on the outs, especially in the tumultuous period following Amekunioshi’s death.
It was at this time that a new family would rise up to take their place: the Soga, which we’ve heard a lot about this year. The head of the Soga, Soga no Iname, had positioned his family in part through carefully marrying his daughters into the royal line. While this had been done in the past, it wasn’t to the extent or success that the Soga were able to achieve: In only a single generation, Iname saw Soga descended sovereigns on the throne. This took place, of course, with not a small amount of maneuvering and the eradication of rival lineages. It was their own Game of Thrones playing out, with the families created to serve the state and the royal family grabbing for themselves more power. This would seem to be an unexpected consequence of a concept that had initially helped expand the royal authority, and we’ll only continue to see more of it in the coming decades and centuries.
At the same time that all of this was playing out on the archipelago, things on the continent were also changing. First and foremost, in that it was closest to home for Yamato, was the rising power of Silla on the Korean peninsula.
Up to this point, most of the Korean peninsula appears to have been a collection of small, regional polities, with occasional alliances between them. There were two or three kingdoms of note. In the north was Goryeo, a shortened version of the original name, Goguryeo, which is how we generally refer to it today to distinguish it from the 10th century state of the same name. It was the oldest of the various kingdoms, and claimed descent from the northern Buyeo kingdom, centered in modern Manchuria.
In the southwest of the peninsula was the kingdom of Baekje. They, too, claimed descent from the nobility of Buyeo, and they were made up of many of the various polities collectively referred to as Mahan. While Goguryeo was ruling up in the north, Baekje was one of the first kingdoms to set up shop in the southern end of the peninsula.
Then there was Silla. Originally a confederation of six polities in the area known as the Jinhan, they eventually became a kingdom and started pushing against the other polities in the region. This includes the fledgling kingdom of Kara, mostly known as a confederation of smaller polities from the old Byeonhan region. There are royal style tombs in the area, but before they could really get going Kara and the other polities fell under the control of the kingdom of Silla. This included groups like Ara and the controversial polity of Nimna. This set Baekje and Silla in direct confrontation, as Silla’s land grab eliminated much of the buffer territory between the two of them.
Nimna appears to have been of particular concern to Yamato, and appears to have been one of Yamato’s allies, along with Baekje. While Baekje appears to have been the stronger of the two, Nimna may have had a special place for Yamato, especially as it may have been an important port for Yamato ships traveling to trade with the rest of the continent. Nimna being under Silla rule would have made this trade much more risky, as the Silla-Yamato relationship was often a rocky one. Yamato attempted to move Nimna out from under Silla control, both through an alliance with Baekje, in concert with some of the other polities, as well as through attempts to take the country by force—most of which excursions were called off for one reason or another.
At the same time, Baekje had been in decline, generally speaking. They moved their capital farther south after being defeated by Goguryeo. They were rebuilding, and still a powerful force, but not quite at the height of their power.
Farther on the mainland, between the Yellow and Yangzi rivers, the period of the Northern and Southern Courts was coming to a close, and the Sui dynasty would eventually rule much of the Middle Kingdom, what is today modern China. They would bring a stability to the region and embark on public works projects that would forever change the face of East Asia.
As all of this was happening, influences were coming from the west. We mentioned the Sassanian glass bowl and similar wares that made their way from the Middle East all the way to Japan—though whether as part of a sovereign’s burial or not might still be up for debate. Nonetheless, we know that the overland trade routes were booming, even if the occasional instability might disrupt them now and again. The whole of Asia was more connected than we often give it credit for.
Along this road came not only material goods, but new ideas. Greek culture had reached at least as far as Gandhara, modern Pakistan and Afghanistan, and from east of the Indus came a new religion: Buddhism. It spread along the silk road, eventually finding a home in China, where it flourished, and continued to spread to the Korean peninsula and then, in the 6th century, to the archipelago of Japan.
Buddhism came hand in hand with other mainland texts, exploring a variety of science and philosophy. We discussed how the mainstream story of the introduction of Buddhism is likely not entirely correct. That story sets up a conflict between the foreign religion of Buddhism and the worship of local kami—the practices that would become Shinto. So, resistance to Buddhism is initially depicted as a resistance to foreign influence and the need to continue to support indigenous belief. The reality, however, is much more complex.
First is the role of kami worship in the expansion and exercise of State power. The archaeological record demonstrates some expansion of Yamato ritual in the spread of various kofun styles —especially the royal keyhole shaped kofun, which were clearly adopted by others, demonstrating Yamato’s influence. More subtly, we see the spread of Yamato ritualists to various parts of the archipelago, and eventually the spread of various beliefs—though it may be somewhat difficult to say just when belief in any particular kami started at this period. Remember, though, the way that powerful physical icons of the kami, such as mirrors and swords, had been taken by the Yamato sovereign and held by the court. We touched on this back in Episode 20, where we discussed on Yamato took on “guardianship” for various relics, almost like they were taking sacred hostages. Worship of the kami was intertwined with statecraft, and spiritual power and political power were both a part of the mix along with actual military power. If you could perform a ritual that people felt was effectual, that was seen as on par with actual governance. We also see this in the way that various families identified with different kami, such as the Mononobe and their link to the deity of Isonokami shrine, and the Royal family with the deity of Mt. Miwa.
Worship, however, was already starting to take on a continental tinge, as we see in stories about various deities, and the practice of worship. This was no doubt influenced by immigrants from the Korean peninsula, who brought their own stories and beliefs. Furthermore, whenever nothing else seemed to be working, bringing in new and exotic ritual practices from across the sea was likely seen as New and Shiny. It was, after all, the latest in spiritual technology, and that foreign-ness and lack of local understanding would have led not only to its also having a somewhat mysterious quality, but also in the power that comes with being the only ones to quote-unquote “understand” the power of it and how to translate it. If you were a 5th or 6th century ritualist family, if you could get hold of things that seemed to be ancient practices from the continent that nobody else really knew or understood, you were automatically the local subject matter expert.
Furthermore, there wasn’t necessarily a single, unified concept of how the kami worked, either. Kami worship was often localized, and then later would spread as others heard about particularly powerful kami and rituals. But there was no single concept of “Shinto”—there’s no evidence that Izumo, Yamato, and Kibi all had the same origin stories, and, in fact, the many different stories that make up the Age of the Gods in the Chronicles speaks to the idea that there were many different stories, depending on who you asked.
In many ways, this is even true today. While there are general themes that most Shinto shrines and practitioners follow, ritual practices from place to place may vary wildly. This is less so in places that were part of more unified systems, such as the shrines connected to the royal family or those regulated by State Shinto in the Meiji period through World War II, but even today you can find a variety of differing beliefs and rituals in Shinto, even as most things appear to be the same on the outside. A shrine’s teachings may have local meaning or local rituals that are not practiced elsewhere, though many will fall into a recognizable cultural milieu that tends to make them more standardized. As a small, but visible example, different shrines may have different omamori—protection amulets—that they offer. While most offer amulets against sickness, disaster, or for attaining goals, some may have specific amulets for the martial arts, while others may have more specific amulets about love and marriage. These will often be based on those things which the shrine and its kami are most associated with.
In many ways, the Soga clan’s acceptance of and use of Buddhism early on emphasizes this kind of spiritual borrowing, but to an extent that went well beyond what anyone else had done. Most groups or families seem to have borrowed bits and pieces from the continent and then applied them to their local customs, but the Soga appear to have taken on Buddhism wholesale. The benefit was that Buddhism wasn’t just a few new practices—it was an entire corpus of material, with a rich written tradition.
Of course the writing was primarily in Sinic script, which was not exactly accessible to most people. And early attempts at building temples and holding worship demonstrate a clear lack of understanding of Buddhist rites and rituals – indeed they are described much more like what one might expect to see in kami worship, with an emphasis on Buddhist “feasts”. This may have been an attempt to make these new practices more accessible, but I believe that it is more likely that these early attempts at Buddhism were trying to treat the Buddha as another kami, through which the Soga family could control access to rites and rituals and thus gain political power through their perceived spiritual power. It didn’t hurt that, when they finally did build some temples, they were in the continental style, even further illustrating the Soga family’s connection with all of these new fangled ideas coming over from across the sea.
This was likely facilitated by the Soga family’s connections to the immigrant community, particularly to various people from Baekje whom they sponsored and who, in turn, would be able to assist them in various ways. These included people like Shiba Tattou and his family, who were regularly assisting Soga no Iname and Soga no Umako in their endeavors. This may in part explain why early Buddhist images were coming over from Baekje, Yamato’s ally at the time, though that may have been coincidental or even a catalyst—it isn’t entirely clear.
It is also intriguing to me that I have not seen a clear reference to a Soga family shrine. Perhaps the Soga themselves were from the continent, originally—that may explain some of the earlier Soga names that appear to reference the peninsula and even Goguryeo. Then again, it is hard to say—it may be that the Soga family shrine was never of as much import as their eventual attachment to Buddhist institutions.
For those in power who could see how the Soga family was using this new religion, it is little wonder that they pushed back against it. They had no particular reason to see Buddhism as anything particularly special, but they no doubt knew that the Soga would use it as a platform to further enhance their position. And the powers-that-be succeeded several times, it would seem, in resisting Soga attempts to found a new ritual center.
The Soga, however, had already gained considerable power outside of Buddhism. Much of their rise is not entirely catalogued, but by the time of Soga no Iname, things were looking good. The Ohotomo family was on the decline, which likely created something of a power vacuum that Soga no Iname was able to exploit.
By the way, there is a thought that early on the position of “Muraji” was actually superior to that of “Omi”, and it may be that the “Oho-omi” position was not quite as prestigious as that of Ohomuraji. This is obscured by the fact that by the time of the Chronicles, the Oho-omi position clearly eclipsed the position of Ohomuraji, and that is projected back into the distant past by the Chroniclers. This would speak to the idea that the Soga family was actually ranked behind the Ohotomo and the Mononobe, originally, but their Omi family was on the rise, and eventually their position as Oho-omi, the Great Omi, became the most influential position at court.
This may go along with the fact that Soga no Iname is also given the personal kabane of Sukune in the Chronicles, which is described as the highest personal title that could be bestowed on an individual.That also speaks to his personal power and influence at court. Of course, he is described by these terms from early on, even though he likely received them later in his career, and so it can be difficult to track just when he came to the peak of his effectiveness. There is also the possibility that some of it is projected back on him because of his offspring, though even then he was still likely someone of consequence to be able to have those familial connections with the royal family in the first place.
I suspect that much of Iname’s position was likely derived from his access to Baekje and other immigrants and their access to reading, writing, and the new technologies that the court was hungering for. Iname then parlayed that position into strategic marriages with the royal house. Several consorts were from the Soga lineage, daughters of Soga no Iname. Their sons and daughters, while royal princes and princesses, would also be connected to their Soga relatives. This was a not uncommon ploy, as we’ve seen it in many other cases as well.
However, then something happened that would disrupt the apple cart. Remember hwo we talked about how a sovereign was supposed to be be descended from the royal family through both their paternal and maternal lines?
Amekunioshi was succeeded by his son Nunakura Futodamashiki, aka Bidatsu Tennou. His mother had been Ishi Hime, son of Amekunioshi’s half-brother, Takewo Hiro Kunioshi Tate, aka Senka Tennou. But when he died, his son, Hikobito, was not made sovereign. Instead, the throne passed to his half-brother, Tachibana no Toyohi, aka Youmei Tennou, a son of Amekunioshi and a daughter of Soga no Iname—so royal blood on only half of the family’s side.
Following him, we see a bloody fight for the throne, largely personified by the military forces of the Mononobe v. those of the Soga. Remember, the Mononobe had started as the Be of the warriors. They were expected to be the armies of the court, at least in Yamato and the archipelago. In previous reigns they had been the ones to mete out punishment and to be given charge of places like the Yamato government’s outpost in Kyushu, from which point armies would be launched against the continent. They did not, however, have a monopoly on military power. Many families participated in raids against the peninsula, so we can assume that there were many who had their own, private forces. While the Mononobe may have been the court’s warriors, they had also branched out into other areas of administration, as well as maintaining the ritual site of Isonokami.
The Soga versus Mononobe fight also saw various royal princes pitted against each other, and many would-be sovereigns were killed. Prince Hikohito, whom one might think as the eldest son of Nunakura was the heir presumptive, was killed, and the Mononobe ended up supporting Prince Anahobe against the Soga’s candidate, Prince Hasebe. However, both of these candidates were descended from daughters of Soga no Iname—nobody was putting up a candidate that truly had royal blood on both sides.
In the end, the Soga were victorious, and they destroyed the Mononobe—though not entirely. The Mononobe were certainly out of power, but they would continue to exist in a more minor role. The Soga candidate, Hasebe, was then placed on the throne as Sushun Tenno, while Soga no Umako enjoyed unparalleled power as Oho-omi.
However, despite his Soga lineage, and the fact that Soga no Umako had helped put him on the throne, Hasebe was not necessarily going to let himself be controlled. And so Soga no Umako resorted, we are told, to assassination, to clear the throne for someone else. And that someone else was none other than Toyomike Kashikiya Hime, aka Suiko Tennou.
She is something of an enigma. She is the first woman to be granted the title of “Tennou” by the Chroniclers, and several accounts make her seem like she was a shrewd operator. She had been the second wife of her half-brother, Nunakura Futodamashiki, and she’d been in or near the halls of power since his reign. And yet some believe her to be little more than a puppet for Soga no Umako, while others believe she was a consensus candidate who was largely inoffensive to the majority of the court. This is further complicated by the fact that she didn’t even name her own offspring as Crown Prince, designated to succeed her. Rather, that position went to none other than her nephew, the Prince of the Upper Palace, Kamitsumiya, aka the Prince of the Stable Door, Umayado, more popularly known today as Prince Shotoku Taishi.
Shotoku Taishi is a mytho-historical figure by all accounts. While many believe that an actual prince existed, he is given credit for almost anything good that happened. Although the Soga family was clearly responsible for bringing in Buddhism, it is Shotoku Taishi who is credited with spreading the holy religion. He is also said to have written the first constitution for the state, and set up a court rank system similar to the continent, though still unique to Yamato.
He is said to have ruled jointly with his aunt, and is treated in later stories as a dharma king, even though he never took on the actual mantle of sovereign. Of course, Soga no Umako also exerted a huge influence, and in the end it is hard to say exactly who held the real power amongst the three: Kashikiya Hime, Prince Umayado, or Soga no Umako.
Umayado was the first to pass away, however—which may have also contributed to his holy status as any problems could be passed off as belonging to his aunt or, even better, to his grand-uncle, Soga no Umako, who would follow Umayado in death a few years later, and then, finally, Kashikiya Hime herself would succumb to time. They all passed away within a decade of each other, but Kashikiya Hime would manage to outlast them all.
Through this reign, for all of the fighting and politics, many of the foundations were laid for a reimagining of the Yamato state, the sovereign, and the vehicles of power. The court had spread their control through ritual, through the familial system, and through the establishment of Miyake—government outposts designed to control rice land and send tribute back in the form of tax. However, now they were formalizing that structure and in so doing they were putting a legal framework around it. Built around a continental model, the throne became the source of rank for the individual, not just the family, and that rank could be given out across the archipelago. This set up some of what was needed to start to move towards a more bureaucratic state in the continental model.
Certainly, we see that Yamato power had expanded. Further out from Yamato, we see the round, keyhole shaped tombs becoming popular, while closer to the Nara basin, they actually began to die out. In part this can be seen as a possible sign of Yamato control, since the local elites were no longer being represented as rulers, but in a lesser capacity. However, it then takes a real turn as even the sovereigns—or at least the Soga descended sovereigns—are no longer buried in keyhole shaped tombs, either, and these tombs become smaller. This may be, at least in part, because resources to build tombs were being redirected into the new temple building craze. For whatever reason, Buddhism had caught on, at least amongst the elites. If the Soga family had hoped to control Buddhism, they appear to have failed. Numerous temples started up, tied to different families, most of them connected, in some way, with various immigrant groups in the archipelago. Where this would go, we’ll have to see.
And that largely catches us up. I skipped over a few things, but it is worth recalling the Haruna eruptions that we covered back in episode 87, which reminds us that the Chronicles really only give us a narrow view of everything that was going on. Much of the history of the archipelago remains unrecorded, and is only understood through the archaeological record. While a lot was happening in Yamato, there was plenty going on elsewhere, but we only see it when it touches on Yamato and their politics.
And so we learn a little more about the creation of the Dazaifu, and we hear about natural disasters, such as earthquakes and floods, but only if they affect the Nara basin. There are some hints in the fudoki, the local gazetteers that were compiled in the 8th century to catalog the local stories and histories, but we only have so much, and even then the stories aren’t always easy to place in a truly chronological context. Still, we can see some general themes running throughout this period.
As we start into 2024, we’ll finish up with the reign of Kashikiya Hime. Before her reign ends, we’ll also see the rise of the Tang dynasty on the continent—a new inspiration for Yamato, but also a new threat, especially as they ally with Silla. Also, with Prince Umayado gone, who will next take the reins of power? And what will happen with the Soga family? Will Umako’s children prove as formidable as he was? There is plenty more to look forward to.
Until then, Happy New Year! As usual, thank you for listening and for all of your support. Thanks also to my lovely wife, Ellen, for her continued work at helping to edit these episodes!
Remember, if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts. If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode.
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And that’s all for now. Thank you again, and I’ll see you next episode on Sengoku Daimyo’s Chronicles of Japan.

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Sources

Weizhi

Archaeological Evidence

Embassies to the Liang Court

Haniwa

Tenjūkoku Mandala

Takamatsuzuka Kofun

Court Rank Color Chart

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References

Kabane (姓)

Court Ranks of 685

Ranks for those not lower than Prince (王):

Ranks for other court officials:

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